Writing nonfiction: “What’s Left?” February 2021

Rule #1: If an idea cannot be expressed in language that a reasonably attentive seventh-grader can understand, someone’s jiving someone else.
Neil Postman, Charles Weingartner, The Soft Revolution, 1971

I wrote an essay in the early 1970s called “Polarity Thinking vs Integrative Thinking.” It was a highfalutin pseudo-philosophical screed that proposed going beyond the politics of Left and Right from a libertarian perspective, following along the lines of Left and Right: A Journal of Libertarian Thought run by Karl Hess and Murray Rothbard from 1965 to 1968. I’m a writer who was into self-publishing what eventually became known as fanzines—zines for short—a subculture of small format hand-made xeroxed or printed magazines published in limited quantities about whatever the creators found interesting. I think this essay first appeared in something I created called ELF: A Journal of Creative, Practical Anarchy. I even ran a crossover libertarian study group in Santa Cruz for a time with a couple of anarchist capitalists and me and a fellow left anarchist. Fortunately, the “integrative thinking” of my libertarian if clueless “third positionism” was blissfully short-lived. I realized that having anything to do with rightwing anarchists was bullshit as I reaffirmed my commitment to revolutionary leftwing anarchism.

Resignation from Maximum Rocknroll

I am resigning from Maximum Rocknroll as of today, Saturday, July 25, 2020. My heart is breaking as I do so. I have been a member of MRR for almost 29 years. But I realize that my time is up here at MRR for no other reason than I need to get on with my life. I love Maximum Rocknroll and the time I spent there so dearly I am in tears. But my involvement in MRR must end now.

Me and my columns

My next column is actually two columns. My regular MRR one is about pattern recognition and antisemitism while my non-canonical one is why proto-capitalism in the Middle Ages didn’t “take off” as European Jewish communities were being attacked and expropriated. What links the two pieces, besides a survey of Jewish history, is the bibliography. Lately I’ve been including lists of sources at the end of my columns to provide more extensive, related materials expanding on the subject matter of the column in question. The bibliography is at the end of my regular MRR column, but it overlaps with my non-canonical one.

I write every day. Finishing a particular piece of writing is another matter however. I recently started a column about the self-isolating process of writing itself and what it feels like to write in a time of plague. I had already finished my two current columns (now scheduled to post on April 1) and I’d hoped to finish this new one in time to switch it for the completed ones. The new one is more timely than the two slightly older ones. The writing is taking a lot longer than I anticipated and while I fully expect to complete it in due course, I haven’t managed that yet. I never suffer from writers block, but I do experience distractions and delays in my writing process. I’m never too anxious about it. My only deadline is for my MRR columns which are posted the first of the month, and I keep a cache of completed columns on abiding topics in reserve just in case something like this happens. I’m usually a nervous, antsy person but I’ve learned to “chill” and “go with the flow” when it comes to my writing.

Punk politics, personal politics and post-political politics: “What’s Left?” December 2019 (MRR #439)

The guy who helped the most in the campaign was like one of the big anarchists in San Diego.
Bob Beyerle, interview, MRR #102

“Hello, I’m with the Bob Beyerle for Mayor Campaign,” I say to the over sixty-year-old Latino man standing hesitantly in the front door of his house. “I’d like to talk to you about the horrible job Chula Vista’s City Council is doing. Not only are they subsidizing the construction of a bayfront yacht club, a luxury fourteen hundred room hotel, fourteen hundred condominiums and twenty-eight hundred exclusive housing units in a bayside tourist mecca, they’re rapidly expanding the city east of Interstate 805 with gated, guarded upscale housing developments like Eastlake, Rancho del Rey and Otay Ranch. Meanwhile, the city west of 805 is deteriorating. Eastlake is using a million gallons of water for a scenic lake that you’re not even allowed to use unless you live in this exclusive community while the rest of us are forced to live with between 20% and 50% water cutbacks. The City Council is catering to the wealthy when what we need is more funding for public services and new affordable housing developments with parks, schools, and emergency services. Bob Beyerle is for controlled growth and the environment, promoting local business and curtailing big business, and encouraging citizen involvement. Please vote Bob Beyerle for mayor on election day.”

I’m average height but the man barely reaches my shoulder. His more diminutive wife hovers behind him, clearly concerned. Both are suspicious as I hand them some campaign literature. Bob and I are precinct walking for his mayoral campaign in a sweltering May afternoon in 1991. I’m wearing a bright orange “Pedro Loves You” t-shirt while Bob Beyerle (aka Bob Barley of Vinyl Communications fame), wearing a sports coat and dress shirt, is talking local politics a few houses down the block. As the front man for the punk band Neighborhood Watch whose signature song is “We Fuck Sheep,” Bob goes on to do press interviews, candidate forums and house parties.

Joseph Trumpeldor: the man and his legacy

This article is a follow-up to my Maximum Rocknroll column on Jewish socialism vs Jewish nationalism and should be considered a non-canonical column.

UTOPIA ATTEMPTED

I call them “horseshoe heroes.”

I consider the assertions of horseshoe theorists—that far left and far right closely resemble each other like the ends of a horseshoe—to be utterly bogus. Yet I acknowledge that a select few individuals have become icons simultaneously for both the Left and the Right. I’m not talking here about Keith Preston’s pan-secessionist idiocy which likes to claim that everyone from Mikhail Bakunin to Julius Evola are default “horseshoe heroes” and therefore “go beyond Left and Right.”  I’m instead pointing to the vagaries of Third Positionist figures like Juan Perón who managed to be embraced by the political Left and Right through their actions and ideas.

One such individual was the early socialist Zionist Joseph Trumpeldor who achieved the status of “horseshoe hero” long before Third Positionism was a thing. In the process, Trumpeldor’s death-in-action became the inspiration for elements of Labor Zionism to transcend their Jewish-based ethnic socialism into true international socialism. Finally, Joseph Trumpeldor and his legacy gave rise to the utopian myth that a true social Zionism might have transcended the political Zionism that prevailed. If political Zionism meant the colonization of Palestine by any means necessary to establish a Jewish State—Israel—social Zionism intended the communal settlement of Palestine/Israel as a non-state binational commonwealth, with autonomous federations of Arab and Jewish communities residing side by side.

Monthly column rules

As you might have heard, Maximum Rocknroll will stop publishing the print edition of the magazine as of May 2019. MRR itself will continue in digital form, although it may take awhile to get everything planned, sorted, scheduled and posted online going forward. My monthly column “‘What’s Left?’ by ‘Lefty’ Hooligan” will also continue online, providing analysis and commentary on the news and politics, abiding by two rules:

#1 DEADLINES: Columns will be published on the first of every month.
#2 WORD COUNT: Columns will be no longer than 1,500 words each.

Tim Yohannan. ¡Presente!: “What’s Left?” May 2019, MRR #432

[E]verything that was in opposition was good…
Michael Baumann, How It All Began, 1975

No one who likes swing can become a Nazi.
Arvid (Frank Whaley), Swing Kids, 1993

It was Movie Night at Maximum Rocknroll at the old Clipper Street headquarters circa 1994. The featured movie was Thomas Carter’s 1993 film Swing Kids. It was Tim and me and maybe one other person. I think Tim actually made Jiffy Pop popcorn and I had my ubiquitous six pack. The plot was simple; as the Nazi Party rises to power in pre-WWII Germany a tight countercultural scene of young kids grow their hair long, wear British fashion and use Harlem slang as they listen to banned American swing music, hold underground dances and street fight the Hitler Youth. Two rebellious young men take different paths—one into the Hitler Youth, the other into the Swing Kids and eventually jail.

The parallels to the mid-1990s were clear, with the rise of the Right politically and the explosion of punk’s second hardcore wave in the streets. After the closing credits rolled and Tim popped out the VHS tape he made the connections explicit. “Punk is like swing was in Nazi Germany. It’s the core of a revolutionary youth culture with rebellious kids resisting fascism in the streets.”

Tim loved punk, no doubt about it, but he was also on a mission. He not only wanted to cover the scene and its music, he wanted to push the politics of punk to the fore. And that link between punk music, the scene, its politics, and the fight against the Right is crucial to understanding both Tim Yo and his project, MRR. Tim considered MRR a lynchpin between punk music and the punk scene on the one hand and the Left’s fight against reactionary politics on the other hand.

Crossing the line: “What’s Left?” March 2019, MRR #430

[The Motherfuckers are] a street gang with analysis.
—Osha Neumann

Fuck shit up!
—hardcore punk catchphrase

Conservatives are the new punk.
—alt-right-lite catchphrase

When I read Michael “Bommi” Baumann’s political memoir Wie Alles Anfing/How It All Began in 1979, about his experiences as a West German urban guerrilla, I took to heart his slogan: “Words cannot save us! Words don’t break chains! The deed alone makes us free! Destroy what destroys you!” The feeling behind his words resonated with the aggressive, direct action-oriented anarchism I’d developed since 1968, but by the late ‘80s I’d abbreviated those sentiments into the phrase “fuck shit up.” Fuck shit up was a hardcore punk war cry. Bands from Useless Pieces of Shit to Blatz wrote songs with the saying in the title and the lyrics. There’s no more punk an expression than “fuck shit up,” which is abbreviated FSU in graffiti.

Promoting Maximum Rocknroll: “What’s Left?” February 2019, MRR #429

In retrospect, this is my saddest column. I wrote it when MRR was in crisis, but when I still had hope the print edition of the magazine could be salvaged. I wanted to do my part to drum up support for it, but subsequent developments proved me wrong.

***

Whenever I’m out and about wearing my gang colors (read: my MRR t-shirt) and aside from comments like “cool shirt” I get questions. “Are they still around?” (Yep, 37 years and counting.) “Where can I get a copy?” (Order a copy online or buy one in select stores.) And, very rarely: “How can I help MRR out?” Here’s my rather lengthy answer to that last question.

Enemy Of My Enemy: “What’s Left?” March 2018, MRR #418

Comrade.

The word conjures up images of Lenin and Stalin in heroic poses, May Day parades and the Red Army marching, red stars and red flags on proud display, the usual Cold War Soviet iconography. But the original word in Russian—tovarisch—simply means “friend.” A century of anti-Communist hysteria has turned it into an ironic epithet, an evocation of Satan, and a “tell” for fellow travelers. A mirror process among Leftists has turned it into a term of endearment, a signifier of solidarity, and a way to differentiate regular friends from people who have one’s back.

So, who do I consider my comrades?

I have a half dozen close personal friends, my wife included, who I would qualify with the term comrade. Most of them share my generally Leftist politics, and beyond these individuals I reserve the term for political people, groups, organizations, and tendencies on the left of the Left. In this category is much of the anarchist/ultraleft anti-authoritarian milieu that I regularly take to task in this column. I consider these comments comradely criticisms, for the most part, focused on problematic Leftist practice like sectarianism, looking for the next big thing, viewing the enemy of one’s enemy as one’s friends, etc. Embedded in these critiques of practice however have been criticisms of equally troublesome Leftist political theory. Two abiding, yet equally thorny Leftist political stances I dealt with in MRR #415 were anti-imperialism and anti-fascism, which have been “standard issue” on the orthodox Left since the 1930s but which have become part of the warp and woof of that anti-authoritarian milieu only since the 1960s.