Between nihilism and fascism

The Clash have a song, “Know Your Rights,” which begins “[t]his is a public service announcement.” I consider this a public service announcement about knowing your right wing.

Little Black Cart is the publishing arm of that grand stupidity known as post-left anarchism, a scattershot @ tendency that encompasses everything from John Zerzan’s anarcho-primitivism and Bob Black’s anti-work tirades to Anarchy! A Journal of Desire Armed. LBC published Atassa: Readings in Eco-Extremism covering the writings and actions of Individuals Tending Towards the Wild (ITS) which is not being received very well by the rest of the @ milieu. It seems that most @s consider ITS, its eco-extremism, and its murder of fellow anarchists a kind of eco-fascism. When regular @s confronted post-left LBC @s at the Seattle Bookfair, fisticuffs erupted. The regular @s ripped up the book, so the LBC post-left @s started punching people.

With post-left @ nihilism deliberately dancing on the edge of fascism while thumbing their noses at the rest of the @ milieu, with LBC attempting to emulate their ITS role models in attacking fellow @s, with red/brown crossover politics all the rage these days, it’s time to reconsider whether the post-left is really post-left or just plain old fascist.

Here’s a link to the specific incident.

Here’s a link to the ITS praise of ISIS, neo-Nazis, and its publisher while again threatening @s.

Here’s a link covering eco-fascism.

Here’s a link about the ITS murder of anarchists.

Here’s a link analyzing post-left anarchism’s flirtations with fascism by Alexander Reid Ross.

With a followup article on all things Stirner, post-left, and nihilist by Alexander Reid Ross.

An anti-civ critique of Atassa, ITS, and their @ critics.

MORE DRAMA IN ANARCHYLAND/ANARKISTAN:

(thanks to Shelly Collingwood)

Original notice from LA @ Book Fair to LBC

Paul Z. Simons/São Paulo says boycott LA @ Book Fair

No Platform for ITS!

LA @ Book Fair statement on Saturday’s events

San Cristobal and Zomia, an exercise in fantasy

This is a non-canonical “Lefty” Hooligan column not available in Maximum Rocknroll.

I fly into Yupanqui International on an early Friday morning in late summer. The sleek, three-kilometer-high airport is on the outskirts of San Cristóbal’s mountainous capital city Túpac Amaru. Two signs greet those exiting the main terminal, crisp black and white banners on Avenida Revolución that read: “¡Tierra, Trabajo y Libertad! Por Eso Luchamos” and “Señores Capitalistas y Imperialistas ¡No Les Tenemos Absolutamente Ningun Miedo!”

The city itself is remarkably free of revolutionary sloganeering and iconography. My rucksack, bedroll, and tent attract no interest as I wander the busy streets thronged with people, bicycles and electric vehicles. Members of the Workers Militia lounge in their camouflage uniforms outside an ice cream shop enjoying sugar cones. Children play and young parents stroll with babies in carriages as the elderly enjoy board games and lawn sports in a fragrant queñua-lined park. Patrons wait for matinee movies in the multiplex’s cafe across from an already crowded farmers market sharing the fountain plaza with cueca dancers practicing their moves and painters hoping to catch the morning light beneath the orange and purple façade of a high-rise nuevo pueblo.

The nuevo pueblos, longhouses and kanchas lining Boulevard Rafael Guillén are boldly colored and decorated with vivid murals, a lively mix of work and residence. Bien comunal warehouses, the community’s shared cornucopia, are painted harlequin green. The city streets are an enterprising assortment of small stores and businesses, gardens and orchards, schools and libraries, workshops and factories run by individuals, families, coops, collectives, syndicates, councils and communes, all of which ply their trade, craft and wares with pleasantly low key advertising. Necessities are free and plentiful, everything else is priced by a mutualist market. I buy a couple of fried bean-and-cheese papusas from a street vendor and fish out my cellphone. The capital has robust communal wifi, letting me plan my next steps online as I snack.

I need permits and visas for a trip into neighboring Zomia, or so I think, and I visit the US Embassy first. More specifically, the US Interests Section at the Spanish Embassy, since America has never officially recognized San Cristóbal. San Cristóbal maintains a Swiss-like neutrality, an aversion to foreign entanglements despite its role in mediating the international cordon sanitaire around Zomia. I spend the better part of the morning paying fees, filling out Section paperwork and talking to government clerks just to get permission to leave the civilized sector. And not so much permission as a waiver of liability.

There’s no direct way to travel into Zomia. A combination of no-fly zone, naval blockade and international economic embargo discourages airplanes, ships, trains and buses from traversing the territory. Visitors must first travel to an adjacent country, then physically cross the border into Zomia, usually on foot. Private cars are discouraged although not prohibited, while coop jitneys can be rented into the interior. Because I’m traveling in a nation not recognized diplomatically by the US and making application for unauthorized travel into outlaw tribal areas, the US Interests Section issues a red exit stamp for my American passport that denies any government culpability for my travel plans.

Just covering their asses.

The clerk at San Cristóbal’s Interior Ministry three blocks away gives my passport a dismissive glance, but I insist she ink it with the country’s routine exit stamp. Now I’m covering my ass.

Back on the street, I drink a café con crema at a sidewalk bar while a small troupe of theatrical performers entertain passers-by. A flock of green parakeets spins overhead. I notice a bookstore on the corner, Librería José Martí, with a helpful city map taped to the front window. A tile, stone and glass mosaic above the front door lintel features a pointillist portrait of the shop’s namesake flanked by those of Emiliano Zapata and Pancho Villa. New, used and antiquarian books, magazines, newspapers, comic books, pamphlets, posters, leaflets and vinyl records in Spanish; there’s also a tourist area next to an English-language section near the front. Free books are piled in a large wooden bin by the door and a shelf offers sundry stationary items; mostly pens, paper and postcards. A squat, monkish old man sits behind the counter engrossed in a leather bound book.

“Buenos dias,” I say. “Habla inglés?”

“I attended UC Berkeley as an undergraduate,” the man smiles. “Go Bears.”

“Do you have any maps of Zomia?”

“All the outland maps, what I have, are on the bottom rack.”

He returns to his reading as I browse. I’d researched maps of Zomia while still in the States, but hadn’t found anything useful or portable. Google Maps on my cellphone is less than useless, with large areas around San Cristóbal left blank or only rudimentarily labeled. I find nothing apart from an accordian map of this part of the continent, also empty of details when it comes to Zomia. Instead, I buy a well-worn Modern Library paperback compilation of B. Traven’s novels in English, a current issue of the Weekly Guardian, and a half dozen postcards depicting the life, architecture and scenery of San Cristóbal.

There’s an express coop bus at the downtown station that takes me to Béjar, a popular eco-sustainable ski resort on the border. I eat an early supper of hunter’s stew and hearty bread in the collective-run Cienfuegos chalet lodge high above the frontier village of El Dorado, in the snowy borderlands past the Almagro Pass, at the juncture of various gerrymandered national boundaries. The panoramic dining room view is spectacular; the sun brilliant, the deep blue sky laced with thin clouds, the broken mountains limned with snow and ice. Lichen-lined petroglyphs and shadowed cliff-dwelling ruins cascade down the opposite canyon walls. I dash off the six postcards, then savor the last bite of a cuchuflí dipped in chocolate before heading to the Bar del Papa. Papa’s Bar. Legend has it that Ernest Hemingway stayed at the lodge while hunting big game and drinking everybody under the table at the bar. Over a decade later, Neruda is said to have passed through during his first exile, around the same time that two young Argentinian medical students downed a few cervezas, their 1939 Norton motorcycle parked at the lodge.

Émigrés haunt the bar’s lounge, like the dissolute aristo from next door Punklandia holding court at a table in a dark corner and lamenting the demise of his country’s ancien régime. A morose exile from “punker than thou” purges in his native land, he has rows of hair implants along his scalp like a doll’s head. In turn, the sexagenarian is surrounded by a small fawning entourage of twenty-somethings who call him crown prince and dauphin, and talk endlessly of helping him regain his rightful patrimony and restoring past titles and glories. The one with the hair transplants keeps fiddling with himself beneath the table, so I avoid shaking his hand when introduced to him in passing.

The bar itself is mobbed with rowdy drunks from neighboring Anarchistan. At first I take them for carousing workers, but soon enough determine from their shenanigans that they’re partying, upper-middle-class college kids. They’re mostly posturing hipsters; “beautiful losers” looking for “the next big thing” but morbidly incapable of enjoying themselves while having a good time. Anarchistan is infamous for its back biting, infighting, and outright sectarianism. A turf war between post-left and identity factions erupts at a local potlatch festival. A hyper-PC vigilante carrying out the unwritten tribal law that “snitches get stitches” punches the guest of a minor post-left @ chieftain, causing an equally minor scandal. Anarchistan militias thwart infiltration and subversion attempts from bordering national-anarchist fortress kingdom Illios. An antifa faction calls out a post-left faction for not being sufficiently, correctly anti-fascist. A post-left @ egoist happily collaborates with a neofascist publisher in neighboring neo-nazi Kekistan, causing a minor furor. Or so I hear, Anarchistan not being my preferred destination to visit.

My goal remains Zomia, and I have five hours of useful daylight left. I finish my last Xingu non-alcoholic beer and climb down to the collection of wooden buildings clustered about the brick-and-mortar jitney station and El Dorado canton courthouse on the snow-clad plateau; a border village with no real border to control. Passports and customs are handled by the same clerk who sells jitney tickets, porters the luggage and runs the outpost mail room. I hand him the postcards, and he rifles through my other papers and paperwork, clearly perplexed.

“You want to purchase a ticket for Zomia?” he says. “To travel to Zomia? But that’s impossible. Zomia doesn’t exist!”

And that’s where I’ll leave it. Zomia doesn’t exist.

Punk rock and the left of the Left, these are self-identified, self-activated and self-organized milieus. Zomia is by contrast a name for an entirely invented concept, an analytical category that is a product of imaginative history and anthropology. Willem van Schendel, a historian at the University of Amsterdam, coined the term Zomia in 2002 to refer to the southeast Asian massif, a mountainous region covering the Indochinese Peninsula well into southwestern China. He proposed a socio-cultural distinction based not on nationality or national boundaries, race or ethnicity, religion or politics, but on geography where the main difference is between fiercely independent tribal and often minority ethnic peoples in sparsely populated upland regions spread out over several nations versus dominant, densely populated lowland regions firmly in control of their respective national states. The word zomi means highlander in Burmese, and the highlands is where Zomia theoretically exists, where small autonomous groups of people can maintain ethnic and tribal identities and cultures distinct for centuries and generations from the surrounding dominant national societies.

The name Zomia has gained currency over the past fifteen years, and the geographic reach of the concept has expanded to include the Himalayan and Hindu-Kush massifs. From the Hmong hill people of mountainous China, Vietnam, Laos and Thailand to the Federally Administered Tribal Areas of Pakistan, this idea of a greater Zomia is enthusiastically embraced by academics, and even considered applicable to all highland regions everywhere like some international Appalachia archetype. There are glaring contradictions to the much broadened model however. The principle inconsistency is in the centralized, theocratic kingdoms (Tibet, Nepal, Bhutan) in control of the Himalayan highlands, often for centuries. Strong expansionist imperial states are not incompatible with the independent mountainous tribal highlands that are central to the concept of Zomia, as the pre-Spanish Andean Inka splendidly illustrated.

Which brings me to James C. Scott’s 2009 work in The Art of Not Being Governed: An Anarchist History of Upland Southeast Asia. Zomia is made a metaphor for the struggle of all subaltern peoples for their autonomy and identity against the dominant societies in which they reside:
All identities, without exception, have been socially constructed: the Han, the Burman, the American, the Danish, all of them. […] To the degree that the identity is stigmatized by the larger state or society, it is likely to become for many a resistant and defiant identity. Here invented identities combine with self-making of a heroic kind, in which such identifications become a badge of honor.
For Scott, this is a conscious process not only of resistance but of an affirmation of the primitive and the local over the modern and the national. Scott posits a counter-narrative against ethnic assimilation into modern society in which such subordinated people become conscious refugees against modernity itself:
[Mountain tribes] seen from the valley kingdoms as ‘our living ancestors,’ ‘what we were like before we discovered wet-rice cultivation, Buddhism, and civilization’ [are by contrast] best understood as runaway, fugitive, maroon communities who have, over the course of two millennia, been fleeing the oppressions of state-making projects in the valleys — slavery, conscription, taxes, corvée labor, epidemics, and warfare.
Scott makes absolutely clear that: [l]acking a comprehensive anarchist worldview and philosophy, and in any case wary of nomothetic ways of seeing, I am making a case for a sort of anarchist squint. What I aim to show is that if you put on anarchist glasses and look at the history of popular movements, revolutions, ordinary politics, and the state from that angle, certain insights will appear that are obscured from almost any other angle. It will also become apparent that anarchist principles are active in the aspirations and political action of people who have never heard of anarchism or anarchist philosophy. (Two Cheers for Anarchism: Six Easy Pieces on Autonomy, Dignity, and Meaningful Work and Play, 2012)

What Scott is arguing is that Zomia is not a conscious example of anarchism in action but rather of a variegated, anarchic social and historical experience involving peoples who have not been completely absorbed by overarching nation-states, even while that experience is coming to an end. Anarchy by geographic default, not anarchism by political design, as I’ve argued in other contexts, and a default anarchy that is quickly disappearing. The anarchy of the Zomia metaphor is upbeat but doomed.

San Cristóbal is a fictive country from my first novel End Time. Not so fictive are Anarchistan, Illios, Kekistan, and Punklandia, and my crude analogies should not be lost on the readers. The fiction of San Cristóbal and its environs is neither more nor less fanciful than the academic invention of Zomia, a name which works pretty well on its own.

Affordable glass housing

A while back, a former MRR columnist who was canned by the coordinators asked for my support. He had the delusion that he was entitled to his columnist position on the basis of a verbal promise Tim Yo had supposedly given him, even though no one else at the magazine—past or present shitworkers, contributors or coordinators—could confirm this. This former columnist is a free speech absolutist, and he raised holy shit whenever anybody—Tim Yo or the coordinators since Tim died—dared to change a comma in what he wrote. Yet he never ever raised a peep whenever another MRR columnist who covered oi! and street punk music was regularly censored for what he wrote. And he routinely censors posts critical of him on his Facebook page and on his other websites. So I wrote a couple of columns calling him an asshole.

Now, I’m being asked to remove references to someone’s legal last name in a recent post below by the individual in question. I was quoting another post online in which his legal last name appears, and he knows full well that once something has been posted on the web, it is essentially in the public domain and therefore a joke to expect anyone to remove the offending post. He is accusing me of collaborating with the original poster in doing him harm by quoting the post with his legal name, even though he has spent the last decade telling my friends and enemies alike that I was allegedly behind various online pseudonyms and flame wars. Needless to say, I’m declining his request.

I call bullshit on anyone who demands anonymity for themselves yet who routinely outs others, as well as on anyone who protests against censorship of their right to free speech yet who regularly censors others critical of them. People who live in glass houses are always advised not to throw stones.

Now that’s entertainment!

I’m trying out a new feature for my blog, what with all the entertaining politics of late, mainstream and fringe. So sit back and relax, its popcorn time.

East Bay @ publisher Aragorn of Little Black Cart invited one of his authors, post-left anarcho Bob Black, to speak at the Long Haul in Berkeley on August 7. Aragorn had gotten wind that there might be some disruption at the event due to a few leftist anarcho types objecting to Bob Black as a police snitch as a consequence of his involvement in the 1995 Jim Hogshire kerfuffle. Heated words just before the talk turned into an exchange between Bob Black and one Morgan Le Fay/Elliot Hughes, with Black turning a deft insult and Fay/Elliot then punching Black three times in the head.

That seemed to be the end of the matter. Black was helped up after momentarily losing consciousness. Fay/Elliot was ushered out of the Long Haul and barred from re-entry. And the event continued without further incident. Then, on September 9, persons unknown glued the LBC office door shut in the Long Haul in “solidarity” with Fay/Elliot’s action against Black. Right around that time, Black contacted Aragorn and others through an “open letter” denouncing Aragorn as complicit in the attack: He does not deny that he knew about the danger in advance. He does not denying knowing the assailant, a nut case named Elliot Hughes, who I am told goes to every anarchist and leftist event in the Bay Area. [Aragorn] Moser does not deny recognizing the thug when he entered the Long Haul building; Moser was at a table by the front door. But he calls me a snitch. The previous person who called me a snitch, moments before slugging me, was Elliot Hughes. People who call me a snitch (which I am not) are licensing violent attacks on me. Moser is one of them. This is actually from the Facebook war that followed, with Bob Black here, and Aragorn here. And here’s the ongoing exchange on the incident on anarchynews dot org. Black has since severed all relations with LBC and demanded the destruction of any inventory of his books, and Aragorn has written Black’s obituary, er, eulogy.

Now, isn’t this fun!

Anarchist purges anarchist, no news at 11: “What’s Left?” August 2014, MRR #375

It’s an infamous MRR cover. Number 130, March 1994. Tim Yo designed it, although I don’t remember who put it together. A slew of Marvel Comic style action figure characters surround the headline “Superheroes of the Underground??” A bald buff super skinhead labeled Hawdkaw Man, further marked with A.F. for Agnostic Front, growls: “I stomp da pussies wit an attitude as big as my 20 eyelet Docs!!” Str8 Edge Man, a caped Superman clone with Shelter on his chest, proclaims: “I convert the hostile flocks with a 1-2 punch of Religion & Republicanism!” Pop Man, aka Green Day, reveals: “I lull my opponents into complacency with dippy love songs!” And the snark continues with snide remarks from Metal Man (The Melvins), Emo Man (Still Life), Vegan Man (Profane Existence), Grunge Man (Nirvana), and Arty Farty Man (sporting an Alternative Tentacles logo).

Tim put this cover together for the issue in which he announced MRR’s Great Purge, in which Tim proclaimed that nothing but the most primitive, the most basic, the most raw rock and roll would be deemed punk. That’s how punk rock began in the mid-to-late 70s; two or at most three chords, distorted and undifferentiated, loud and fast. Ignoring the debate over whether punk first began in the UK or USA, and disregarding whether it was the Ramones or the Sex Pistols that started punk, punk did not remain primal or simple or crude for long. Musicians brought their histories and influences to the music, the music cross-pollinated and hybridized with other music, and both the music and the musicians got more sophisticated with time. By 1993, punk was a welter of styles, categories and scenes. And by the end of 1993, Tim had decided to purge punk rock down to its roots and to restrict the magazine he ran, MRR, to this limited musical content.

I’ve described when Tim Yo announced the firing of Jeff Bale at a year end General Meeting in December of 1993. I’ve called that the Great Purge when, in fact, the most contentious agenda item at that meeting for most of the shitworkers present was Tim’s decision to severely curtail the kind of music MRR considered reviewable as punk. And Tim’s Great Purge was indeed two-fold—firing Jeff Bale and purging punk music. Tim was by no means a raving Maoist when he ran MRR, but he’d had his political upbringing in the New Communist Movement of the 1970s. I remember Tim discussing afterwards his strategy going into the December 1993 meeting, and I’ll liberally paraphrase it from a previous column: “I combined an attack on the right with an attack on the left. I cut down the stuff we would review as punk, knowing that Jeff would be one hundred percent behind my decision. At the same meeting I took out Jeff. I played the right and the left against each other, just like Stalin did.”

That Tim Yo might have been involved with the RCP at one time, or admired Stalin, or even sometimes ran MRR as Mao might are such a small part of what the man was or what he did. But it does help me to segue into my broader subject. While it is hard to apologize for Tim’s overtly authoritarian tendencies, it isn’t hard to admire his appreciation for punk rock’s musical purity. The urge to purify, the impetus to purge an individual, organization, art form, culture, politics, or society of incorrectness, error, impurity, deviance, corruption, decadence, or evil; that’s what I’m talking about here. For a recent and particularly insidious example of this, lets turn to anarchist politics in the San Francisco Bay Area and the efforts of identity anarchists to purge post-left anarchists.

I have little sympathy for either of the two tendencies acting out this sordid drama. Post-left anarchism categorically rejects the Left, from the social democracy and Marxism-Leninism of the Old Left to the Maoism and Third Worldism of the New Communist Movement that devolved from the New Left, as well as any anarchism that is in the least bit influenced by the Left. This is not merely a refusal of the Left’s ideological content, but of its organizational forms as well, from meetings run by Robert’s Rules of Order to various kinds of party-building. But nothing unites post-left anarchism beyond this negation, leaving a disparate gaggle of personalities in Hakim Bey (ontological anarchy/TAZ), Bob Black (abolition of work), John Zerzan (primitivism), Wolfi Landstreicher (Stirnerite egoism), et al, to frivolously romp through post-left anarchism’s vacuous playground. In contrast, identity anarchism is all about a positive if problematic relationship with the Left, from its ideological borrowings from Marxism-Leninism (imperialism, colonialism, etc.) to its lineage on the Left (via the quasi-Maoist Black Panther Party). The lame debates within the heavily Maoist New Communist Movement regarding the staid National Question contributed to the formulation of a “white skin privilege” theory (by way of Sojourner Truth/Noel Ignatiev) which, when suitably tweaked by proponents of “male privilege,” conjugated a critique of patriarchal white supremacy fully embraced by identity anarchism. Thus, identity anarchism’s embrace of Panther anarchism (of Alston, Ervin, Balagoon, Barrow, Jackson, N’Zinga, White, Sostre, following the BPP’s demise) seems almost an afterthought, offering no serious counterweight to the Marxism, Leninism, Maoism and Third Worldism it enthusiastically embraces.

I will use post-left anarchism and identity anarchism in the remainder of this column as convenient shorthand for generic categories, which means I will also overly simplify who belongs to what camp.

Post-left anarchism has a decent presence in the East Bay through Anarchy, a Journal of Desire Armed, the annual BASTARD conference, and the Anarchist Study Group. The Study Group has been meeting weekly at the Long Haul in Berkeley for over a decade. It is structured through reading and discussing agreed-upon texts, publicly advertises locally and online, and is open to anyone to attend. At the beginning of 2013, the Study Group embarked on several months of investigation into Maoism, focusing on the New Communist Movement, reading primary documents related to the RCP, MIM, the BPP, STORM, and a plethora of alphabet soup Maoist organizations. Needless to say, these post-left anarchists were highly critical of the NCM and Maoism. Aragorn! went so far as to publish a lengthy criticism on his self-titled blog based on their studies in mid-March.

A group of identity anarchists “intervened” during a regular Tuesday night Long Haul Anarchist Study Group meeting sometime after that blog post. Hannibal Shakur, an activist in Occupy Oakland’s Decolonization tendency who is fighting vandalism charges after participation in the Trayvon Martin riots, was prominent in the newly organized Qilombo Social Center in Oakland. He and his crew attended the Study Group meeting, it seems not merely to dispute their post-left anarchist critique of Maoism, the NCM and the BPP, but also to challenge their right to pursue such independent study at all. The identity anarchists harassed and harangued the post-left anarchists, and in the heat of the argument between the two sides, post-left anarchist Lawrence Jarach made a categorical statement so typical of orthodox anarchism. To paraphrase, Jarach contended that: “All churches must be burned to the ground.” An identity anarchist demanded: “But what about the black churches?” To which Jarach responded: “The black churches must be burned … all churches must be burned.” The disagreements only got nastier from there, with open acrimony escalating into implied threat.

At some point, passionate ideological disagreement turned into calculated sectarian purge. The annual San Francisco Bay Area Anarchist Bookfair set up operations at the Crucible in Oakland on May 22, 2014. The one-day bookfair gathered a multitude of anarchist tendencies, among them the AJODA/CAL Press vendor table and the Qilombo Center table. An “attack initiated by three people (and about ten supporters) from Qilombo began around 3:40pm when I was cornered near the restroom,” reported Lawrence Jarach, “and continued after I walked back to the CAL Press/Anarchy magazine vendor table, ending at around 4 when we decided to leave.” AJODA has since issued an Open Letter to Bay Area Anarchists protesting the Qilombo assault as well as the general anarchist apathy toward this successful purge. Those associated with the attack on Jarach in turn have communicated the following: “Qilombo was not involved in the altercation you mention that took place at the Bay Area Anarchist Bookfair, and the space has no comment on the matter. Lawrence Jarach came by the Qilombo table and antagonized a few of our volunteers, so those volunteers took it upon themselves as autonomous individuals to call him out for something that occurred at an another venue, at another point in time, and requested that he leave the bookfair. If you would like more details, you will need to reach out to the actual parties involved.”

Tim Yo would have called this final evasion candy-assed.

Last column, I mentioned the feminist “intervention” at the May 9-11, 2014 Portland, Oregon Law & Disorder Conference and the increasingly acrimonious debate between Kristian Williams and the organizers of the event Patriarchy and the Movement, over the tactics of individuals and groups professing identity politics within larger leftist political circles. That the victims of patriarchal sexism and violence and their defenders are so outspoken in speech and print about the need to purge the perpetrators from The Movement only underscores the clarity of their actions. I suspect that, amongst themselves, Shakur and his identity anarchist/Qilombo brigade have summarily convicted Jarach of racism, exercising his white skin privilege, and supporting white supremacy in insisting purely on principle that all churches need to be burned down, even the black ones. Yet they won’t publicly cop to running him out of the anarchist bookfair for such reasons. That they haven’t openly taken responsibility for their thuggish behavior to, in effect, purge Jarach and AJODA from the Movement is low, even for Maoism masquerading as anarchism.

These concerted efforts to purge people from The Movement based on their ideology, or their behavior, are the self-righteous acts of those who would be judge, jury, and executioner. When Tim Yo made his futile attempt in MRR to purge punk rock back to its basics, the results were predictable. The magazines Punk Planet, Heart attaCk and Shredding Paper started publishing circa 1994 to challenge MRR’s definition of punk and hegemony over the scene, followed shortly thereafter by Hit List. However, I doubt that Qilombo’s attempt to purge Lawrence Jarach and fellow AJODA members will have similarly salutary effects.