By any other name: “Lefty” Hooligan, “What’s Left?”, August 2021

I picked up an archaic paper flyer pinned to an obsolete cork board in the now-defunct Market Street branch of FLAX Art Supplies. The handbill advertised a web designer and mobile app developer—Daniel Goodwyn—who offered to teach virtually any platform or software. I wanted to learn social media to prepare for self-publishing my novel 1% Free, so I called. He was cheap. We arranged to meet at Philz Coffee on 24th Street.

“I only drink Philz coffee,” Daniel said.

We met six or seven times at the end of 2015, beginning of 2016. Daniel was an evangelical Christian favorable to fundamentalism, but he wore his religious beliefs close to the vest. He didn’t proselytize. Instead, he would produce his worn King James Bible from his backpack before starting each lesson. I pulled out my Handbook of Denominations by Mead, Hill and Atwood our third meeting and we were off discussing Christianity between social media tutoring. We talked dispensationalism, cessationism, and biblical inerrancy. He’d attended 24/7 worship and prayer events, and would soon do web design for the messianic Jews for Jesus organization. Continue reading

Manhunt: Deadly Games review: “Lefty” Hooligan, March 2021

There’s a point in the Netflix series Manhunt: Deadly Games when ATF agent, explosives expert and good-ol-boy Earl Embry says of Richard Jewell—the man falsely accused of the 1996 Centennial Olympic Park bombing by the FBI and the media—that he was an easy target.

“Fat. Southern. Poor.” Played by Arliss Howard, Embry drawls. “He’s presumed guilty ‘cause he’s a bubba. Yeah, well … Hey, I’m a bubba.”

During the media feeding frenzy following the bombing, a newspaper posts the libelous headline “The Bubba Bomber” over Jewell’s picture. A subplot in Deadly Games involves the North Carolina Regulators militia that might as well be called bubba anarchism. Welcome to this installment of American Exceptionalism: Extremist Edition. Continue reading

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  • "I had a good run." —"Lefty" Hooligan, "What's Left?"

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