Manhunt: Deadly Games review: “Lefty” Hooligan, March 2021

There’s a point in the Netflix series Manhunt: Deadly Games when ATF agent, explosives expert and good-ol-boy Earl Embry says of Richard Jewell—the man falsely accused of the 1996 Centennial Olympic Park bombing by the FBI and the media—that he was an easy target.

“Fat. Southern. Poor.” Played by Arliss Howard, Embry drawls. “He’s presumed guilty ‘cause he’s a bubba. Yeah, well … Hey, I’m a bubba.”

During the media feeding frenzy following the bombing, a newspaper posts the libelous headline “The Bubba Bomber” over Jewell’s picture. A subplot in Deadly Games involves the North Carolina Regulators militia that might as well be called bubba anarchism. Welcome to this installment of American Exceptionalism: Extremist Edition. Continue reading

Political upsurge vs ideological decay: “What’s Left?” August 2018, MRR #423

Metaphors are powerful. Metaphors are poetry disguised as prose. People who use metaphors claim they’re a shortcut to truth and meaning.

Last month I used the biological metaphor of species complex to tease out additional structure and definition of the usual Left/Right political compass. In the process I promised to cover various social contexts in given historical periods that illustrate increased Left/Right political conversions and crossovers but instead managed to drop yet another metaphor by using Mao’s metaphor with politics and war. From the 1960s war on poverty and the 1970s war on drugs to the 21st century wars on terrorism and the truth, the metaphor of war has been much used and abused. Instead, I’ll use another metaphor from Mao to “put politics in command” in coming to terms with political change, conversion, and crossover socially and historically. In the process, I will renege on my previous promise by severely limiting the scope of this inquiry to the rise of and interplay between the New Left and the New Right. Continue reading

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