pt. 2: Third World Third Positionism: “What’s Left?” October 2019 (MRR #437)

I had a favorite t-shirt in the 1980s, one I owned several of and wore frequently. It was red with a stylized black silkscreened image of Alberto Korda’s famous photo of Ernesto “Che” Guevara printed above his popular quote: “At the risk of seeming ridiculous, let me say that the true revolutionary is guided by feelings of great love.” Korda’s image of Che with military beret and solemn expression was taken during a Cuban state funeral; handsome, heroic, and seemingly immortal. I wore the t-shirt around the UC San Diego campus without incident or even much notice, but I liked pushing the envelope by wearing it all around the very conservative city of San Diego.

While wearing the shirt and eating my customary grease-, carb- and meat-heavy breakfast washed down with several bottles of Negra Modelo beer outside Harry’s Coffee Shop in La Jolla circa 1985, I noticed a young man glaring at me. Harry’s was a local favorite, so I assumed he was a surfer because of his shaggy haircut, Quiksilver Hawaiian shirt, colorful boardshorts, and leather huarache sandals. He frowned at me over a decimated plate of food next to which rested a russet guampa, a hollow calabash gourd lipped with silver from which a silver bombilla straw protruded. A waitress poured more hot water into his maté gourd before bussing his dishes and leaving the check.

“You realize Che was not Cuban,” the man said after taking a sip, his Spanish accent patrician.

“He was Argentinian,” I said. “But Castro’s revolutionary government granted Che Cuban citizenship ‘by birth’ in 1959.”

“Bravo.” He raised the guampa in mock salute. “Not many yanquis, especially gabacho izquierdistas, know much about Guevara’s background.”

I nodded, then continued demolishing my breakfast. He counted out his money to pay for the meal and stood, cradling his gourd.

“I presume though you think Che is Third World. He certainly has been made into a symbol for Third World leftist revolution. But Argentina is not a Third World country, ethnically speaking. Argentina was settled by Spanish, Italian, and German migrants who completely wiped out the native indiano populations. There was no race mixing. The Argentine population is almost pure European. Che Guevara was as white as you or I, so it is laughable to consider him Third World.”

I’ve mentioned Ernesto “Che” Guevara in relation to fellow Argentinian Juan Perón and his Third Positionist justicialismo ideology. Third Positionism—the myth of a politics that is neither left nor right—has one source in the Third World after the second World War but another source in the First World before the first World War. Extreme Left movements first converged with ultranationalist authoritarian extreme Right movements between the revolutionary syndicalists influenced by Georges Sorel and the Action Française of Charles Maurras in the early 20th century. This matured in Italy during and after the first World War with the ultranationalist, irredentist activities of Gabriele D’Annunzio which culminated in his seizure of the city of Fiume, as well as in the evolution of Benito Mussolini from the far-left wing of the Italian Socialist Party to the first Fascist seizure of power in 1922. The 1922 March on Rome shifted the development of Fascist Third Positionism from Italy to Germany with the proliferation of rightwing antisemitic organizations and movements alternate to the Nazis like Conservative Revolutionism, Strasserism, National Bolshevism, and the like. Even Ernst Röhm’s tenure in the NSDAP’s Sturmabteilung (SA) constituted Third Positionism in its claim to be the vanguard of the “National Socialist revolution,” with Röhm calling for an overtly anti-capitalist “second revolution.” When Hitler assassinated Röhm and Gregor Strasser on the “Night of the Long Knives” in 1934, orthodox Nazism was consolidated and the move to Third Positionism was curtailed during the second World War.

Cross contamination was inevitable given the violent antagonism between Marxism and Fascism. Taking on Marxism’s class based schema, Italian nationalist Enrico Corradini developed the concept of the “proletarian nation” in 1910 which transposed the class struggle to the struggle between nations. D’Annunzio, Mussolini, and the Strasser brothers among others defended this notion. But it gained little traction until the defeat of classical Fascism in Italy and Germany, the instigation of the Cold War between the Soviet bloc’s “socialism in one country” and the American-led “free world,” and the upsurge of anti-colonial struggles in the Third World after the end of the second World War. Third World anti-imperialism didn’t just take the form of socialist struggles for national liberation, or even the Non-Aligned Movement (NAM) of underdeveloped and developing nations not formally aligned with either of the two Cold War superpowers. It often took a reactionary anti-imperialist turn that talked about going beyond Left and Right. In a phrase, it was Third World Third Positionism where proletarian nations struggled internationally against bourgeois nations.

I discussed Juan Perón at length and mentioned Bolivia’s National Revolutionary Movement (MNR) in passing in a past column. Of the MNR’s reactionary anti-imperialism Loren Goldner had this to say:
In the case of Bolivia, the multi-class nationalism epitomized by MNR intellectual Carlos Montenegro, with its problematic of the “nation” versus the “foreign,” combined in practice with the corporatist models attempted by 1936-1940 “military socialism” and the 1943-1946 Villaroel regime, and influenced to different degrees by Mussolini’s Italy, the Primo de Rivera dictatorship in Spain, Nazi Germany, Vargas’s Brazil, Peron’s Argentina and the Mexico of Cardenas. Though the standing bourgeois army in Bolivia (in contrast to these other experiences) simply dissolved and had to be rebuilt (as it quickly was), theoretical disarmament set the stage for the practical disarmament of the worker militias. (“Anti-Capitalism or Anti-Imperialism? Interwar Authoritarian and Fascist Sources of A Reactionary Ideology: The Case of the Bolivian MNR”)
Goldner clearly defines a Latin American Third World Third Positionist bloc.

Another Third World Third Positionist bloc emerged in the Middle East, determined by the rise of pan-Arab nationalism. Reacting to Western imperialism and Zionist colonialism, the pan-Arabic nationalist response was unsteady and uneven between the two world wars, going so far as to court “the enemy of my enemy” in the case of Haj Amin al-Husseini’s collaboration with Nazi Germany in Mandatory Palestine. Reactionary Arab anti-imperialism after the second World War—as exemplified by Egypt’s Gamal Abdel Nasser, various Ba’athist parties and regimes in Syria and Iraq, and the short-lived Egyptian/Syrian United Arab Republic—was explicitly national-socialist. Arab Third Positionism took inspiration from European Fascism, suppressed socialist and communist unions and parties while seeking Soviet aid, adopted corporatist economic models, promoted modernization and state nationalization of foreign and domestic assets, and engaged in “military socialism.” This reached a pinnacle in the Libya of Muammar Gaddafi, whose Green Book rejected representative democracy and promised a third path between capitalism and communism. Gaddafi’s Jamhariyah system embodied the true “state of the masses” funded by Libya’s oil reserves. Combine Arab Third Positionism with a virulent anti-Zionist opposition to Israel that readily spilled over into anti-Jewish anti-semitism and you have the closest approximation to orthodox Nazism to date.

I don’t have space to discuss the leftist ethnic nationalism of Labor Zionism’s “socialism for one people” in Palestine or Nyerere’s ujamaa socialism in Tanzania, nor of Third World Third Positionism in sub-Saharan Africa (Idi Amin’s Uganda) or Asia (the Juche regime in North Korea). Maoism’s repurposing of the concept of “proletarian nation” is also beyond our scope. The defining characteristic of Third World ultranationalist resistance to capitalist neo-colonialism and Western imperialism is not racial identity, but rather a reactionary Third Positionist anti-imperialism that seeks to substitute a struggle between nations internationally for the classic Marxist international class struggle.

White “First World” adherents to Third Positionism, in turn, have adopted a Third Worldist view of international affairs. This has meant overt solidarity with Third Positionist Third World regimes and movements on the grounds they constitute non-white racial nationalist resistance to Western multiculturalism, multiracialism and Zionism. Decrying the creep of non-white cultural influences into white Western nations from the colonies and vice-versa, First World Third Positionists nevertheless consider their Third World counterparts kindred spirits to white nationalist movements in the developed West. The European Nouvelle Droite has cultivated ties with Islamist groups, and US Third Positionists have sought common cause with the Nation of Islam and other Black Nationalist groups over anti-semitism and racial separatism. That doyen of ultraright high idiocy, Troy Southgate, fleshed out Third Positionism from his faux guerrilla National Revolutionary Faction to National Anarchism, his bastard ideology of decentralized racial/ethnic tribal autonomy. The move from white power and white supremacy to white nationalism and a white ethnostate, in fact, has Third Positionist ethno-pluralist ramifications in implying that non-whites can pursue racial/ethnic separatism and nationalism as well. The loosely-organized far right populist Posse Comitatus movement has even proposed extending white ethnonationalism down to the county level.

Despite the Third Positionist claim to “go beyond Left and Right,” it’s wise to remember Upton Sinclair’s sentiment that: “Fascism is capitalism plus murder.”

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American fascist exceptionalism?: “What’s Left?” September 2019 (MRR #436)

If you can’t tell the difference between glorification and ridicule—does it matter?

—Spencer Sunshine

I read recently that San Francisco’s Financial District, called “Wall Street West,” is being downgraded. The district is both downsizing economically and shrinking physically. Financial services are moving online and it’s just too damned expensive for employees in downtown banking and financial companies to live in the city anymore, thanks to the booming tech industry’s gentrifying impact on San Francisco. I remember back fondly to Sunday, February 16, 2003, when a quarter of a million people protesting Junior Bush’s invasion of Iraq shut down the Financial District and briefly the Bay Bridge. Mass anti-war protests continued to disrupt “business as usual” in Wall Street West for weeks to come.

I’d forged my leftist politics and love for street action during the ’70s, but America’s steady rightward reaction and the sudden international collapse of the Soviet bloc over the next two decades depressed the hell out of me. The resurgence of Left activism with the Iraq War was quite heartening. I wanted to be in the thick of those demonstrations despite having fractured the big toe and one of the sesamoid bones in my right foot in an accident several months before. I was hobbling around in great pain but nevertheless elated to be experiencing popular street politics once again, exhilarated to be roaming the city with a small group of friends demonstrating, blockading traffic, participating in impromptu sit-ins, engaging in general vandalism and mayhem, etc. I had my black bloc gear in hand, but I was in no shape to participate in those tactics.

Then, out of the swirling chaos, an odd vision materialized. Tony marched along Market Street at the head of a one-man parade. I’d known Tony from San Diego where he’d played in hardcore punk bands and belonged to an infamous Maoist communist party. We met again when we both moved to the Bay Area, when Tony was a postmodern Leftist studying at UC Berkeley and in post-hardcore bands. Now, he was dressed in a pure black Army combat uniform, shouting anti-war slogans. Black combat boots, black trousers with black tactical belt, black jacket over black t-shirt, black patrol cap, black megaphone. “1, 2, 3, 4; We Don’t Want Your Fucking War! 5, 6, 7, 8; Organize To Smash The State!” So why the all-black getup? Was it parody or was Tony serious? Had Tony gone full anarchist and was this a militarized black bloc outfit? Was it some homage to Third World socialist revolution, paying tribute to the VietCong and the EZLN? Had Tony joined the Army or the police and was he now a Special Forces or SWAT recruit? Had Tony perhaps gone rightwing fascist and was he aping the Falange or SS wardrobes? Or was this all camp, an elaborate, theatrical performance piece? My signals were getting crossed.

I was simultaneously intrigued and bewildered, befuddled by the semiotic mixed messages.

I’m in the middle of a three-part series on Third Positionism, a type of “red/brown” politics that claims to “go beyond Left and Right.” Those politics are dead serious about mixing far left and far right elements into a confusing new type of Fascism that, in the case of Perónism for instance, attempted to fuse extreme nationalism with pro-working class initiatives. Third Positionism might prove as baffling as my reaction to Tony, but it’s nevertheless genuine. Let’s talk instead about deliberate obfuscation by the far right in throwing up ambiguous slogans, symbols, memes, texts, ideas, etc., calculated to muddy any political or social discourse.

In Spencer Sunshine’s unpublished piece “Industrial Nazi Camouflage,”* he discusses the evolution of the industrial music scene, noted for its fascination with the taboo and transgressive. Warning that it’s never a good idea to play with Nazi imagery because you can’t control how such imagery is interpreted, Sunshine is intent on figuring out who in the industrial music scene was innocently flirting and who loved Nazism, who was being ironic and who was offering a sophisticated critique, who was obsessed and who was willing to commit, who believed in fascism theoretically and who was engaged in fascist activism. He periodizes that scene into a time when individuals and bands were fascinated with but not yet committed to Nazism, to active Nazi participation between 1986 to 1996, and finally to lying profusely about those involvements back in the day as well as their current fascist commitments. Ultimately, Sunshine suggests that if you can’t tell whether something is genuine or a joke, or someone is being upfront or engaged in camouflage, does it really matter?

Treat it all as fascism or fascist adjacent is what I say.

The otherwise insipid, reactionary, ahistorical critique of the alt-right offered by Angela Nagle in Kill All Normies does get that the far right uses intentional obfuscation and ironic misdirection as deliberate tactics, as ways to maintain plausible deniability and camouflage their true intentions. They want normies to be confused about their true message, unable to know when to take them seriously and when to shrug them off. Gavin McInnes loves to make the distinction between a liar and a bullshitter in his sad career that includes a lackluster stint as a comedian. His internet “talk shows” often featured calls to violence as in “I want violence. I want punching in the face.” But when his critics lambasted him for promoting violence he invariably deflected such criticisms by demanding “Can’t you take a joke?” In one motion, McInnes and his ilk throw out threats of violence while simultaneously denying they are being threatening or violent, masking their intentions with crude humor or irony that they then claim their viewers simply don’t get. It’s the perfect ploy for the far right to seed confusion among people trying to suss them out.

The antifascist Left is neither confused nor amused however.

What then to make of some supposedly unique, if bewildering aspects of the far right in the US? Both antifascist researchers Spencer Sunshine (“Decentralization & The U.S. Far Right”*) and Matthew Lyons (“Some Thoughts On Fascism and The Current Moment”) imply there’s an American fascist exceptionalism when it comes to the far right’s embrace of decentralization, in contrast to traditional Fascist totalitarian centralism. George Lincoln Rockwell’s American Nazi Party pioneered the shift from white supremacy to white nationalism, allowing American fascists to parry Leftist calls for “Black Power/Black Separatism” with “White Power/White Separatism,” encouraging white nationalists to work with black nationalists along pro-segregation/anti-miscegenation lines, and developing the strategy of a white ethnostate that portended scenarios of side-by-side racialist nationalism. Drawing inspiration from American history, two ultra-patriotic movements arose opposed to the power of the Federal government; the Posse Comitatus Movement of the 1960s (from posse comitatus common law traditions) and the Militia Movement of the 1990s (from the colonial/Revolutionary War institution of the independent local militia). Both took the States’ Rights Movement further right. Deeply distrustful of government beyond the county level, Posse Comitatus proposed the county sheriff as the highest lawful authority whereas the Militia Movement insisted that any armed citizenry organized into decentralized militia groups was the highest civil authority. Given the various failures of the States’ Rights Movement, elements of these two movements within the Patriot Movement now propose extending white ethnonationalism down to county, municipal and individual levels, implying the possibility of an ethno-pluralism where decentralized racial nationalist enclaves can reside concurrently. Finally, there’s leaderless resistance as put forward by KKK member Louis Beam, which uses a decentralized, horizontal structure of small, independent cells to resist what is considered a tyrannical Federal government.

“[T]hese ethno-pluralist views can facilitate a politics that, on the surface at least, is not in conflict with the demands of oppressed groups,” according to Spencer Sunshine, who acknowledges it’s an “ethnic or racial pluralism that is opposed to multicultural and cosmopolitan societies.” Matthew Lyons argues that “[m]any of today’s fascists actually advocate breaking up political entities into smaller units, and exercising totalizing control [authoritarianism] through small-scale institutions such as local government, church congregations, or the patriarchal family.” Before declaring the US far right a unique American “wild west” Third Positionism however, consider that the alt-right’s flirtations with decentralization might be at the very least a purely defensive reaction to the exigencies of battling the Federal government. At most, it may be an outright deception designed to confuse and obfuscate. That the American far right on every level is enamored with the Führerprinzip leadership principle—from their own charismatic cult leaders to a president who governs by executive decree and routinely violates the Constitution—makes it likely in any case that the far right’s much vaunted decentralism will be the first thing abandoned come their fascist revolution.

I’ve talked about the libertarian-to-fascism/alt-right pipeline before, a process as disingenuous as the industrial music scene. For me, the far right’s appropriation of the Left’s aspirations for freedom and self-determination is the sly semiotic joke here. And thus our differences with them do matter.

* Spencer says: Both essays are available as special items for Patrons who give at least $2 a month to my Patreon. However, if you’re broke (and boy have I been there), drop me a line and I’ll send you copies: www.spencersunshine.com/contact.

 

Rob Miller, Tau Cross and the spiritualism of fools: “What’s Left?” August 2019 (MRR #435)

Music in the 60s tended to be godawful serious. The folk protest music was self-righteous and the rock and roll was full of itself. I’ve had a decent sense of humor about most things, including music, and thanks to my rather broadminded parents I was introduced early to Spike Jones and Tom Lehrer. When I transitioned to all that hippie music I appreciated the satire of Phil Ochs and The Smothers Brothers and the sarcasm of Frank Zappa’s Mothers of Invention and of course Captain Beefheart. And I enjoyed the music of various outliers, the surreal humor of the Bonzo Dog Doo-Dah Band (“Yeah! Digging General de Gaulle on accordion./Rather wild, General!/Thank you, sir.”) and the playful Americana of the Jim Kweskin Jug Band. When I heard that vocalist and guitarist Jim Kweskin had joined the Lyman Family, the LSD cult of banjo and harmonica player Mel Lyman, I was taken aback.

I mean, the 60s counterculture was full of cults centered around charismatic asshole men, from Charles Manson’s Family to the Process Church, Steve Gaskin’s The Farm, and David Berg’s Children of God. The New Left was little better, spawning the likes of Lyndon LaRouche, Donald DeFreeze’s Symbionese Liberation Army, Jim Jones’ Peoples Temple, and Marlene Dixon’s Democratic Workers Party, one of the rare political cults lead by a woman. And let’s mention Synanon, the Élan School and Scientology simply in passing. For all the talk about spiritual or political liberation back in the day, the first kneejerk response by people seeking their own liberation was often to join an authoritarian mind-control cult. So no, I wasn’t really surprised that Kweskin was part of the Fort Hill Community in Boston’s Roxbury neighborhood. Mel Lyman had been called the East Coast Charles Manson by Rolling Stone in 1971. I was seriously disappointed however, and I just couldn’t listen to his music anymore.

So I get it.

You’re listening to your favorite band’s cryptic lyrics in your favorite song that really rocks and you’re slamming to it when somebody tells you, hey, they’re a bunch of Nazis or Christians or Krishnas or whatever. Suddenly, instantly, you experience the band and their music in a whole new light. You can never listen to them the same way ever again, or listen to them ever again for that matter. No doubt that happened to Tau Cross fans upon learning that frontman and former Amebix bassist Rob Miller was an admirer of noted Holocaust denier Gerard Menuhin. Tau Cross’s record label, Relapse Records, is refusing to release the band’s latest album, “Messengers of Deception,” or work with Rob Miller anymore due to that association. Rennie Jaffe says in his Relapse Records statement: “Suddenly the lyrics and themes of the new record were cast in a new light, for me. I spoke with Rob Miller, […] and while he denied being a Holocaust denier, I cannot comfortably work on or sell a record that dabbles in ideologies such as these.”

Personally, I was never a fan of Amebix or the sound they pioneered in punk. Too sludgy, too speedy, and way too metal for my taste. I hear Tau Cross is more of the same. Still, I empathize with what fans of Tau Cross are going through. It’s not productive to ask why Miller’s fellow bandmates didn’t know about his scummy beliefs while they worked and socialized so closely with him. Clearly, Miller kept his rightwing, conspiratorial, Holocaust denialism a secret and cloaked its expression in obscure, enigmatic song lyrics. More productive would be to examine how Miller arrived at this alt-right idiocy from his original anarcho-punk orientation in Amebix. I’ll be using Miller’s own words, past and present, for reference.

Nothing in punk or anarchism guarantees critical thinking, so we can find a number of non-rational thought processes dominant in their anarcho-punk hybrid. Some animal rights, veganist and pacifist beliefs found in the anarcho-punk milieu have an unchallenged “spiritual” component. Throughout his career, Rob Miller professed an interest in mythology and mysticism, contending in a 2010 interview with PunkNews that: “I think at the end of the day, Amebix is primarily a spiritually influenced band. The great thrust or message of an esoteric nature, and that is open to interpretation too.” From a fascination with Celtic paganism, Holy Grail romances, Enochian stories and “the archetypal form of the sun/fertility god,” Miller has become enamored with an equally mythological subject—Holocaust denialism—as evident in his latest, stereotypically alt-right screeds in defense of his association with Menuhin. Miller’s occult blather about the “lens of the Gnostic heresy” alludes to an often-used dichotomy between spiritual truth and religious falsehood. Coincidentally, it’s also a dichotomy common to occultists from the Thule Society that presaged Hitler and Nazism to Julius Evola who was on the far right in Mussolini’s Fascist Italy. (A list of Miller’s spiritualist interests actually reads like an Evolan esotericist bibliography.) Miller talks about seeking “the Truth” with a capital T, and labels any affirmation of the historical evidence for the Holocaust a “Religious obedience.” Even the band name and symbol Tau Cross—in referencing the Roman execution cross associated with St. Anthony of Egypt which was later adopted by St. Francis—has esoteric meanings related to the incantatory “I am the Alpha and the Omega” and the End of Days. Miller calls it a sigil because—no surprise!—he believes in chaos magic. (Or kaos magick for the initiated.) Thus we return to Miller’s annoying mystical preoccupations.

For country music and punk rock, it’s all about three chords and the truth. But that’s not the kind of “Truth” Miller means. There is commonly perceived reality, what “99 percent of people” believe in, the perfect prisoners who are “both the guards and the snitches” with “no walls, no guard, no wire, no yard.” Then there is the Truth which can only be had through study, research and “trying to refine the material and ideas to some kind of overarching theory” as only great minds like Rob Miller are capable of. “I have spent my life seeking answers, immersing myself in the forbidden, the occult, the Taboo, the places where there are still clues to how we got here, and how we can get back out.” Miller considers himself a “Free man,” part of an illuminated cognizanti, “the very few men and women who have reached out on their own initiative,” an elite initiatory 1% that accords with Ernst Jünger’s concept of The Anarch rather than any crust punk anarchy or anarchism. Miller’s Truth is the reality behind reality, which is completely divorced from fact. Miller certainly plays fast and loose with the facts, from the fudged ratings of Menuhin’s book on Amazon and Goodreads to his lie that people in Germany have been executed for denying the Holocaust and the denialist bullshit that the Holocaust never happened. In also raising his “9/11 research,” Miller firmly positions himself as a believer in conspiracy theories in general. That’s a hallmark of conspiracism, the insistence that facts don’t matter. More precisely, it’s the circular logic that any evidence against the conspiracy in question, including an absence of evidence for it, are actually evidence for the conspiracy’s truth. Thus the conspiracy becomes a matter of faith rather than of proof. Once again we touch on Miller’s crap spiritualism.

By mentioning the apologist propaganda video “Europa: The Last Battle” and decrying the “virtue signalling and outrage” over a “book they have never read”—not to mention slagging the “vague ‘Patriarchy’” and the “compromised media”— Miller demonstrates that he’s drunk the alt-right’s Koolaid (or alternately, been “red pilled” in the alt-right’s parlance). And much like the alt-right, he contends that Relapse Records is engaged in “suppression of speech” by refusing to release the band’s latest album or work with him anymore. As Axl Rosenberg points out on MetalSucks, no one is denying Rob Miller his free speech. No government broke down Miller’s front door, arrested him, or threw him in jail for his album or his beliefs. Miller’s relationship with Relapse Records was strictly business, and Relapse decided not to work with him any longer. That’s their fucking right.

As I’ve indicated, Miller’s conspiracist and Holocaust denialist beliefs are counterfactual, much as is his posturing as a victim. I feel sorry for his fellow bandmates who worked so long with such a duplicitous asshole and for the band’s fans who deserve better than the steaming pile of neo-nazi bullshit that are Miller’s lyrics. Rob Miller’s preoccupation with esoteric spiritualism and occultism was evident from his days in the Amebix. With few exceptions (OTO communist Jack Parsons), such an obsession traditionally has been the province of the far Right, where occultism, conspiracism and Holocaust denialism comfortably cohabit. It’s little wonder then that Miller has gone from one to the other so easily, or that he now defends those moves with the language of the alt-right. Much like crust punk’s alternate moniker “stenchcore,” Rob Miller and his vile connection to Gerard Menuhin stinks.

pt. 1: Perónismo and Third Positionism: “What’s Left?” July 2019 (MRR #434)

When faced with two bad choices, choose the third.

It’s the proverb I try to live by. Most prefer the lesser-of-two-evils approach to things. I prefer tertium quid every time.

Tertium quid started with Plato, who first used the term (triton ti) around 360 bce. In ancient Greek philosophy, it meant something that escapes classification in either of two mutually or more exclusive and theoretically exhaustive categories. What’s left after such a supposedly rigorous, exhaustive division is tertium quid. The third what. The third something.

Post Plato, what was considered tertium quid might be residue, sui generis, ambiguous, composite or transcendent depending on one’s philosophical inclinations. I encountered the concept indirectly via hoary Catholic theology when I briefly met a young heretical Catholic Worker named Alvin in 1969. Inspired by Dorothy Day and Peter Maurin, Alvin was a voluntary celibate who wanted to start a Catholic Worker commune in the Ventura County area. Which was why he was camped out in his VW microbus in the Ventura Unitarian Church’s foothill parking lot, where everything progressive and left-wing eventually wound up in those days. But Alvin was a little too radical even for the Catholic Worker. He was a fan of Paolo Freire and Latin American liberation theology, and he wanted to return to what he saw as the gospel of the early Christian church, with its emphasis on voluntary poverty, communalism, helping the poor, and liberating the oppressed. The latter required solidarity with armed struggles for socialist national liberation according to Alvin. But he was also knee-deep in the Church’s anachronistic fourth century Christological debates, specifically his championing of Apollinarism over Arianism. Both were discredited heretical doctrines, with Apollinaris of Laodicea speaking of Jesus as something neither human nor divine, but a mixture of the two natures, and therefore a “third something.” It was the first time I heard the term tertium quid. Not surprisingly, Alvin grew more personally frustrated being celibate in a time of aggressive hippie “free love,” until one day he suddenly disappeared. A quarter century later I visited San Francisco and ran into him in the Castro wearing the habit of the Sisters of Perpetual Indulgence.

Last column I described an informal left-wing “third something” I hoped was developing between anarchism and Marxism IRL with the EZLN in Chiapas and the SDF/YPG in Kurdish Rojava. Now, let’s consider a formal right-wing “third something” that disingenuously claims to be “neither Left nor Right.” In other words, Fascism. Fascist ideology was, according to Ze’ev Sternhill, “[A] variety of socialism which, while rejecting Marxism, remained revolutionary. This form of socialism was also, by definition, anti-liberal and anti-bourgeois, and its opposition to historical materialism made it the natural ally of radical nationalism.” (Neither Right Nor Left: Fascist Ideology in France) An Israeli, Sternhell was critical of Zionism as a member of the Peace Now movement. Sternhell’s thesis that Fascism arose in France out of the revolutionary syndicalism of Georges Sorel—which had gained popularity among the working classes in part because of their sociological composition—was criticized for underemphasizing the traditional conservative nature of the French Right and overemphasizing that Fascism was born of a single ideology.

You might say Fascism is revolutionary in form, but reactionary in content. Certainly, much Fascism has emphasized some variation of Sternhell’s argument that it is neither Right nor Left, capitalist nor socialist, pro-American nor pro-Communist, etc. Fascism is notoriously syncretic, polymorphous and hard to pin down, ranging from Traditionalism to fundamentalism, corporatism and Nazism, all held together by a virulent ultra-nationalism. It has nothing to do with the Third Way centrism of the likes of Tony Blair’s social democrats and Bill Clinton’s New Democrats however. It is instead an extremist third way often labeled Third Positionism, with historical roots in Strasserism, National Bolshevism, and other red-brown alliances brought up-to-date with the likes of the Nouvelle Droite, national-anarchism, and various currents in the American alt-right. To understand how slippery and dangerous Third Positionism is, consider the example of Perónismo.

Juan Perón rose to power as part of a military coup d’état against a conservative civilian president in 1943. A colonel serving in a military government with a portfolio in the Department of Labor, Perón promoted a wide range of labor reforms for unionized workers—wage increases, collective bargaining and arbitration, social insurance, social welfare benefits—which made him wildly popular among Argentina’s working classes. With Perón’s other government positions, this support allowed him to win and hold the presidency from 1946 to 1952. So great was Perón’s hold on Argentine politics he served as president intermittently thereafter, from 1952 to 1956 and 1973 to 1974. He carefully crafted a cult of personality in office and in exile which has severely skewed those politics ever since.

Perón epitomized the sort of strong man politics known in Latin America as caudillismo which was imported from Europe and fits nicely within a broader context of military rule defined by coup and junta. With a populist twist. As the strong man leading a strong state, the caudillo acts to rescue capitalism from crisis, bail out and discipline the comprador bourgeoisie, and brutally suppress the rebellious working classes.

In Perón’s case, he instead championed Argentina’s descamisados, the “shirtless ones,” the working classes which he bought off with money and social reforms like a Workers’ Bill of Rights, all while promoting economic industrialization and nationalization. Perón came to exercise increasing control over the leadership and direction of the assorted trade unions, as he did over universities and newspapers. Socialist and communist resistance to Perónismo was smashed. The state became the foremost arbiter of Argentine life and Perón became the personal arbiter of the Argentine state. This was justicialismo which Perón considered a “third ideological position aimed to liberate us from [individualist] capitalism without making us fall into the oppressing claws of [communist] collectivism.” He also encouraged Argentina’s economic and political independence from the United States and challenged America’s hemispheric domination under the Monroe Doctrine. Finally, Perón attempted from 1944 onward to steer a neutral international course between what the French fascist Robert Brasillach called the two poetries of the twentieth century—Communism and Fascism—as well as between the Cold War’s “Free World” and Soviet bloc.

This is the bare essentials of what Perón called justicialismo domestically and the Third Position internationally, twin aspects of Perónismo. But it was clear from the start which side of the Left/Right divide Perón favored. While the Soviet Union sent aid and advisors to Cuba in the 1960s, Perón’s Argentina protected Nazi war criminals. To be fair, Perón granted immediate full diplomatic recognition to Castro’s Cuba and never fomented anti-semitism or attacked Argentina’s large Jewish community. Perónismo became an ideology unto itself well before Perón died and Evita was overthrown in a military coup backed by elements of the Argentine bourgeoisie and the CIA.

The military junta that took over in 1976 as the National Reorganization Process was anti-Perónist, instigating a vicious “dirty war” from 1974 to 1983 in which the military, security forces, and right-wing death squads kidnapped, tortured, murdered and “disappeared” students, trade unionists, artists, writers, journalists, militants, left-wing activists and guerrillas numbering some 30,000. The guerrilla component was comprised not only of Marxist-Leninist groups like the People’s Revolutionary Army/ERP and the Liberation Armed Forces/FAL, but also a highly splintered Perónist guerrilla insurgency ranging from Leninist/Perónist hybrids like the Revolutionary Armed Forces/FAR, through left-wing groups like the Perónist Armed Forces/FAP and the Catholic Perónist Montonero Movement/MPM (Montoneros), to the outright antisemitic, fascist Tacuara Nationalist Movement/MNT modeled after the Spanish Falange. (As the MRNT under Joe Baxter, Tacuara renounced anti-semitism and became progressively Marxist.) Most presidents since the military junta relinquished power have been Perónist, including Menem and Kirchner.

Perón said “[o]ur Third Position is not a central position. It is an ideological position which is in the center, on the right, or on the left, according to specific circumstances.” In exile eventually in Franco’s Spain, Perón met secretly with various leftists in Madrid like Salvador Allende and Ernesto “Che” Guevara. Of Che, Perón said: “an immature utopian—but one of us—I am happy for it to be so because he is giving the yankees a real headache.” Yet, in his final days in power in Argentina, Perón also cordially met and negotiated with Pinochet. Perón’s red-brown alliances of convenience internationally and his domestic worker-oriented populism caused headaches for the Left both in Latin America and worldwide. It still does as an exemplar of generic Third Positionism, what with the global upsurge of the alt-right and its claims to go “beyond Left and Right.”

It might be argued that Perónismo is socialism with Argentine characteristics—Perón being a precursor to left-wing military rule like Bolivia’s National Revolutionary Movement or Portugal’s Carnation Revolution—and that the Argentine military junta were the real fascists. But it was clearly charismatic national fascism versus faceless client-state fascism. When faced with two bad fascist choices, choose actual socialism.

The once and future Left: “What’s Left?” June 2019 (MRR #433)

Let’s talk about dysfunctional relationships.

We love them from a distance, even going so far as to make movies about them. From Richard Burton’s and Elizabeth Taylor’s tortuous on-again off-again love affair that fans believed underlaid the ferocious film Who’s Afraid of Virginia Woolf, to punk rock’s murder/suicide darlings Sid Vicious and Nancy Spungen who were the subject of the eponymous biopic Sid and Nancy, we’re fascinated by such emotional human train wrecks. Richard Kruspe of the sketchy brutalist band Rammstein commented that being in a band is “like a relationship. It’s a marriage without sex.” Vin Diesel’s movie xXx featured a clip of Rammstein playing “Feuer frei!” Dysfunctional musicians in dysfunctional bands is a tired old trope.

The history of larger human institutions is equally fraught with social dysfunction. “If measured by the number of lives it destroyed,” wrote author Elizabeth Gilbert, “Then you can’t find a worse alliance than the marriage between the Nazi Party and the Catholic Church, sealed with the Reichskonkordat treaty in 1933. Like many abused wives, the Church initially thought it would be protected by its powerful husband (from Communism, in this case), but instead became complicit in unthinkable psychopathy.” Today, the European Union is often criticized as a marriage of convenience that has since gone awry. “This one has sabotaged the siesta, those gorgeous lire, French-baked baguettes,” author Stacy Schiff comments. “Down this road lies a Starbucks on every Slovenian corner.” The battle over Brexit continues to remind both Britain and the continent of how unsatisfactory the European Union has become.

But the dysfunctional relationship I’m most intrigued with and continue to be involved in is that of the Left. The Left emerged during the French Revolution and experienced its first major defeat during the European-wide uprisings of 1848. In response to the failed revolutions of 1848, various tendencies of the European Left organized the International Workingmen’s Association (First International, or IWA) in 1864, intended to unite the proletariat and its class struggle through a representative body of diverse left-wing socialist, communist, syndicalist and anarchist organizations, political parties, and labor unions. The IWA quickly polarized between the followers of Karl Marx with his parliamentary focus and those of Michael Bakunin who promoted “direct economical struggle against capitalism, without interfering in the political parliamentary agitation.” Despite their increasing antagonism the experience of the insurrectionary 1871 Paris Commune tended to bring the Left’s various factions together. But Marx declared the Commune “essentially a working class government, the product of the struggle of the producing against the appropriating class, the political form at last discovered under which to work out the economical emancipation of labor” while Bakunin considered it “a bold and outspoken negation of the State.” These fundamental differences eventually split the IWA’s contentious 8-year gig into two competing organizations by 1872: the Marxist red First International (which disbanded in 1876), and the anarchist black First International which continues to this day. Bismarck remarked of this ur-Left that “[c]rowned heads, wealth and privilege may well tremble should ever again the Black and Red unite!”

The next time Black and Red united in the streets was during the Russian Revolution, a touchstone for the Left to this day. But the Russian Revolution was actually two revolutionary events. The inchoate, anarchic mass uprising of March 8, 1917 (February Revolution) toppled the feudal Czarist ancien regime while the disciplined, thoroughly planned insurrection of November 8, 1917 (October Revolution) overthrew the liberal bourgeois Kerensky government, with 245 days in between. The broad February Revolution is embraced by all manner of Leftists, from anarchists to Stalinists, whereas the narrow October Revolution is praised mostly by Leninist party types or Bolshevik wannabes. Instead of contending that February was one step away from anarchy while October was all putsch and coup d’etat, a more judicious evaluation was offered by Rosa Luxemburg, who acknowledged the revolution’s myriad problems while writing: “In Russia, the problem [of the realization of socialism] could only be posed. It could not be solved in Russia. And in this sense, the future everywhere belongs to ‘Bolshevism.’”

It’s no secret I think anarchism suffers from initial problems that produce related problems down the road. The anarchist misunderstanding of power generally and of state power in particular means that, while spontaneous popular uprisings can and do occur to topple rulers and regimes, anarchism has never been able to consolidate a liberatory society out of those moments. The 1936-39 Spanish civil war proved to be anarchism’s greatest failure, a debacle that liquidated anarchism in Spain and marginalized it internationally, stunting its revolutionary capacity for decades and haunting it to the present. Anarchistic societies exist by default, as in the case of the anthropological category of Zomia where highland peoples and cultures manage to hold onto a de facto anarchy through geographic isolation. I consider anarchism’s glorious string of revolutionary defeats a “beautiful loser” syndrome where anarchists insist time and again on proudly snatching defeat from the jaws of victory.

In turn, Leninism’s historic string of successes reinforces the same issue in mirror form. Lenin’s formulation of the need for a vanguard party of professional revolutionaries to “make the revolution” has resulted in substitutionism in which the Leninist party substitutes for the working class in power, the party’s central committee substitutes for the party, and eventually the all-powerful party chairman substitutes for the central committee. There’s a direct line from Marx through Lenin to Stalin; not the only line that has been or can be drawn from Marx, but certainly one of the most prominent. Equally, the Leninist vanguard party has never been able to consolidate a truly socialist society out of decades of one-party rule, in which the self-activity and self-organization of the working class as a class fails to materialize. The succession of Leninism by Trotskyism, Stalinism, Maoism, Hoxhaism, et al has gotten us no closer to the classless, stateless society originally envisioned by Marx.

During revolutionary situations anarchists refuse to take power expecting the people to spontaneously rise up while Leninists seize power in the name of the people. Each hope to usher in a liberated socialist society but never succeed. What is unique in the political conflicts between anarchism versus Leninism is belied by the common dynamic that both socialist tendencies share, namely the complex relationship between cadre organization and mass organization, or between revolutionary organization and mass social movement underlying the problem of realizing socialism. In Marxism and the Russian Anarchists and other analyses, Anthony D’Agostino acknowledges not only the centrality of the dynamic to both anarchism and Leninism but contends that these two divergent socialist tendencies developed analogous political solutions. Despite their differing class compositions, Lenin’s faction of the RSDLP and Bakunin’s International Brotherhood/Alliance of Social Democracy had a strikingly similar relationship to mass working class organizing, and notable parallels can be drawn between the role of the Bolshevik vanguard party within the Russian workers’ movement and that of the Spanish FAI within the mass syndicalist CNT. “There will always be enragés and then again Jacobins,” yet the dialectical problem of cadre vs mass organization within the problem of realizing socialism resulted in one-party dictatorship when given a Bolshevik tweak and in revolutionary failure when given an anarchist tweak.

After three quarters of a century Leninism went down for a substantial defeat with the collapse of the Soviet Union and Warsaw Pact by 1991, whereas anarchism has experienced resurrection and resurgence since the 60s yet still has never triumphed. What this means is there are various new opportunities to get the band (e.g. the ur-Left First International) back together and reformulate anarchism anew with Marxism. Starting with pioneers like ex-FAIista and Spanish Civil War veteran Abraham Guillén who called himself an anarchist-Marxist in fashioning his urban guerrilla strategy we have the usual suspects (council communism, left communism, Situationism, and autonomism) hoping to square the Leftist circle. Following the collapse of Love & Rage, the now-defunct Bring The Ruckus project explicitly called for combining cadre and mass organizations as “neither the vanguard nor the network” in a clear New Abolitionism. Insurrectionary communization has advanced through Tiqqun, Endnotes, Gilles Dauvé, and Théorie Comuniste as neo-anarchist and neo-Leninist experiments—like hypothetical quantum particles—keep popping in and out of existence. Finally, old-school Marxist-Leninist parties have taken new directions; from the Mexican Guevaraist FLN adopting indigenismo and “mandar obedeciendo” to emerge as the EZLN, to the Kurdish PKK embracing Murray Bookchin’s municipalist confederalism to sponsor the Democratic Federation of Northern Syria’s YPG/SDF.

I often write about the Left’s glaring problems like sectarianism or dogmatism. Those issues notwithstanding, the Left needs a proper dynamic between cadre and mass, revolutionary organization and social movement, in order to advance toward common ground and a socialist society. Whether the right dynamic can be achieved theoretically, and whether any of the current contenders can achieve it, remains to be seen.

Monthly column rules

As you might have heard, Maximum Rocknroll will stop publishing the print edition of the magazine as of May 2019. MRR itself will continue in digital form, although it may take awhile to get everything planned, sorted, scheduled and posted online going forward. My monthly column “‘What’s Left?’ by ‘Lefty’ Hooligan” will also continue online, providing analysis and commentary on the news and politics, abiding by two rules:

#1 DEADLINES: Columns will be published on the first of every month.
#2 WORD COUNT: Columns will be no longer than 1,500 words each.

Tim Yohannan. ¡Presente!: “What’s Left?” May 2019, MRR #432

[E]verything that was in opposition was good…
Michael Baumann, How It All Began, 1975

No one who likes swing can become a Nazi.
Arvid (Frank Whaley), Swing Kids, 1993

It was Movie Night at Maximum Rocknroll at the old Clipper Street headquarters circa 1994. The featured movie was Thomas Carter’s 1993 film Swing Kids. It was Tim and me and maybe one other person. I think Tim actually made Jiffy Pop popcorn and I had my ubiquitous six pack. The plot was simple; as the Nazi Party rises to power in pre-WWII Germany a tight countercultural scene of young kids grow their hair long, wear British fashion and use Harlem slang as they listen to banned American swing music, hold underground dances and street fight the Hitler Youth. Two rebellious young men take different paths—one into the Hitler Youth, the other into the Swing Kids and eventually jail.

The parallels to the mid-1990s were clear, with the rise of the Right politically and the explosion of punk’s second hardcore wave in the streets. After the closing credits rolled and Tim popped out the VHS tape he made the connections explicit. “Punk is like swing was in Nazi Germany. It’s the core of a revolutionary youth culture with rebellious kids resisting fascism in the streets.”

Tim loved punk, no doubt about it, but he was also on a mission. He not only wanted to cover the scene and its music, he wanted to push the politics of punk to the fore. And that link between punk music, the scene, its politics, and the fight against the Right is crucial to understanding both Tim Yo and his project, MRR. Tim considered MRR a lynchpin between punk music and the punk scene on the one hand and the Left’s fight against reactionary politics on the other hand.

Tim was a friend. We both loved punk rock but whereas I had eclectic tastes ranging from pop to noise Tim insisted on only the rawest, most aggressive three chord rock’n’roll. We didn’t hang out together at shows although we were sometimes at the same shows. We were both politically on the Left although he was a mellowing Marxist-Leninist and I was an aspiring libertarian Marxist. Tim had a loud raucous belly laugh, could hit a fly ball over the fence, and was dedicated to the punk scene like nobody’s business. But he was also rigid, authoritarian, and sometimes an unmitigated asshole. In fact, when Tim was dying of non-Hodgkins lymphoma and preparing MRR’s transition team to take over, he advised us never to shy away from being an asshole when it was warranted. Meaning, we needed to stand firm about making the tough decisions—firing idiot shitworkers, refusing connections with sketchy bands and labels, cutting out cancerous corporate influences—whenever necessary. Tim and I were friends, but we weren’t ever “besties.” And I was never part of the coterie of friends who played Risk at the MRR house. Tim had modified the rules to make the game more ruthless, and there was no better metaphor than that long-running Risk game for Tim’s aspirations to punk rock world domination.

This tribute to Tim is also about the print edition of MRR. But MRR, which began publishing as a zine in 1982, started much earlier as a radio show in 1973. Both the early years of the radio show and the beginnings of the magazine involved a quadrumvirate of pioneering punkers—Tim Yo, Ruth Schwartz, Jeff Bale, and Jello Biafra—who changed punk rock in the Bay Area and internationally. Never the sharpest shōnen knife in the punk rock drawer, Jello fully deserved losing the Dead Kennedys back catalog for ripping off his band. Now a para-alt-rightwinger, Jeff Bale dropped racial epithets when his vintage sports car was vandalized by black kids. A millionaire hipster capitalist, Ruth Schwartz abandoned her faux conscious capitalist ethics when confronted with unionizing efforts by workers at Mordam Records. Having known and worked with them all, the only one I truly trusted was Tim Yo who, despite his personal flaws and political problems, was forthright, genuine, and completely dedicated to the scene. Tim helped me get the job at Mordam and in turn I fed him inside information about the distributor. When Tim moved to drop Mordam as MRR’s distributor, I gave Tim detailed backroom distribution and sales information ahead of the move, and provided him with lists of the distributors and sub-distributors Mordam dealt with. My punk loyalty was to Tim and MRR, first and foremost.

Tim’s influence on punk rock was epic and wide ranging. Tim and MRR arguably coined the term DIY—do it yourself—as well as defined the anti-corporate, bottom-up, decentralized nature of punk rock with regular scene reports and calls to “support your local scene,” two crucial characteristics of punk. Punk projects that Tim initiated—from the radio show to Gilman Street—are still going strong today. He made “no major labels” the magazine’s rallying cry. And Tim was an adamant anti-fascist, insisting that the magazine and affiliated projects have absolutely no truck with Nazis. He routinely confronted Nazis when the entire Gilman Street community shut down punk shows in response to Nazi skins in the pit. The vagaries of print media notwithstanding, MRR kept publishing for 16 years under Tim’s direction and 20 years after his death, quite a feat for an all-volunteer not-for-profit punk zine. Tim’s insistence that punk rock get back to basics with his 1994 purge of MRR’s record collection and music coverage forced punk to return to three chords and the truth, the basis for the music’s original greatness that fostered a revival of the genre.

Ultimately, the connections Tim fostered through MRR between punk music, the youthful punk scene, its leftist politics, and the fight against the Right and fascism influenced me the most. It’s facile to argue that because the young are rebellious by nature there can be no particular political philosophy innate to any form of rock’n’roll. The young are considered rebels without a cause and therefore without a clue. “Just don’t fucking tell me what to do!” is supposedly their mantra. But while the young are often individually rebellious for the sheer sake of rebelliousness, with all opposition considered good, there were definite political trends brought about by concrete material circumstances. As social phenomena, the rebellious hippie counterculture of the 1960s and the defiant punk subculture beginning in the 1970s were viscerally anti-authoritarian, which stimulated interest in and a revival of anarchism each time. No similar interest in conservative politics emerged, putting the lie to the claim that “conservatives are the new punk.” Fascism remained anathema irrespective of these youthful rebellions.

It’s equally facile to contend that because Tim witnessed the ’60s radical youth counterculture firsthand and was rumored to have been in the Revolutionary Communist Party in the ’70s he intended MRR to be a punk rock Bolshevik Party. As I pointed out above regarding MRR’s origins, Tim worked with a collection of fellow punks who differed wildly from him politically. MRR was frequently criticized as narrow-minded, politically correct, and elitist, but it never attempted to be a political vanguard for punk. The magazine’s shitworkers and columnists were diverse and their politics, while generally left wing, were eclectic. Tim had strong opinions and politics, but he was never a punk rock Stalin.

I was making links between punk and politics before I moved to the Bay Area. Joining MRR and working with Tim not only deepened those links, it changed my life. Not miraculously, but nevertheless significantly. My musical experience broadened dramatically as a result of hanging out at the MRR house. The anti-statist and anti-authoritarian components to my left libertarian politics grew more sophisticated, thanks in large part to Tim making me a columnist. I was always a writer, but I became a published author with a literary and internet presence during my tenure as “Lefty” Hooligan. I’ll continue writing and probably do some version of my monthly “What’s Left?” column online until they pry my cold dead hands from my keyboard. As of this writing, the future of MRR as a punk project remains to be determined. It began as a radio show, so it looks to continue as a radio show for the foreseeable future. The record reviews and other punk related reviews should be going up online shortly. And slowly, painfully, the full archive of MRR’s print era, the magazine in all its glory, will eventually be posted online. “Long live Maximum Rocknroll” is a reality, and the project will go mostly digital to survive.

There’s a long tradition on the Latin American Left of using the word ¡Presente! (Here! Present!) to invoke the memory of those comrades who died in the struggle for a better world. So this is only fitting:

Tim Yohannan. ¡Presente!

 

 

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