New Socialist Movement: “Lefty” Hooligan, “What’s Left?” April 2021

Nie mój cyrk, nie moje małpy
—Polish proverb

It wasn’t my scene.

I attended Stuart Shuffman’s book release party for Broke-Ass Stuart’s Guide to Living Cheaply in San Francisco sometime in November, 2007. Stuart initially xeroxed his zine at Kinko’s and personally distributed it to stores and shops around the city. His handmade publication was about to become a conventional paperback travel guide produced by a now-defunct independent publishing company that would offer a New York City edition the next year. His Guide to Living Cheaply combined two of my favorite things—zines and cheap eats—under the imprimatur “you are young, broke and beautiful” but the raucous release event wasn’t for me.

The party was held at the Rickshaw Stop, a funky alternative music venue near the SF Civic Center with high ceilings, giant red drapes and an overlooking balcony. Stuart spared no expense. Live bands, DJs, alcoholic beverages and prepared foods. The shindig was actually more of a rave. Those who attended were much younger, had funny haircuts and wore bright day-glo neo-psychedelic clothing. There were light shows, dancing and glow sticks. There were tubs filled with bottled water. And there was a bowl of special punch appropriately labeled with a coded Ecstasy warning. I’d been part of two countercultures and I’d never been inadvertently dosed during my hippie days. Nor did I ever dose anyone without their consent, something that punks never much indulged in. But I stuck with bottled beer just the same.

I didn’t know more than a handful of people and didn’t care for the music. So I thanked Stuart for his zine, congratulated him on his success, then left the party early. I’d been made acutely aware by his celebration of the difference between being on the inside versus on the outside of a scene. At any hippie or punk concert I could have easily pointed out where groups following different kinds of music, bands and social milieus hung out. As a hippie at a 70s concert the psych-rock kids were here, the bikers there, and the Deadheads yonder. As a punk at an 80s concert the hardcore kids were here, the skinheads there, and the Suicidals yonder. But to anxious parents unfamiliar with either scene, everyone looked alike. The subtle clues of hair, clothing, symbols worn and music enjoyed were lost on the uninitiated. To an outsider everything looked and sounded the same.

Now consider the current debate over the “new socialist movement.”

rankandfileSometimes I consider myself a Leftist and a socialist. But sometimes I get cantankerous and call myself an “anti-state communist influenced by the left communist tradition, Italian workerism/Autonomia, insurrectionary anarchism and communization theory.” That’s part of a different dynamic of insiders deliberately rejecting their own or fellow insiders’ status for various reasons. The San Francisco Diggers didn’t identify as hippies because “flowers die too easily.” And much of hardcore punk rejected Krishna Consciousness’s crude infiltration of the hardcore scene because krishnacore was a pathetic “subculture of a subculture of a subculture.” These are insider squabbles.

Someone who is an outsider to left-of-center politics and doesn’t see the differences between the Left, socialism, communism, anarchism and the like needs to realize two things. First, there are a myriad different schools, tendencies, factions and sects that identify with the Left, broadly speaking. I often use the terms “the Left” and “socialism” as generic categories to encompass liberalism, progressivism, social democracy, democratic socialism, Marxism, Leninism, syndicalism, anarchism, left communism, et al. Second, the only common element to this bewildering variety on the Left is collective ownership of land, labor and capital (“the means of production”). Such collective ownership might be termed public ownership, state ownership, nationalization, socialization or communization depending on the degree and type of organization of the collectivization in question. So even this common factor is complex and complicated. But when I talk about the Left or socialism—the idea, the movement, the society—I’m talking at base about collective ownership of the means of production.

Everything else is up for grabs.

Who has agency, who benefits, and who rules under socialism? (Workers and the working class, peasants and the peasantry, oppressed and Third World peoples, the people or the masses, the multitude, the 99%?) How do they rule? (From below versus from above, direct decentralized democracy, democratic confederalism, federalism, democratic centralism, republicanism, class dictatorship, party dictatorship?) By what instruments do they rule? (The state, political party, trade or industrial unions, the four c’s—communes, councils, collectives, cooperatives?) How do they achieve power? (General or mass strike, spontaneous mass insurrection, social revolution, electoral party victory, vanguard party revolution, socialist revolution?) What is the scope of socialism? (Local, municipal, regional, bioregional, national, international?) What other elements are necessary for a socialist movement or society? (Extra-electoral politics, social movements, alternative institutions, mutual aid networks, radical economics?) This list of questions and multiple choice options is by no means exhaustive. So why is it when we talk about a “new socialist movement” we are focused solely on the role of the political party?

The discussion of a “new socialist movement” arose from Bernie Sanders’ 2016 presidential campaign and the growth of the Democratic Socialists of America (DSA). It has been preoccupied with how and whether to move the Democratic party to the Left versus building an independent democratic socialist or social democratic labor party. Other voices have entered the debate with calls for an orthodox vanguard party, an interventionist party, even a “party of a new type.” But the political party is not the be-all and end-all to socialism. The party may not even be necessary for socialism to advance, win, hold power or thrive.

Saying party building is “not my scene” isn’t strong enough. I prefer the Polish proverb “not my circus, not my monkeys.” I reject the emphasis on the political party because it actually hinders the cause of socialism.  I have my personal configuration for a “new socialist movement” but discussing my preferences would amount to a laundry list of wishful thinking. Instead, I’ll target two elements I think of as absolutely crucial to minimizing the role of the state and party and maximizing the social aspects of socialism. When we talk politics, we talk in terms of good or bad, useful or useless, revolutionary or reactionary. Electoral politics, by and large, are boring, ugly and nearly always business-as-usual by being tied to the corporate two-party political system. Contrast this with the unruly, disruptive extra-electoral politics of antifa, Occupy Wall Street, Black Lives Matter, Fight for $15, the Dreamers and other such movements that are “small-d democratic citizen activism bypassing political institutions beholden to narrow, moneyed interests” according to Tony Karon in “Why Bernie Sanders’ movement is much larger than this election” who continues: “Those movements are based outside the Democratic party […] but through grassroots activism they have forced their issues on to the party’s agenda.”

Extra-electoral politics dovetail nicely into the importance of social movements in building popular power generally. Social movements reside both inside and outside electoral politics but represent efforts at affecting social change from below. They are multi-issue, often cross-class and frequently polycentric organizational strategies and movements that attempt to build social power in oppressed populations to take on the powers-that-be through mass mobilizations. The Civil Rights, Black Power, Chicano, Women’s, and Gay Liberation movements—along with scores of other social movements from the 60s onward—built power from the base of society. I consider one of the most important social movements to encompass is the labor movement. And by the labor movement, I don’t mean only the official labor movement of organized unions, federations and internationals, but also wildcat labor, undocumented labor, precarious labor, the whole gamut of working class strategies and movements that strive toward self-activity and self-organization. Karl Marx argued that the working class must move from a “class in itself” as defined by its relation to the means of the production in order to become a “class for itself” and constitute the proletariat actively organized in pursuit of its own interests. As such, workers have the capacity to seize power and realize socialism, or alternatively, to be a decisive element in a self-managed, self-emancipated socialist society even without a political party.

Fixating on the self-perpetuating political party is what’s problematic here. At the risk of being accused of the “false and misleading counter-positioning of mass politics and movement work,” I see a contradiction between emphasizing “the importance of our party as a base of militant organizing within the class” and the claim that “electoral work must be subordinated to, and flow from, that organizing” of mass politics and movement work (“A Party of Our Own” by Turl and Sepehri). Wishing party work to be subordinate to socialist organizing doesn’t make it so, especially given the party-über-alles stance of most of those engaged in the “new socialist movement” debate. That’s like hoping your square parents understand the weird music you listen to when all they know is easy listening. They just don’t get it.

SOURCES
Personal recollections
The Poverty of Philosophy by Karl Marx
Ringolevio by Emmett Grogan
Broke-Ass Stuart’s Guide to Living Cheaply by Stuart Shuffman
Hardcore, Punk, and Other Junk: Aggressive Sounds in Contemporary Music edited by Eric James Abbey and Colin Helb
“Why Bernie Sanders’ movement is much larger than this election” by Tony Karon, The Guardian (4-18-16)
“A Party of Our Own” by Adam Turl and Saman Sepehri, Red Wedge (4-14-20)

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The Paris Commune, the Left, and the ultraleft: in the weeds #1: “What’s Left?” March 2020 (MRR #442)

“The name’s Joey Homicides,” Bob McGlynn said, shaking my hand.

That was in the fall of 1988, when I first visited New York. I have vivid memories of the city’s vibrant anarchist/ultraleft milieu, with folks from WBAI (many from the old Moorish Orthodox Radio Crusade), the Libertarian Book Club (LBC), Anarchist Black Cross, THRUSH, and McGlynn’s group Neither East Nor West. I was Bob’s friend and a long-distance part of that community, returning to visit almost annually for the next 15 years. We believed capitalism was on its way out and what would replace it was up for grabs. The drab “real existing socialism” of the day—the Soviet bloc and Third World national liberation axis—versus our vital libertarian socialism of collectives and communes, workers’ councils and popular assemblies, spontaneous uprisings and international solidarity.

Libertarian activities were happening all over. The influence of Poland’s Solidarity labor movement pervaded Eastern Europe with similar actions and movements. We were mere months away from the Revolutions of 1989 that would see the dissolution of the Warsaw Pact and bring the old Soviet Union to the verge of its historic collapse. Two months before, a violent NYC police riot against 700 squatters, punks, homeless and protesters—Bob included—carrying banners proclaiming “Gentrification is Class War” turned Tompkins Square Park into a “bloody war zone” with nine arrested and 38 injured. The LBC—before Objectivists and Rothbardians took it over—had put on a forum grandiosely comparing the Tompkins Square Riots to the 1871 Paris Commune the weekend I arrived for my 10-day vacation. The refusal of radical National Guard soldiers in Paris to disarm after the armistice with Prussia that transformed an insignificant French Republic administrative division equivalent to civil townships—the commune—into the Paris Commune much lauded by the Left will be discussed below.

There was a four-story brownstone in Brooklyn rented by anarchos, ultras and assorted far lefties back then. As the guest from the West, I rated a spare room for the duration of my vacation. I shared the floor with Calvin, the ultra-Maoist. Calvin had cut his teeth as a member of the Revolutionary Communist Youth Brigade, graduated to reading MIM-notes, and was now the Maoist equivalent of an ultraleftist. He had this brightly colored, socialist realist silkscreened poster on his bedroom wall proclaiming “Long Live the May 16 Movement” with Chinese workers, peasants and students together heroically taking up arms. I quickly realized that ultraleftism was in the eye of the beholder. Calvin’s ultraleftism assumed the puritanism of his overall Maoism and couldn’t long tolerate the libertinism of our type of ultraleftism. The house’s sex, drugs, rocknroll and communal anarchy was getting to him by the time of my stay. He rarely socialized or ate dinner with the rest of the residents, and only attended house meetings when required. He threw a tantrum shortly after I left over people engaging in “overt homosexuality” in the house’s common areas, and moved out soon thereafter.

I spent every evening of my NYC stay out with McGlynn and comrades, once spotting Joey Ramone careening into St. Marks Hotel. One night I returned at 2 am to find Calvin cradling a half-empty bottle of whiskey. I asked him about the poster as I smoked prime marijuana I’d smuggled in from the West Coast.

“It refers to Mao’s 1966 May 16 Notifications that kicked off the Great Proletarian Cultural Revolution,” Calvin slurred. “The name May 16 Movement signifies the Red Guard’s revolutionary leftwing through 1967, but it can also mean a bogus Red Guard clique, a counterrevolutionary ‘May 16’ conspiracy to bring down Zhou Enlai used by the PLA and the Jiang Qing clique to crack down on the Left.”

I was getting a headache from that brief description. Calvin never referred to himself as ultraleft. I offered him a hit and to my surprise he accepted. He gave me a pull from his bottle and I kept it to a single. Chinese politics have seemed arcane/labyrinthian/byzantine at the best of times. During the GPCR, even the most experienced China Watchers were flummoxed by what Mao did and how events unfolded—the twists and turns of the Red Guard phase, the Lin Biao/People’s Liberation Army (PLA) phase, and the final Gang of Four phase. This was made more complicated by the US-based New Communist Movement which witnessed the proliferation of sometimes short-lived Maoist, quasi-Maoist, and post-Maoist groupuscules, organizations and party formations while all the shit in China went down. Aside from seeking the China franchise, the Americans took sides. The October League/Communist Party (Marxist-Leninist) for instance fully supported the Chinese government’s purge of the Gang of Four while the Revolutionary Union/Revolutionary Communist Party was rabidly pro-Gang of Four. Calvin was an advocate for the Red Guard ultraleft.

“Ultraleftism”—extreme or intransigent positions that fail to take into account objective conditions—and “voluntarism”—reliance on individual hyperactivism to compensate for unfavorable objective conditions—are related Leninist insults. Assuming “ultraleftism” as the general category, it would be easy to claim that specific instances of ultraleftism are examples of convergent evolution—the independent evolution of analogous structures in wildly different social situations—except that virtually all the Left shares a positive assessment of the 1871 Paris Commune as the model of “the working class in power.”

“The struggle for the Commune was also a struggle over its meaning,” writes Jodi Dean in “Commune, Party, State” for Viewpoint Magazine. But the Left has no common analysis of the Paris Commune. Anarchists insisted that the Commune was a federalist form of decentralized popular self-government sufficient unto itself, a negation simultaneously of the State and of revolutionary dictatorship. Marx contended that the Commune had smashed the old state machinery to create the prototype for the future revolutionary socialist government, a living example of the thoroughly democratic “dictatorship of the proletariat” requiring just a bit more dictatorship. Lenin argued that the “Commune State” was a workers’ state in need of a more rigorous, unified Marxist politics and a more ruthless, centralized military approach to dealing with its enemies, both internal and external. The 1905 and 1917 soviets claimed to be the legitimate heir of the 1871 Paris Commune and thus underpinned both the Bolshevik state and Marxist left communism—what Lenin denounced as ultraleftism, an infantile disorder. Also called Council Communism, this OG ultraleft defined the Commune as “the working class”— not “the people”—organized to exercise state power. This current emphasized the Commune’s formal characteristics (such as abolition of the bureaucracy, voters’ right to recall delegates). And Council Communism amalgamated the Commune’s state functions with the soviet’s additional operations as an organ for temporarily directing the revolutionary struggle and representing the proletariat’s class interests to emphasize the continuity between workers’ councils and the Paris Commune. Today’s non-party anti-state communism is heir to this current.

Calvin and I discussed his politics well into the morning. The people’s communes implemented in 1958 during Mao’s Great Leap Forward as an administrative division were analogous to the French communes. Calvin distinguished them from the project to emulate the Paris Commune which Mao Zedong first promoted. Calvin waxed poetic over the “January Storm” that established the Shanghai People’s Commune, overthrew the “red bourgeoisie” and appropriated their assets “into the hands of the people.” He was also an avid proponent of the Hunan Provincial Proletarian Revolutionary Great Alliance Committee, whose Shengwulian “manifesto” decried the “red capitalist class” and “bureaucratic bourgeoisie” and promoted the goal of a “People’s Commune of China.” Shengwulian denounced Mao’s revolutionary committees which “will inevitably be a type of regime for the bourgeoisie to usurp power, in which the army and the local bureaucrats would play a leading role.” Like Shengwulian, Calvin considered Mao “the great teacher of the proletariat,” but both were clearly uncomfortable with Mao’s support for the revolutionary committees, contending that “the revolutionary people find it hard to understand” why the Great Helmsman suddenly came out against the Shanghai Commune. And turn against the Shanghai People’s Commune and Shengwulian Mao did, with a vengeance. With events like the Wuhan Incident portending civil war Mao argued they were “going too far.” Mao labeled them ultraleft, and used the PLA to crush the Red Guards completely when he discarded the Paris Commune model for PLA-led revolutionary committees during the GPCR. Calvin echoed the Chinese ultraleft’s sycophantic worship of Mao, which in China went so far as to ask permission from Mao to “seize power.” This clearly distinguishes their ultraleftism from the politics of Bob McGlynn in an evolution neither convergent nor parallel but disparate.

A bike messenger, poet, writer, troublemaker and consummate organizer, Bob was a proud infantile Leftist. As for “Joey Homicides,” I’ve never coveted a pseudonym more. When Bob dropped out of political activism due to health problems, I periodically but obliquely inquired as to its availability for my own, alternative nom de guerre. Bob died of a heart attack on August 23, 2016, at 61—way too young. The alias now goes with him to the grave.

SOURCES:
Personal recollections
“Bob McGlynn, linked Tompkins protests and glasnost” by Bill Weinberg (The Villager, 9-8-16)
“Bob McGlynn Dies at 60” by Bill Weinberg (Fifth Estate #397)
“Bob McGlynn: New York Anarchist” (Kate Sharpley Library)
“Commune, Party, State” by Jodi Dean (Viewpoint Magazine, 9-9-14)
The Soviets by Oskar Anweiler
“A People’s History of the Cultural Revolution” by Bill Crane (That Faint Light, 7-14-12)
Mao’s Last Revolution by MacFarquhar and Schoenhals
Mao’s China and After by Maurice Meisner
Turbulent Decade by Jiaqi and Gao

Fashion Statement or Counterculture: “What’s Left?” July 2016, MRR #398

FashionStatement
I attended a “Faces of Death” party in San Diego between 1980 and 1982. I don’t remember the exact date as I was drinking heavily at the time, and some details are pretty much a blur from those days. “Faces of Death” was a film compilation of various explicit on-camera death scenes—half of them fake—which led to a movie series, and then a horror genre. I’d heard that Boyd Rice organized the party, not around a video showing but in honor of the suicide of Joy Division singer Ian Curtis. The living room had a shrine set up, with black and red altar cloths and lit tapered black candles featuring a framed picture of Ian alongside one of Adolf Hitler. Boyd hadn’t yet transitioned into full-on racist fascism, so this was him being transgressive and oh-so-naughty. The soundtrack for the evening, besides Joy Division, included Throbbing Gristle, Boyd’s band Non, Cabaret Voltaire, and others.

I found the whole party morose and boring, and left soon after arriving, no doubt in search of more alcohol. But all the future dark tribes, from Industrial to Goth, were present in embryo. I’ve told this story many times before. What’s brought it to mind now was Genesis P-Orridge posting on his FB page a slick conspiracy video-remastering of the hoax “Protocols of the Elders of Zion” using the Rothschild family. I’m FB friends with several anti-fascists, and the reaction was intense. One individual in particular, someone whom I’d been corresponding with back and forth since before FB when he was commenting on my political blog, stated that he was distressed over what Genesis had done because he really liked both Throbbing Gristle and Psychic TV. In the FB exchange, I realized I harbored prejudices born of that experience some 35 years prior, that a “certain kind of music” invariably leads to fascism.

I should have known better. In my Hit List review of Craig O’Hara’s book “The Philosophy of Punk” I’d argued against his idea that punk is inherently anarchist by contending that no type of politics is innate to punk as a genre of music. Aside from a visceral rebellion often characteristic of youth, it’s really all just about sex, drugs and rock’n’roll. I also didn’t learn from my about-face on country western music, when I came to appreciate Hank William’s Sr. and not to categorize the entire musical genre as “redneck.” And yet, country western music is consistently associated with conservative politics, punk rock with anarchism, and industrial/goth music with fascism. How can we account for these persistent connections without labeling them innate or inherent?

Which brings us to the relationship between music and politics. I’m sick and tired of writing about the elections anyway and besides, the Democratic and Republican National Conventions are playing out even as this issue is being sold on newsstands.

“If the right kind of beat makes you tap your foot,” Frank Zappa once said, provocatively. “[W]hat kind of beat makes you curl your fist and strike?” Zappa was ardently anti-censorship, so this bit of hyperbole was meant to highlight the complex relationship between music and other forms of human behavior, not to nail it down. However, I will attempt to do just that by mediating the links between music and politics through the lens of counterculture. Let’s begin with the mother of all countercultures, the hippie counterculture. Forgive me if what follows is painted in broad strokes. The making of that counterculture, to paraphrase Theodore Roszak, involved the merging of a genre of music influenced by folk, blues and rock with various unconventional lifestyles from the Romantics, Bohemians and the Beats, all in opposition to the prevailing Establishment culture of the day. Rock music and bohemian hipster lifestyles overlapped, and the counterculture was born from their interaction on this common ground.

Characterizing the hippie counterculture as all about “peace and love” is simplistic but fair, even as it misses the communalism underlying that social movement. Plenty of hippies like Stewart Brand had a philosophical hankering for capitalist libertarianism, and many others went on to become successful entrepreneurs. But the 60s were all about communalism—about crash pads, coops and communes—and as such the counterculture countered competitive American individualism. Hippie communalism was central to a naïve back-to-the-land movement, which laid the basis for today’s concerns with vegetarianism and organic agriculture. This conscious collectivism accounts for the incipient anarcho-leftism of much of the hippie counterculture, and it also explains the New Age fascism evident in other aspects. And to call the politics of the hippies collectivist is vague at best.

The 60s counterculture encompassed millions of young people around the world and by the Death of Hippie (dated 1967, 1968 or 1969, depending) there were already inklings of a smaller counter-counterculture in the making. Proto-punk music was emerging, and there was a growing disdain for the hippie “peace and love” mentality as too idealistic and impractical. Anger and aggression replaced those hippie sentiments—expressed in sayings like “search and destroy” and “fuck shit up”—and hippie communalism mutated into punk collectivism (squats, punk houses, venue collectives, etc.). DIY became the byword of punk action and the whole package, while not explicitly anarchist, tended toward the politically anarchic.

Also in reaction to the hippie counterculture, but somewhat later in time and still smaller in numbers, the industrial/goth/dark counter-counterculture took shape. There were distinct types of music and kinds of collectivism (Throbbing Gristle came out of the COUM Transmissions art collective and Laibach is part of the NSK art collective), but the doom and gloom of this scene was augmented by an intense obsession with all that is transgressive. And my argument paralleling punk rock is that while there was nothing in the industrial/goth/dark music scene that was inherently fascist, the fascination with being “oh so naughty” and transgressive also accounts for the tendency toward fascist imagery and even politics in the music.

This oversimplified history is not prescriptive, but descriptive. I’m trying to explain political trends without arguing that certain politics are innate to certain musical genres. Hippie peace and love was far different from punk anger and aggression or industrial/goth doom and gloom. But, apart from youthful rebellion and a desire to épater la bourgeoisie, these countercultures and counter-countercultures had at least three things in common: communal structures, DIY motivations, and transgressive impulses. Hippie communalism was intensely DIY, with the Whole Earth Catalog epitomizing the era. But hippie transgression was unashamedly hedonistic. I would contend that this counterculture went the furthest toward parrying the prevailing culture and creating a viable, wholistic alternative society that escaped simple left-or-right politics. In reacting against bourgeois society and the hippie counterculture, punk and industrial/goth further narrowed their respective cultural arenas, and further fragmented the wider society into numerous contending, jostling subcultures. Punk was violently transgressive, but its DIY emphasis was central, implying anarchistic politics. And industrial/goth was as DIY as punk, but it was the fascination with transgressive naughtiness that accounts for that counter-counterculture’s infatuation with fascist symbolism, which often spilled over into actual fascism.

Of course, it can be argued that whether it’s culture, counterculture, or counter-counterculture, the Western context for all of this is bourgeois individualism. From the libertinism and “do your own thing” of the 60s, the emphasis has been on the individual through punk and industrial/goth, various forms of communalism notwithstanding. Even to say that “it’s only rock and roll” is to acknowledge the primacy of this socio-political context for the cultural rebellions from the 60s onward.

I published an anarcho-punk zine called San Diego’s Daily Impulse from 1985 through 1989, which I distributed free at shows and to record stores. As part of that zine, I and a small group of friends put on an Anarchy Picnic in May, 1985. Several hundred people gathered to share food and beverage, acoustic music, and activities like frisbee and hacky-sack around literature tables, chalk, and sheets of butcher paper sprinkled with crayons and paint in Balboa Park. It was clear at the Anarchy Picnic that divisions like hippie, punk and goth were ephemeral, that tastes in music and fashion were not rigid, and that people mixed-and-matched scenes and countercultures as they desired. In the midst of this sunny picnic, with all the fun and frivolity, a couple strolled into the park wearing full Nazi Sturmabteilung uniforms, complete with prominent swastika armbands. The man was an SA-Gruppenführer, the woman his she-wolf of the SA, and together they walked a pair of Dobermans. They feigned being haughty and aloof, but it was clear that they pranced and preened over being so naughty and transgressive in their Nazi regalia.

No surprise, the Anarchy Picnickers ignored them.