Crossing the line: “What’s Left?” March 2019, MRR #430

[The Motherfuckers are] a street gang with analysis.
—Osha Neumann

Fuck shit up!
—hardcore punk catchphrase

Conservatives are the new punk.
—alt-right-lite catchphrase

When I read Michael “Bommi” Baumann’s political memoir Wie Alles Anfing/How It All Began in 1979, about his experiences as a West German urban guerrilla, I took to heart his slogan: “Words cannot save us! Words don’t break chains! The deed alone makes us free! Destroy what destroys you!” The feeling behind his words resonated with the aggressive, direct action-oriented anarchism I’d developed since 1968, but by the late ‘80s I’d abbreviated those sentiments into the phrase “fuck shit up.” Fuck shit up was a hardcore punk war cry. Bands from Useless Pieces of Shit to Blatz wrote songs with the saying in the title and the lyrics. There’s no more punk an expression than “fuck shit up,” which is abbreviated FSU in graffiti.

An organization of punks arose in the Boston area in the early ’90s also called Fuck Shit Up/FSU, started by Elgin James. James was a mixed-race orphan raised by peace-and-love hippie foster parents who preached pacifism but subjected Elgin to a harmful home environment of alcohol and drug abuse. He reacted to his parents by becoming straightedge and rejecting their pacifism for the Black Power philosophy of Malcolm X, Stokely Carmichael, and the Black Panther Party, ultimately embracing the aggressive ideals of hardcore punk rock. Running afoul of the law, confined briefly to juvenile hall, Elgin enrolled to study pre-law but suffered brain damage from an injury incurred during a gang fight. He slowly, painfully recovered his mental and physical abilities through intense physical therapy, but remained destitute and homeless until he moved to Boston. There, he became the singer for the hardcore band Wrecking Crew in 1991 and joined a multi-racial crew of working class punk kids to form FSU, with Fuck Shit Up also coming to mean Friends Stand United and Forever Stand United.

Ostensibly aggro, straightedge and anti-racist, Boston FSU’s core stance was undying loyalty to one’s crew of friends defended by righteous violence. Boston FSU started by claiming to purge white power skinhead gangs from shows and the scene, then quickly moved on to taking out drug dealers. Going “right after the heart of the enemy, money,” FSU robbed drug dealers, then gave half of their take to local charities and straightedge bands while keeping the remainder for themselves. FSU started an “arms for hostages” scheme to trade handguns for pit bulls used in dog fighting rings with inner city gangs. Boston FSU’s reputation grew. Soon FSU chapters sprung up across the country. In 1992, I remember FSU being listed in Anti-Racist Action zines as a premier straightedge, anti-racist, hardcore punk organization and therefore legitimate allies in the fight against white supremacy.

That didn’t last. Many Boston punks considered FSU thugs and their claim to rid the scene of nazi skins bogus. FSU also targeted bouncers, scene outsiders, and civilians with what the group considered justified violence. “Fuck nazis and dope dealers” escalated to “fuck anybody who isn’t us.” Ideologies grew more extreme, with hardline supplanting straightedge. Members died and chapters splintered. A number of FSU members eventually joined the Outlaws and Mongols motorcycle gangs. Violence linked to FSU in Salt Lake City—including a mob attack, McDonald’s arson, and mink farm bombing—culminated in a gang-related murder in 1998, leading the FBI to declare FSU a street gang by 2009. Elgin James put out a hit on a supposed neo-Nazi and then attempted to extort money from the individual in 2005, which lead to his arrest by the FBI in 2009 and imprisonment in 2011/12.

So when does a crew become a gang? When FSU fell apart, James and surviving founding members formed the Foundation Fund to set up scholarships at local universities to honor dead FSU members and reflect “hardcore punk culture” and ideals. But FSU had crossed the line from scene crew to street gang long before.

Now consider another example of the use of violence in turning a crew into a gang.

Breitbart published an article entitled “Political Punks” in 2015 that featured a détourned image of the classic Ramones picture, the four band members posed against a brick wall with their faces switched up for Greg Gutfeld, Clint Eastwood, Ann Coulter, and Gavin McInnes. One of the first uses of the spurious meme, the cliché that “conservatives are the new punk” has become a mantra for McInnes and his ilk ever since.

McInnes was born in Britain of Scottish parents who migrated to Canada when he was a child. He played in the Ottawa punk band Anal Chinook and founded Vice with Shane Smith and Suroosh Alvi in Montreal in 1994, exhibiting from the beginning his propensity for provocation, rightwing culture jamming, and countercultural cooptation. McInnes almost single handedly manufactured the gentrifying, mostly white, male and young hipster subculture. He was bought out by his two Vice partners in 2008 and, fancying himself a comedian, writer, actor and businessman, he attempted various marginal commercial ventures. But by 2012 his increasingly right wing trajectory was apparent. He peddled transphobia, founded his own news commentary internet show and advertising company, and became a regular contributor for Rebel Media, Infowars, and Fox News. He wrote for more overt paleoconservative/white supremacist media like TakiMag, American Renaissance, and VDARE. And McInnes founded the Proud Boys (PB) in 2016 just prior to being employed by CRTV in 2017.

What The Monkees were to music the PB are to politics—a cleverly constructed and recruited group designed to appeal to a carefully targeted demographic. And like hipsterism before, the PB were mostly concocted by Gavin McInnes, whose leadership has been equal parts deflection and “balls out” bullshit. He has constantly declared the PB multiracial and gay friendly, yet its membership remains overwhelmingly young, white, and hetero. From its retro rightwing ideology (anti-feminist pro-family, free enterprise small government, anti-Muslim “Western chauvinism”) to its goofy ritualism (Disneyesque name, Broadway themed anthem, five cereal faux beatdown initiation) and pseudo-Masonic trappings (pledging, graduated system of “degrees,” Fred Perry “uniforms”) the PB as a fraternal organization boils down to drinking and fighting, in McInnes’s own words. And despite simply wanting to enjoy a drink with “his boys” and a little spurious charity work, McInnes is all about the fighting, having declared “I want violence, I want punching in the face. I’m disappointed in Trump supporters for not punching enough.” He amended the PB with a “fourth degree initiation” where “We don’t start fights […] but we will finish them.”

What this has meant in practice publicly is overt provocation, intentional aggression, and targeted violence by the PB. At New York University, in Berkeley, California, in Portland, Oregon, and mostly recently at the New York Metropolitan Republican Club, the PB have squared off against antifa in alliance with assorted white supremacist (Identity Evropa, 211 Boot Boys) and patriotic militia (Oath Keepers, III Percenters) groups. Acting as “founder, not fuhrer,” McInnes proclaimed after Charlottesville that the PB can’t have white supremacist alt-right members while at the same time declaring that white supremacy doesn’t exist. This leaves the PB free to associate and openly work with the racist alt-right as a rightwing alt-lite ally. The PB may have started as a joke, but it’s far from a goof that simply got out of hand. McInnes deliberately fanned the PB’s violent rhetoric, hyperbolic claims, and collusion with white supremacy. In turn, this allowed McInnes to transform the burgeoning PB from a contrived crew to an ersatz gang specializing in bodyguard muscle, anti-antifa vigilantism, and general rightwing mayhem. The Monkees, after all, were quite popular and had a decent following even when they were purely corporate tools.

I viewed the brutal Boston Beatdown videos and realized that six or seven charismatic individuals besides Elgin James were behind FSU’s power and draw. When I saw Gavin McInnes’s rambling, incoherent video distancing himself from the PB and the “Proud Boys 9” “for their own good” now that the FBI unofficially consider them extremists I could feel the palpable fear of a RICO anti-organized crime indictment looming over McInnes’s resignation action. McInnes had become the clownish ex-hipster Mussolini of a suburban gang without analysis. Now that an “Elders Chapter” and Chairman Enrique Tarrio are officially the boss of this so-called “Western chauvinist” fraternity few think the PB will remain the leading alt-right-lite organization tasked as GOP enforcers and anti-antifa vigilantes. Some are predicting sectarian battles and splits. Others believe the PB will gradually fade into obscurity. But the PB might yet linger. To Mao’s famous dictum “if you don’t hit it, it won’t fall” I’d like to add the anarchist caveat:

“If it doesn’t fall, you didn’t hit it hard enough!”

Originally this column featured a Skarhead picture to obliquely reference a wider discussion about crews in punk and hardcore from https://dukecityhardcorepunk.wordpress.com/2017/12/19/crews-in-the-punk-and-hardcore-scene/. I got crap for it so I replaced it and other pictures with ones from Boston Beatdown.

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Western Civilization and Its Discontents: “What’s Left?” December 2015, MRR #391


Mistah Kurtz—he dead…

Joseph Conrad, Heart of Darkness, 1902

We need only glance at the awesome population figures predicted for the year 2000, i.e., twenty-eight years from now: seven billion people, only nine hundred million of whom will be white.

Jean Raspail, author of The Camp of Saints, 1972

I’ll put it bluntly: Nothing you love will survive without white people.

Jared Taylor, “An Open Letter to Cuckservatives,” American Renaissance, July 2015

Let’s take two people: Bill Maher and Gavin McInnes. Both are writers, actors, political commentators, media personalities, and comedians of a sort. That’s what they do for a living however, and there the similarities end. These two individuals couldn’t be more different when it comes to what they believe.

Bill Maher calls himself a liberal, albeit one with a libertarian streak, an advocate of decriminalizing if not legalizing most “soft” drugs and prostitution, a pro-choice, pro-feminist, gay-friendly atheist who is anti-racist and against US military interventionism abroad. Gavin McInnes considers himself a conservative with libertarian tendencies, an opponent of legalizing “adult vices” like drugs and prostitution, a pro-life, anti-feminist Catholic with assorted issues about the usual suspects—gays, trans-folk, blacks, illegal immigrants—who likes his wars necessary and just. Funny thing is, despite these obvious political disagreements, Maher and McInnes both agree on a political tenet so fundamental as to constitute a common worldview, the need to defend Western civilization.

Catch Maher’s tirades on Real Time with Bill Maher, or McInnes’s rants on Red Eye and TheRebelMedia, and they sound remarkably alike. Muslims suck. Liberals are brain-dead or self-hating idiots and need to wake up. The West is ashamed or oblivious and needs to cultivate some brass. We’re at war. We need to defend Western civilization, the West, our way of life from those goddamned Mooslims!

This umbrella sentiment—defend Western civilization—held by mainstream left-right-and-center, as well as certain elements on the fringes, relies upon volatile, highly emotional symbols. The Muslim hordes are once again at the gates of Vienna and Poitiers, symbolically speaking. And, there is a search for the next 9/11 to wake us all up. 11/M—the Madrid train bombings of 3/11/05—was the next 9/11, and 7/7—the London bombings of 7/7/05—was the next 9/11. Now, the Paris shootings of 1/8/15 (and 11/13/15) have been equated with 9/11, and the hope was that the events in Paris would act as a rallying point around which the West could marshal its resolve.

A reporter once asked Gandhi: “What do you think about Western civilization?” Gandhi replied: “I think it would be a good idea.” So while I broach the subject in this column, I can only scratch its surface. Consider for instance just the distinctions between Maher and McInnes among the myriad “defenders of the West.” For McInnes, Islamic culture is backward, violent, inbred, not civilized, requiring a culture war or a religious war to protect “our entire civilization.” For Maher, all religion is a bad idea, but Islam is the mother lode of bad ideas, necessitating a war against them by those holding liberal Western values and ideas to preserve “our way of life.” But what the hell is “Western civilization” anyway?

If we use strict political categories and define Western civilization as that aggregate of liberal democratic nation-states that purport to be based on and supportive of Western (e.g., Enlightenment) values, this is entirely ephemeral. Liberal democracies often become authoritarian or totalitarian regimes with alarming consequences (Italy in the 1920s, Germany in the 1930s, Czechoslovakia in the 1940s), and those nations touted as “the Switzerland of X” (Uruguay in South America, Uganda or Rwanda in Africa, Singapore in Asia) are anything but upon closer examination. Maher and McInnes are proud citizens of liberal Western-style democracies even as they consider liberal democracy the Achilles heel of those countries. And despite their professed libertarianism, when push comes to shove, Maher and McInnes often advocate very illiberal, undemocratic means such as racial profiling to combat the perceived threat of Islamic extremism.

If we defer to what we learned in our primary and secondary education, Western civilization is based on some combination of our Greco-Roman, Judeo-Christian traditions. Right off the bat, atheists like Maher would take issue with any form of religion counting positively toward the heritage of the West. For the classic liberalism that Maher claims, the Enlightenment legacy of reason, science, and skepticism constitute the best of what the West has to offer. For McInnes, he accepts the whole vague social/cultural package defined as Western civilization, having converted from atheism to Catholicism and from anarchism to conservatism. Certain white power types would take offense at inclusion of the Jews in any affirmative evaluation of the West, since the Jews and Judaism are evil incarnate. This leads the ultra-right to efforts to redefine Christianity without its Judaic core, as in Christian Identity, or to abandon Christianity altogether for some amalgam of European paganism or out-and-out atheism. As for the Greco-Roman part of the equation, and again aside from the Enlightenment emphasis on these roots as the classical West’s cultural and philosophical beginnings, there are many contenders for more-European-than-thou sources. The Celts and Germanic peoples—the latter a part of some mythic Aryan race—to pan-Slavism and Eurasianism—which seeks to shift the focus of European civilization from west to east, and to a Greater Russian geopolitical dominance that rejects Western European values—are all contenders for the origins of Western Civilization.

So, which values are real, true Western values? Is Western civilization at its core pagan Celto-Germanic tribalism, or Talmudic Judaism, or Greek city-states, or Roman imperialism, or crusading Medieval Christianity, or Enlightenment modernism, or Slavic orthodoxies, or Russian Mongol corporatism? Aside from broad and banal generalizations, can anything uniquely Western be discerned in the music, literature, dance, painting, and architecture subsumed under the label Western culture? Can Western and Eastern be convincingly separated? Are the rule of law, secularism, science, and technology what distinguishes Western civilization? Can any combination of the above stand for the whole, or must we be satisfied with an undifferentiated, cumulative understanding of Western civilization? Or is Western civilization like pornography, something that cannot be clearly defined, but we know it when we see it?

If the political is ephemeral and the social/cultural is vague, the biological seems to offer certainty. Western civilization is the product of white people, and white people are the source of all that is good in the world. Hence the current popularity of DNA ancestry analysis that attempts to associate certain DNA markers with geographic locations as when, for instance, the distribution of the maternal haplogroup H is correlated overwhelmingly with the European subcontinent. From there it’s a small step to equate such analyses with a genetic causation for ersatz races and their behaviors, bringing us back to the “scientific” racism and eugenics of two centuries prior. Maher clearly detests and denounces such racialized definitions of Western civilization and resists taking this step. But McInnes shamelessly flirts with them. According to McInnes, sub-Saharan Africa had no written languages before white people arrived. Our advanced technologies were all invented by white people, and our material superiority is all due to the hard work of white people. “I love being white and I think it’s something to be very proud of. […] I don’t want our culture diluted. We need to close the borders now and let everyone assimilate to a Western, white, English-speaking way of life.” (NYT, 9/28/03) McInnes even denies that black people had much to do with creating rock and roll, he’s so dead set on affirming that “white is right.”

When he’s not playing the contrarian, McInnes is responding in part to increased anger and frustration on the ultra-right as white racists feel increasingly besieged. The issue here is power. When white people held uncontested social power, white racists gloried in being white supremacists, fully backing the superiority and domination of white people over all others. When that power was challenged in the slightest degree and Enlightenment values such as equality threatened to emerge, white racists became the voice of the “embattled white minority” and fancied themselves white nationalists seeking to secede as a separate white nation. Countering the biological explanation for Western civilization does not merely require invoking the statistical truism that correlation is not causation, that the correlation of genetic factors with geographic location is not the cause of a so-called race’s achievements and failures. What also is required is countering a logical fallacy that confuses the repeatability and predictability of hard science with the lack of either in history.

That the past 10,000 years of human history and 2 million years of human evolution have led us to a world where capitalism, the nation state, white supremacy and patriarchy reign supreme tells us only so much. We cannot repeat history over and over, like a scientific experiment, to see whether or not we get the same results. Science depends on predicting future experimental results from successful past experimental results. But despite some historians seeing patterns in history, any ability to predict the future based on a study of the past has remained elusive. A particularly virulent configuration of wealth and power won the game we call history this time around, but since we can’t ever play the game again there’s no way to know whether that win was a fluke due to luck or a certainty due to merit.

Marx committed this fallacy himself in seeking to formulate a scientific socialism based on historical materialism. But there you go, another dead white European male whose ideas and the movements he inspired are very much a part of Western civilization. Again, whatever the fuck that means. Maybe the only way to make sense of Western civilization nowadays is how Joseph Conrad did it by counterposing Europe to The Other, in his case Africa, as a “foil to Europe, a place of negations at once remote and vaguely familiar in comparison with which Europe’s own state of spiritual grace will be manifest” as Chinua Achebe once commented.

Maher, McInnes and other defenders of the West against radical Islam consistently contend that what Islam needs today is its own Reformation or Enlightenment. Seriously? Consider that from 1517 (the start of the Protestant Reformation) to roughly 1650 (an arbitrary start for the Enlightenment) between 10 and 30 million people perished across Europe in various conflicts related to the clash between Protestantism and Catholicism. In less than 150 years, on a subcontinent of roughly 4 million square miles and 70-80 million people, something like 20 million people died in Reformation, Counterreformation, the Thirty Years War, indeed scores of major wars and upheavals. This doesn’t include the “New World” that Europe was exploring, conquering and colonizing at the time. The period in Europe from the Reformation to the Enlightenment was truly a slaughterhouse, yet a comparable social transformation is being urged onto the Islamic world as a great idea.

Or maybe, perversely, it’s already happening. Perhaps Islam is undergoing it’s equivalent of the Reformation and Enlightenment right now. But to soberly compare 16th/17th century Christian fratricide to the modern Middle East—to the sectarian, ethnic, national and class conflicts engulfing vast swaths of a region with some 7 million square miles and half a billion people for the past 2 to 3 decades—we need to realize that we’re are all in for some nasty shit. The exponential expansion in firepower from Medieval Europe to the Middle East today alone should give us pause.

Our brave defenders of Western civilization have a hard time seeing what’s under their noses, much less the future.

(Copy editing by K Raketz.)

Western Civilization in Recline: “What’s Left?” November 2011, MRR #342

The jukebox was playing rock—music for civilizations to decline by, man.

Ross Macdonald, The Ferguson Affair (1960)

Steve Allen used to do this bit on his show in the early ‘60s where he would recite the lyrics to rock’n’roll songs as if they were serious poetry. Just imagine The Beatles “I Wanna Hold Your Hand” treated thusly to realize how vapid the words to most rock music are. Allen was the liberal side of the attack on rock music in those days. He personally despised rock’n’roll, considered it juvenile and untalented, and thought it beneath contempt as music. Rock wasn’t art, nor would it endure the test of time. Yet this was a far cry from the conservative perspective that saw rock’n’roll as immoral, evil, and a threat to the fabric of society. Rock’s overt association with sex and drugs were a particular anathema; an explicit attack on American civilization born of the devil.

Today, of course, rock blares from fundamentalist Christian churches, and family values politicians illegally appropriate rock songs for their electoral campaigns, until sued by the musicians who created them. Roberto “Tax” Farano, guitarist for Negazione, wrote music for the 2006 Turin Winter Olympics, and The Clash’s “London Calling” is now the official jingle for the 2012 London Olympics. Not only is rock no longer a threat to the social fabric, punk rock has become, not representative of “the decline and fall of western civilization,” but a stellar example of its commercial success.

Me, I used to take pride in being a “barbarian at the gates” in the days of sex, drugs, rock’n’roll, and anarchy in the streets. I would have seconded John Sinclair’s contention that rock was the weapon of a thoroughgoing cultural revolution, if only to throw the fear of god-knows-what into my elders. Emotionally, I resonated with nihilism, which proclaimed the need to “annihilate the idea of God, or there can be no freedom; annihilate the idea of right, which is only might; annihilate civilization, property, marriage, morality, and justice; let your own happiness be your only law.”

I’ve grown up a bit since then, and I’ve come to appreciate many things about the American society I call home, as well as to respect much bestowed upon the world by the Dead White European Males held responsible for Western Civilization. Yes, I understand the sentiment of Gandhi who, when asked what he thought about western civilization, answered: “I think it would be a good idea.” After all western civilization is based upon rape, plunder, devastation and genocide. Show me a civilization that isn’t. But as for Buenaventura Durruti’s famous quote:
We have always lived in slums and holes in the wall. We will know how to accommodate ourselves for a while. For you must not forget that we can also build. It is we who built these palaces and cities, here in Spain and America and everywhere. We, the workers. We can build others to take their place. And better ones. We are not in the least afraid of ruins. We are going to inherit the earth; there is not the slightest doubt about that. The bourgeoisie might blast and ruin its own world before it leaves the stage of history. We carry a new world here, in our hearts. That world is growing in this minute.
I have come to take his nonchalant attitude toward such wholesale destruction with several grains of salt.

I have no interest in seeing Beethoven’s Eroica Symphony, or Van Gogh’s Starry Night, or Rodin’s The Kiss, or Joyce’s Ulysses, or Welles’ Citizen Kane, or the Chrysler Building obliterated, even if their destruction would herald the arrival of a stateless, classless, communist paradise. Images of Mao’s Red Guards rampaging during the Great Proletarian Cultural Revolution, gleefully smashing the precious artifacts of China’s past, now sicken me no less than news footage of Afghanistan’s Taliban solemnly dynamiting the Bamiyan Buddhas. That existence is emptiness means that everything is interconnected and mutually dependent. That life is meaningless demands that we create its meaning. Death and destruction are incredibly easy. Anything else is painful and hard.

An SF movie that I like is Cuarón’s Children of Men, based on the P.D. James novel of the same name. It’s 2027, and no children have been born anywhere for almost two decades. In the face of humanity’s impending extinction, the world is fast collapsing into riot, terrorism, and environmental catastrophe. Britain alone survives, a bastion of stability, but at the cost of having become a police state that rounds up and imprisons immigrants seeking asylum. Nigel, the cousin of the film’s protagonist, Theo Faron, is a minister in the British government who is obsessed with collecting as many of humanity’s great artworks as possible, despite the fact that in less than a century, no one will be around to enjoy them. Michelangelo’s David stands in his foyer, with one leg shattered and splinted because Nigel was unable to snatch it before rioters attacked it. Nigel and Theo dine beneath Picasso’s Guernica. And out a window, amidst a landscape of industrial smokestacks, floats one of Pink Floyd’s inflatable flying pink pigs.

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