Socialism: “Lefty” Hooligan, “What’s Left?”, May 2023

I traveled to see friends in Bristol, England, in 1974. Harold Wilson’s Labor Party had been elected as a minority government for a second round of Keynesian social democracy intended to put the finishing touches on the British welfare state built from 1945 to 1951. Swaths of industry remained under state regulation and ownership. Social insurance, public housing, education, and unemployment relief had been established and expanded. An Equal Pay Act was passed in 1970. And Wilson’s government abolished the death penalty, decriminalized homosexuality, and outlawed racial discrimination. But it was no longer the “swinging sixties.” The Beatles had disbanded and the countercultural tribes were getting a dose of hard reality. The Angry Brigade’s bombing campaign in 1970-71 brought a crackdown on youth, which proved nothing compared to the society-wide clampdown instigated by the spillover of The Troubles from Northern Island to England with the IRA’s London bombing campaign. Even my liberal Bristol friends were anti-Irish. I stepped a couple of feet away from my backpack in the London Underground to examine the subway wall map, only to have my hippie ass immediately surrounded by suspicious Bobbies and plain-clothed officers.

I visited my relatives the same year in Poland deep in the Soviet Bloc; my grandmother in Gdynia with its massive Paris Commune Shipyards and my cousins in Warsaw with its famous Zeran car factory and working-class suburb Ursus. These locations were recurring flash-points in the off-again-on-again Polish rebellion against Soviet occupation.[1] The economy was state-owned and run, the society dreary. Polish Peoples’ Army and Soviet Red Army soldiers were everywhere, along with the police. In Warsaw, an additional reminder of the Soviet presence was the massive Palace of Culture and Science done up in Stalinist wedding cake style. Gomulka’s gray years as First Secretary of the Polish United Workers’ Party had given way to a more optimistic time under Edward Gierek who tried to boost economic development and average income through foreign loans, which meant that instead of bread lines people queued up for a few basic consumer goods. All my relatives told Russian jokes. On Sundays they took me to church where, beneath cover of the Catholic mass, an overflowing crowd whispered, argued and organized against the Soviets.

I also hitchhiked through Josip Tito’s Yugoslavia and enjoyed the novelty of staying at hotels, going to restaurants and buying supplies from enterprises that were worker-owned councils operating in a market economy. The newsstands carried uncensored every Western newspaper and magazine and the country was prospering. But there was little doubt that I was in a one-party Marxist-Leninist country. When I failed to convince several Yugoslav Peoples’ Army soldiers to give me the striking red star pins on their hats I tried to take their picture. They warned me off with threatening gestures.

My most inspiring and troubling experience of socialism was Israel when I lived on a kibbutz for six months in 1974. A kibbutz is a rural commune with a mixed agricultural/industrial economy where people own all private property in common, raise their children socially and work cooperatively “from each according to ability, to each according to need.” Kibbutzim were but one of many forms of cooperative agriculture within the Histadrut, a centralized syndicalist trade union which was at the same time the owner of numerous businesses and factories. The Histadrut ran about 65% of the Jewish economy and 75% of the Jewish workforce in Palestine by 1948. Its state-building function, alongside the Hagana, spearheaded the Labor Zionist national liberation struggle that declared independence for the State of Israel in 1948. The parliamentary, multi-party Jewish state nationalized half of the Histadrut’s economy almost immediately. Israel’s Jewish socialism was one of the more self-organized, communitarian, liberatory forms of socialism I’ve known. But it was Jewish socialism nonetheless, an exclusionary “socialism for one people” that placed ethnic identity over class identity, resulting in Israel devolving into a settler-colonial apartheid state.

Now it’s a bad time for socialism.

During the 1980s, socialism advanced by one-party Marxist-Leninist regimes was based on centrally planned command economies, collectivized agriculture and industry, and nationalized property. “Real existing socialism” encompassed one-third of the world’s population (over a billion people) and close to a fourth of world’s land surface. After the collapse of the Communist bloc (1989-1991)—instigated by Reagan and the US striving to bankrupt the Soviet Union and its allied nations—there are now only five explicitly Marxist-Leninist countries remaining in the world—China, Laos, Vietnam, Cuba, and North Korea. North Korea further refined its state ideology into Kimilsungism–Kimjongilism which is also defined as the Juche Principle. This supposedly is a revolutionary socialism of material necessity grounded in concrete, immutable realities where “the people” have all the basic means of life. Yet in reality it is a socialism of chronic scarcity where people often don’t have even the basics to survive, where workers’ power is substituted for the power of the vanguard party and frequently the power of a dictatorial cult leader.

From 1945 until 2015, social democracy was seen as a viable socialist alternative in Western Europe and other parts of the Western world. Epitomized by the Nordic Model—Iceland, Denmark, Norway, Sweden and Finland—it involved market-based mixed economies, private property, a strong labor movement, multi-level collective bargaining and a comprehensive welfare state administered by multi-party parliamentary democracies that mediate between capital and labor. Norway extended this with extensive state-owned enterprises and natural resources as well as state share ownership in publicly listed enterprises. This democratic socialism sometimes considers itself a moral crusade against capitalism and the profit motive and for workers’ rights and freedoms. Democracy, egalitarianism and social justice are emphasized over a specific form of socialist economy. Social democratic parties have peacefully traded governance with more conservative political parties even in the Nordic countries. Issues of national sovereignty and immigration after 2015 have caused a marked decline in their popularity.

The “hard” socialism of Marxist-Leninists regimes is attributed to their Third World context, to the oppressed and exploited peoples of color and proletarian-peasant nations of the Global South. The “soft” socialism of social democracies is not really considered socialist by “hard” socialists, but rather is of a piece of the Global North, of the First World whose nations are capitalist, imperialist and mostly white. I don’t regard either Marxist-Leninist regimes or social democracies as truly socialist, even though I’d much rather live in the latter than in the former.

I reserve the term socialism for a handful or two of historical periods and relatively short social experiments that broadly fall under the general category of “libertarian socialism.” Among them are examples that readily cross over the First/Third World-Global North/South and the “hard”/“soft” socialist categories. First is the Soviet-led government from the Russian 1917 Revolution until 1922 when opposition parties were outlawed, factions within the Bolshevik party were banned and Stalin started his rise to power. Second is the self-managed anarchist/socialist territories of the Spanish Republic during the 1936-39 civil war before Franco liquidated them. Third is the ongoing policies of indigenismo promoted by the EZLN in Chiapas, Mexico. And fourth is the ongoing system of democratic confederalism under the PYD/YPG in Rojava, Northern Syria.

Each of these examples of libertarian socialist economics—decentralized, socialized economies of collectives, cooperatives, communes, committees and councils—are coupled with democratic multi-party political systems based on parliaments, soviets or assemblies. Libertarian socialist economies have occasionally been combined with one-party vanguardist regimes—the first ten years of villagist ujamaa in Tanzania under the rule of Julius Nyerere’s TANU party, Tito’s Yugoslavia of workers’ councils—but they are no longer libertarian socialism proper.

To be clear, nations that call themselves socialist are a dime-a-dozen.[2] Some have references to socialism in their constitutions, most others are ruled by nationalist political parties that claim to operate on socialist or communist principles, but virtually none are Marxist. A fair number are one-party regimes, military juntas or personal dictatorships. And almost all have capitalist, oligarchic or corporatist economies.

There is also an implied socialism that is winning big by default.

In a world supposedly divided irreconcilably between imperialist nations and anti-imperialist nations, it is common to assume that those countries in the imperialist “camp” are reactionary whereas those countries in the anti-imperialist “camp” are progressive. This basic campism insists that the US is the center of global imperialism and therefore the primary enemy. The anti-imperialist forces arrayed against the US are on the right side of history and are, if not socialist, at least leaning Left. So campism implies that those who oppose imperialism are socialistic.

Lenin formulated the theory of imperialism, but there are no pure Leninist movements, parties or regimes any longer. All are some form of Leninist hybrid—Stalinist, Trotskyist, Maoist, Hoxhaist, Marcyist, ad nauseam. Additionally, the concept of anti-imperialism has spread far beyond its Marxist-Leninist origins. Maoist-inspired movements and parties multiplied under the rubric of anti-revisionism. With the rise of anti-colonial and national liberation struggles the Third World came into its own. But it also became the ideology of Third Worldism. And anti-imperialism has infected anarchism (Love and Rage), autonomism (German Wildcat), even democratic socialism (Democratic Socialists of America). In turn, tankies are Stalinists or campist apologists who defend the use of tanks in the Soviet Union’s invasion of Hungary in 1956, the Warsaw Pact’s suppression of Czechoslovakia in 1968, China’s massacre of the Tiananmen Square protestors in 1989, and the like.

So ideologies that embrace anti-imperialist campism often uphold an ersatz socialistic prognosis. They often claim that since the US is the only imperialist power in the world no other nation can be imperialist. And they often defend not just authoritarian Marxist-Leninist regimes past and present but authoritarian states in general.

Campism is truly the anti-imperialism of fools.

FOOTNOTES:

[1] 1944-47, 1956, 1968, 1970-71, 1976, 1980-81, 1982, 1988

[2] Algeria, Angola, Argentina, Bangladesh, Barbados, Bolivia, Republic of the Congo, Djibouti, Guinea-Bissau, Guyana, Mauritius, Mexico, Moldova, Mozambique, Namibia, Nepal, Nicaragua, Peru, Portugal, Saint Vincent and the Grenadines, South Africa, Sri Lanka, Syria, Tanzania, Venezuela, Zambia, and Zimbabwe.

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American socialism revisited: “Lefty” Hooligan, “What’s Left?”, October 2021

Socialism for the rich; capitalism for the poor.

It’s an oft-repeated Leftist cliché that encapsulates an entire socio-political-economic analysis in a single sentence. It was first promulgated by Michael Harrington and frequently repeated by the likes of Noam Chomsky, Bernie Sanders, and Robert Reich. The gist of this argument is that capitalist corporations receive government largess in the form of subsidies, tax breaks, and favorable legislation while the general population is left to fend for itself. Big business regularly receives favorable treatment and corporate welfare from the government which allows corporations to “privatize profits and socialize losses.” The rest of us are shit-out-of-luck.(1)

Boutique capitalism: “Lefty” Hooligan, “What’s Left?”, June 2021

I’d gotten high on marijuana, hashish, LSD, MDA, cocaine, amphetamine, barbiturates, heroin, jimson weed, nitrous oxide, peyote, mescaline and psilocybin by 1972 living in Ventura, California. But I still hadn’t gotten drunk. I didn’t start drinking alcohol with any frequency until late 1974, over a year after I turned 21 and had already moved to Santa Cruz to attend UCSC. But in the spring of 1972 I didn’t like booze. I didn’t like people who drank instead of getting stoned, and I hated loud bar scenes. So I was jealous and miffed when a friend regaled me with the news that “Hey, I was drinking at John’s At The Beach and John Lennon just showed up, jumped on stage and played ‘Norwegian Wood’.” And I was seriously annoyed to learn that Lennon returned two days later to play another brief set, this time backed by a few local musicians.

New Socialist Movement: “Lefty” Hooligan, “What’s Left?” April 2021

 

Nie mój cyrk, nie moje małpy
—Polish proverb

It wasn’t my scene.

I attended Stuart Shuffman’s book release party for Broke-Ass Stuart’s Guide to Living Cheaply in San Francisco sometime in November, 2007. Stuart initially xeroxed his zine at Kinko’s and personally distributed it to stores and shops around the city. His handmade publication was about to become a conventional paperback travel guide produced by a now-defunct independent publishing company that would offer a New York City edition the next year. His Guide to Living Cheaply combined two of my favorite things—zines and cheap eats—under the imprimatur “you are young, broke and beautiful” but the raucous release event wasn’t for me.

The Paris Commune, the Left, and the ultraleft: in the weeds #1: “What’s Left?” March 2020 (MRR #442)

“The name’s Joey Homicides,” Bob McGlynn said, shaking my hand.

That was in the fall of 1988, when I first visited New York. I have vivid memories of the city’s vibrant anarchist/ultraleft milieu, with folks from WBAI (many from the old Moorish Orthodox Radio Crusade), the Libertarian Book Club (LBC), Anarchist Black Cross, THRUSH, and McGlynn’s group Neither East Nor West. I was Bob’s friend and a long-distance part of that community, returning to visit almost annually for the next 15 years. We believed capitalism was on its way out and what would replace it was up for grabs. The drab “real existing socialism” of the day—the Soviet bloc and Third World national liberation axis—versus our vital libertarian socialism of collectives and communes, workers’ councils and popular assemblies, spontaneous uprisings and international solidarity.

Libertarian activities were happening all over. The influence of Poland’s Solidarity labor movement pervaded Eastern Europe with similar actions and movements. We were mere months away from the Revolutions of 1989 that would see the dissolution of the Warsaw Pact and bring the old Soviet Union to the verge of its historic collapse. Two months before, a violent NYC police riot against 700 squatters, punks, homeless and protesters—Bob included—carrying banners proclaiming “Gentrification is Class War” turned Tompkins Square Park into a “bloody war zone” with nine arrested and 38 injured. The LBC—before Objectivists and Rothbardians took it over—had put on a forum grandiosely comparing the Tompkins Square Riots to the 1871 Paris Commune the weekend I arrived for my 10-day vacation. The refusal of radical National Guard soldiers in Paris to disarm after the armistice with Prussia that transformed an insignificant French Republic administrative division equivalent to civil townships—the commune—into the Paris Commune much lauded by the Left will be discussed below.

Fashion Statement or Counterculture: “What’s Left?” July 2016, MRR #398

I attended a “Faces of Death” party in San Diego between 1980 and 1982. I don’t remember the exact date as I was drinking heavily at the time, and some details are pretty much a blur from those days. “Faces of Death” was a film compilation of various explicit on-camera death scenes—half of them fake—which led to a movie series, and then a horror genre. I’d heard that Boyd Rice organized the party, not around a video showing but in honor of the suicide of Joy Division singer Ian Curtis. The living room had a shrine set up, with black and red altar cloths and lit tapered black candles featuring a framed picture of Ian alongside one of Adolf Hitler. Boyd hadn’t yet transitioned into full-on racist fascism, so this was him being transgressive and oh-so-naughty. The soundtrack for the evening, besides Joy Division, included Throbbing Gristle, Boyd’s band Non, Cabaret Voltaire, and others.

I found the whole party morose and boring, and left soon after arriving, no doubt in search of more alcohol. But all the future dark tribes, from Industrial to Goth, were present in embryo. I’ve told this story many times before. What’s brought it to mind now was Genesis P-Orridge posting on his FB page a slick conspiracy video-remastering of the hoax “Protocols of the Elders of Zion” using the Rothschild family. I’m FB friends with several anti-fascists, and the reaction was intense. One individual in particular, someone whom I’d been corresponding with back and forth since before FB when he was commenting on my political blog, stated that he was distressed over what Genesis had done because he really liked both Throbbing Gristle and Psychic TV. In the FB exchange, I realized I harbored prejudices born of that experience some 35 years prior, that a “certain kind of music” invariably leads to fascism.

I should have known better. In my Hit List review of Craig O’Hara’s book “The Philosophy of Punk” I’d argued against his idea that punk is inherently anarchist by contending that no type of politics is innate to punk as a genre of music. Aside from a visceral rebellion often characteristic of youth, it’s really all just about sex, drugs and rock’n’roll. I also didn’t learn from my about-face on country western music, when I came to appreciate Hank William’s Sr. and not to categorize the entire musical genre as “redneck.” And yet, country western music is consistently associated with conservative politics, punk rock with anarchism, and industrial/goth music with fascism. How can we account for these persistent connections without labeling them innate or inherent?

Which brings us to the relationship between music and politics. I’m sick and tired of writing about the elections anyway and besides, the Democratic and Republican National Conventions are playing out even as this issue is being sold on newsstands.

“If the right kind of beat makes you tap your foot,” Frank Zappa once said, provocatively. “[W]hat kind of beat makes you curl your fist and strike?” Zappa was ardently anti-censorship, so this bit of hyperbole was meant to highlight the complex relationship between music and other forms of human behavior, not to nail it down. However, I will attempt to do just that by mediating the links between music and politics through the lens of counterculture. Let’s begin with the mother of all countercultures, the hippie counterculture. Forgive me if what follows is painted in broad strokes. The making of that counterculture, to paraphrase Theodore Roszak, involved the merging of a genre of music influenced by folk, blues and rock with various unconventional lifestyles from the Romantics, Bohemians and the Beats, all in opposition to the prevailing Establishment culture of the day. Rock music and bohemian hipster lifestyles overlapped, and the counterculture was born from their interaction on this common ground.

Characterizing the hippie counterculture as all about “peace and love” is simplistic but fair, even as it misses the communalism underlying that social movement. Plenty of hippies like Stewart Brand had a philosophical hankering for capitalist libertarianism, and many others went on to become successful entrepreneurs. But the 60s were all about communalism—about crash pads, coops and communes—and as such the counterculture countered competitive American individualism. Hippie communalism was central to a naïve back-to-the-land movement, which laid the basis for today’s concerns with vegetarianism and organic agriculture. This conscious collectivism accounts for the incipient anarcho-leftism of much of the hippie counterculture, and it also explains the New Age fascism evident in other aspects. And to call the politics of the hippies collectivist is vague at best.

The 60s counterculture encompassed millions of young people around the world and by the Death of Hippie (dated 1967, 1968 or 1969, depending) there were already inklings of a smaller counter-counterculture in the making. Proto-punk music was emerging, and there was a growing disdain for the hippie “peace and love” mentality as too idealistic and impractical. Anger and aggression replaced those hippie sentiments—expressed in sayings like “search and destroy” and “fuck shit up”—and hippie communalism mutated into punk collectivism (squats, punk houses, venue collectives, etc.). DIY became the byword of punk action and the whole package, while not explicitly anarchist, tended toward the politically anarchic.

Also in reaction to the hippie counterculture, but somewhat later in time and still smaller in numbers, the industrial/goth/dark counter-counterculture took shape. There were distinct types of music and kinds of collectivism (Throbbing Gristle came out of the COUM Transmissions art collective and Laibach is part of the NSK art collective), but the doom and gloom of this scene was augmented by an intense obsession with all that is transgressive. And my argument paralleling punk rock is that while there was nothing in the industrial/goth/dark music scene that was inherently fascist, the fascination with being “oh so naughty” and transgressive also accounts for the tendency toward fascist imagery and even politics in the music.

This oversimplified history is not prescriptive, but descriptive. I’m trying to explain political trends without arguing that certain politics are innate to certain musical genres. Hippie peace and love was far different from punk anger and aggression or industrial/goth doom and gloom. But, apart from youthful rebellion and a desire to épater la bourgeoisie, these countercultures and counter-countercultures had at least three things in common: communal structures, DIY motivations, and transgressive impulses. Hippie communalism was intensely DIY, with the Whole Earth Catalog epitomizing the era. But hippie transgression was unashamedly hedonistic. I would contend that this counterculture went the furthest toward parrying the prevailing culture and creating a viable, wholistic alternative society that escaped simple left-or-right politics. In reacting against bourgeois society and the hippie counterculture, punk and industrial/goth further narrowed their respective cultural arenas, and further fragmented the wider society into numerous contending, jostling subcultures. Punk was violently transgressive, but its DIY emphasis was central, implying anarchistic politics. And industrial/goth was as DIY as punk, but it was the fascination with transgressive naughtiness that accounts for that counter-counterculture’s infatuation with fascist symbolism, which often spilled over into actual fascism.

Of course, it can be argued that whether it’s culture, counterculture, or counter-counterculture, the Western context for all of this is bourgeois individualism. From the libertinism and “do your own thing” of the 60s, the emphasis has been on the individual through punk and industrial/goth, various forms of communalism notwithstanding. Even to say that “it’s only rock and roll” is to acknowledge the primacy of this socio-political context for the cultural rebellions from the 60s onward.

I published an anarcho-punk zine called San Diego’s Daily Impulse from 1985 through 1989, which I distributed free at shows and to record stores. As part of that zine, I and a small group of friends put on an Anarchy Picnic in May, 1985. Several hundred people gathered to share food and beverage, acoustic music, and activities like frisbee and hacky-sack around literature tables, chalk, and sheets of butcher paper sprinkled with crayons and paint in Balboa Park. It was clear at the Anarchy Picnic that divisions like hippie, punk and goth were ephemeral, that tastes in music and fashion were not rigid, and that people mixed-and-matched scenes and countercultures as they desired. In the midst of this sunny picnic, with all the fun and frivolity, a couple strolled into the park wearing full Nazi Sturmabteilung uniforms, complete with prominent swastika armbands. The man was an SA-Gruppenführer, the woman his she-wolf of the SA, and together they walked a pair of Dobermans. They feigned being haughty and aloof, but it was clear that they pranced and preened over being so naughty and transgressive in their Nazi regalia.

No surprise, the Anarchy Picnickers ignored them.