American fascist exceptionalism?: “What’s Left?” September 2019 (MRR #436)

If you can’t tell the difference between glorification and ridicule—does it matter?

—Spencer Sunshine

I read recently that San Francisco’s Financial District, called “Wall Street West,” is being downgraded. The district is both downsizing economically and shrinking physically. Financial services are moving online and it’s just too damned expensive for employees in downtown banking and financial companies to live in the city anymore, thanks to the booming tech industry’s gentrifying impact on San Francisco. I remember back fondly to Sunday, February 16, 2003, when a quarter of a million people protesting Junior Bush’s invasion of Iraq shut down the Financial District and briefly the Bay Bridge. Mass anti-war protests continued to disrupt “business as usual” in Wall Street West for weeks to come.

I’d forged my leftist politics and love for street action during the ’70s, but America’s steady rightward reaction and the sudden international collapse of the Soviet bloc over the next two decades depressed the hell out of me. The resurgence of Left activism with the Iraq War was quite heartening. I wanted to be in the thick of those demonstrations despite having fractured the big toe and one of the sesamoid bones in my right foot in an accident several months before. I was hobbling around in great pain but nevertheless elated to be experiencing popular street politics once again, exhilarated to be roaming the city with a small group of friends demonstrating, blockading traffic, participating in impromptu sit-ins, engaging in general vandalism and mayhem, etc. I had my black bloc gear in hand, but I was in no shape to participate in those tactics.

Then, out of the swirling chaos, an odd vision materialized. Tony marched along Market Street at the head of a one-man parade. I’d known Tony from San Diego where he’d played in hardcore punk bands and belonged to an infamous Maoist communist party. We met again when we both moved to the Bay Area, when Tony was a postmodern Leftist studying at UC Berkeley and in post-hardcore bands. Now, he was dressed in a pure black Army combat uniform, shouting anti-war slogans. Black combat boots, black trousers with black tactical belt, black jacket over black t-shirt, black patrol cap, black megaphone. “1, 2, 3, 4; We Don’t Want Your Fucking War! 5, 6, 7, 8; Organize To Smash The State!” So why the all-black getup? Was it parody or was Tony serious? Had Tony gone full anarchist and was this a militarized black bloc outfit? Was it some homage to Third World socialist revolution, paying tribute to the VietCong and the EZLN? Had Tony joined the Army or the police and was he now a Special Forces or SWAT recruit? Had Tony perhaps gone rightwing fascist and was he aping the Falange or SS wardrobes? Or was this all camp, an elaborate, theatrical performance piece? My signals were getting crossed.

I was simultaneously intrigued and bewildered, befuddled by the semiotic mixed messages.

I’m in the middle of a three-part series on Third Positionism, a type of “red/brown” politics that claims to “go beyond Left and Right.” Those politics are dead serious about mixing far left and far right elements into a confusing new type of Fascism that, in the case of Perónism for instance, attempted to fuse extreme nationalism with pro-working class initiatives. Third Positionism might prove as baffling as my reaction to Tony, but it’s nevertheless genuine. Let’s talk instead about deliberate obfuscation by the far right in throwing up ambiguous slogans, symbols, memes, texts, ideas, etc., calculated to muddy any political or social discourse.

In Spencer Sunshine’s unpublished piece “Industrial Nazi Camouflage,”* he discusses the evolution of the industrial music scene, noted for its fascination with the taboo and transgressive. Warning that it’s never a good idea to play with Nazi imagery because you can’t control how such imagery is interpreted, Sunshine is intent on figuring out who in the industrial music scene was innocently flirting and who loved Nazism, who was being ironic and who was offering a sophisticated critique, who was obsessed and who was willing to commit, who believed in fascism theoretically and who was engaged in fascist activism. He periodizes that scene into a time when individuals and bands were fascinated with but not yet committed to Nazism, to active Nazi participation between 1986 to 1996, and finally to lying profusely about those involvements back in the day as well as their current fascist commitments. Ultimately, Sunshine suggests that if you can’t tell whether something is genuine or a joke, or someone is being upfront or engaged in camouflage, does it really matter?

Treat it all as fascism or fascist adjacent is what I say.

The otherwise insipid, reactionary, ahistorical critique of the alt-right offered by Angela Nagle in Kill All Normies does get that the far right uses intentional obfuscation and ironic misdirection as deliberate tactics, as ways to maintain plausible deniability and camouflage their true intentions. They want normies to be confused about their true message, unable to know when to take them seriously and when to shrug them off. Gavin McInnes loves to make the distinction between a liar and a bullshitter in his sad career that includes a lackluster stint as a comedian. His internet “talk shows” often featured calls to violence as in “I want violence. I want punching in the face.” But when his critics lambasted him for promoting violence he invariably deflected such criticisms by demanding “Can’t you take a joke?” In one motion, McInnes and his ilk throw out threats of violence while simultaneously denying they are being threatening or violent, masking their intentions with crude humor or irony that they then claim their viewers simply don’t get. It’s the perfect ploy for the far right to seed confusion among people trying to suss them out.

The antifascist Left is neither confused nor amused however.

What then to make of some supposedly unique, if bewildering aspects of the far right in the US? Both antifascist researchers Spencer Sunshine (“Decentralization & The U.S. Far Right”*) and Matthew Lyons (“Some Thoughts On Fascism and The Current Moment”) imply there’s an American fascist exceptionalism when it comes to the far right’s embrace of decentralization, in contrast to traditional Fascist totalitarian centralism. George Lincoln Rockwell’s American Nazi Party pioneered the shift from white supremacy to white nationalism, allowing American fascists to parry Leftist calls for “Black Power/Black Separatism” with “White Power/White Separatism,” encouraging white nationalists to work with black nationalists along pro-segregation/anti-miscegenation lines, and developing the strategy of a white ethnostate that portended scenarios of side-by-side racialist nationalism. Drawing inspiration from American history, two ultra-patriotic movements arose opposed to the power of the Federal government; the Posse Comitatus Movement of the 1960s (from posse comitatus common law traditions) and the Militia Movement of the 1990s (from the colonial/Revolutionary War institution of the independent local militia). Both took the States’ Rights Movement further right. Deeply distrustful of government beyond the county level, Posse Comitatus proposed the county sheriff as the highest lawful authority whereas the Militia Movement insisted that any armed citizenry organized into decentralized militia groups was the highest civil authority. Given the various failures of the States’ Rights Movement, elements of these two movements within the Patriot Movement now propose extending white ethnonationalism down to county, municipal and individual levels, implying the possibility of an ethno-pluralism where decentralized racial nationalist enclaves can reside concurrently. Finally, there’s leaderless resistance as put forward by KKK member Louis Beam, which uses a decentralized, horizontal structure of small, independent cells to resist what is considered a tyrannical Federal government.

“[T]hese ethno-pluralist views can facilitate a politics that, on the surface at least, is not in conflict with the demands of oppressed groups,” according to Spencer Sunshine, who acknowledges it’s an “ethnic or racial pluralism that is opposed to multicultural and cosmopolitan societies.” Matthew Lyons argues that “[m]any of today’s fascists actually advocate breaking up political entities into smaller units, and exercising totalizing control [authoritarianism] through small-scale institutions such as local government, church congregations, or the patriarchal family.” Before declaring the US far right a unique American “wild west” Third Positionism however, consider that the alt-right’s flirtations with decentralization might be at the very least a purely defensive reaction to the exigencies of battling the Federal government. At most, it may be an outright deception designed to confuse and obfuscate. That the American far right on every level is enamored with the Führerprinzip leadership principle—from their own charismatic cult leaders to a president who governs by executive decree and routinely violates the Constitution—makes it likely in any case that the far right’s much vaunted decentralism will be the first thing abandoned come their fascist revolution.

I’ve talked about the libertarian-to-fascism/alt-right pipeline before, a process as disingenuous as the industrial music scene. For me, the far right’s appropriation of the Left’s aspirations for freedom and self-determination is the sly semiotic joke here. And thus our differences with them do matter.

* Spencer says: Both essays are available as special items for Patrons who give at least $2 a month to my Patreon. However, if you’re broke (and boy have I been there), drop me a line and I’ll send you copies: www.spencersunshine.com/contact.

 

How Sweet It Isn’t: “What’s Left?” November 2017, MRR #414

It’s called “sweetening.”

It’s a certain type of background music and ambient sound for films and TV shows meant to enhance mood and emotion. It’s also called juicing, but it’s intended to be subtle, behind the scenes, muted. Sweetening is not supposed to be too obvious. For instance, when a live audience is recorded anywhere, a laugh track/canned heat track is frequently blended into the live audience track to amplify its effect, whether of laughter, clapping, booing, whatever.

The term has its origin in old-time radio, when sound effects like horses galloping, doors opening and closing, characters walking, gunshots, etc. were used to paint visual detail in a non-visual medium. Again, it’s not all dramatic sound effects. In films and TV shows, it’s not the sound of violent explosions or roaring monsters. The sweetening is in the sense of foreboding portended in the background music, or in the subsonic infrasound used to generate apprehension in the audience prior to some climactic scene. So while “sweetening” comes off good and positive, it might as well be called “shadowing” or “darkening,” depending on what effect the sound is intended to enhance.

As for political sweetening, two recent examples come to mind. The Tea Party ended up sweetening the Republican Party from the right, as did Bernie Sander’s “political revolution” the Democratic Party from the left. Both movements started as popular revolts against their respective party establishments and their mainstream politics, both helped rewrite their respective party platforms, and both moved the politics of those parties respectively to the right and left. Both threatened to break away to form independent third party efforts, both were blamed for the potential demise of their respective political parties, but both ultimately succumbed to political opportunism, cooptation, and marginalization. Or at least the Tea Party succumbed and wound up faking a hard-times protest movement, spawning affiliated get-rich-quick cottage industries, and successfully rebranding the GOP. Bernie’s “political revolution” has blended nicely into the much broader anti-Trump protest movement, so it remains vibrant and very much in the streets. Ideally, this popular resistance needs to avoid opportunism, cooptation, and marginalization, but that’s very difficult to do if the Tea Party is any indication.

What doesn’t count as political sweetening was Occupy Wall Street. OWS doesn’t count for much at all now, despite initially being praised by authors, artists, celebrities, politicians, and pundits as the greatest thing since sliced bread. I’ve never hidden my disdain for OWS. It may have personally changed lives like the bad brown acid circulating at a mediocre rock concert, but it was just a flash in the pan that changed little politically. So unless the inane consensus hand signals and annoying human microphone are included, no innovation of any consequence arose from OWS. That also covers the communizing “occupy everything, demand nothing” campus activism that emerged among protesting California students in 2011.

OWS ran with the franchise activism common nowadays, where an indistinct idea was widely disseminated and then taken up by local activists who made it their own through locally flavored community actions. The movement’s core idea, embodied in its name, was so nebulous in fact that it produced both the anarcho/ultraleft, black bloc, streetfighting Occupy Oakland, California, and the virulently antisemitic, conspiracy-theorist, ultraright Occupy Tallinn, Estonia, with every political combination in between. So while the majority of OWS-affiliated actions tended leftwing, liberal, and even anarchist, there was considerable involvement by rightwing, conservative, and even fascist elements. In this way, OWS displayed troubling Left/Right crossover politics similar to the anti-globalization movement which preceded it. This was not by chance but by design, given the decentralized, all-are-welcome nature of the movement’s organizing message. This was complemented by the ambiguous categories employed by OWS, most prominent being “the 99%” versus “the 1%.” This promoted an uncritical populism that studiously avoided any class-based analysis, but it denied any identity-based analysis as well, instead encouraging an amorphous, dumbed-down, Hardt/Negri-style notion of “the multitude.”

When finance capital comes to the fore, capitalism itself is in decline. Capitalism has abandoned industrial production for financial circulation, meaning that its profit-making comes not from surplus value transformed into capital but from mere exchange. For OWS then to focus its vague critique of capitalism on Wall Street and finance capital was to target a decaying economic system as if it were still robust, misinterpreting capitalism’s retreat as a faux advance. To see the enemy as attacking rather than as withdrawing was a delusion that badly skewed the tactics and strategy required to take on and defeat that enemy. If nothing else, this falsely portrayed finance capital as stronger and more powerful than it actually is, reinforcing the rightwing trope that “international bankers” rule the world. Excuse me, “banksters.” From this, it’s a half-step to the “international Jewish conspiracy for world domination” that is the ultra-right’s favorite meme.

Spencer Sunshine has written a detailed survey called “20 On The Right In Occupy” through the Political Research Associates think tank which provides thumbnail summaries of anti-Federal Reserve, antisemitic, white nationalist, fascist, and neo-Nazi individuals and groups involved in OWS. These strange right and left bedfellows in OWS are not so odd once we realize that antisemitism is also on the rise on the Left. Case in point, the post-Situ Adbusters Magazine from which the original OWS call came. From Kalle Lasn’s Adbuster article discussing fifty influential neoconservatives under the title “Why Won’t Anyone Say They Are Jewish?” to Adbuster tweets that took up the alt.right’s outing of twitter users as Jewish by surrounding their names with parentheses, Left/Right crossover politics abound. Not that Adbuster’s leftist politics aren’t sketchy in so many other ways, what with their support of Israeli antisemite Gilad Atzmon and Italian conspiracy theorist Beppe Grillo. They do act as a political transition to the hard Left’s anti-Israeli, anti-Zionist ideologies, which too easily and too often become outright Left antisemitism.

Back to my point earlier, there are people who are not at all happy that Bernie’s “political revolution” has blended nicely into the much broader anti-Trump protest movement. These folks are the mainstream Democratic Party establishment liberals who blame Sanders and his “BernieBros” for Hillary Clinton’s defeat. Salon executive editor Andrew O’Hehir had a wonderfully sarcastic takedown of their status quo recalcitrance awhile back:

But another running theme in Democratic Party apologetics informs all that, which is the ingrained desire to blame the left-wing resistance for anything that goes wrong — and to insist that it isn’t actually the left at all but sort of, kind of, the right. Hence Wolcott’s argument that the DudeBros and ‘purity progressives’ of the ‘alt-left’ are in some undisclosed manner closely related to the rebranded white supremacists of the alt-right. Or maybe it’s just that he doesn’t like either of them.

To return to our central premise: The DudeBros ruined everything. Their workings are malicious, and marvelous. They are simultaneously clueless, puritanical and all-powerful. In between Ultimate Frisbee tournaments and Vampire Weekend marathons, they elected Donald Trump, wiped out the Democratic Party between the coasts, rioted against Milo Yiannopoulos in Berkeley and/or defected to the alt-right en masse. They develop apps whose functions remain mysterious, and that most of us don’t know how to use. Unforgivably, they made the Phish reunion possible, and now it will never stop.

Hence, conflating “terrorist” James Hodgkinson with “crazy” Jeremy Christian, or antifa “alt-left” with fascist alt-right.

The Democratic Party establishment wants the anti-Trump resistance to be a leftwing Tea Party, the energy, individuals, and organizations of which the party can exploit to win future elections, while ultimately domesticating, coopting, and marginalizing that resistance. They want the Left’s resistance to be the Democratic Party’s sweetening. This is exactly what we don’t want to happen if we want the anti-Trump resistance not to suffer the same fate as the Tea Party.

Of course, it’s much more complicated than “Bernie or Bust” versus the Democratic Party. Politics to the left of the Democratic Party also includes progressives, democratic socialists and social democrats, Leninists, and the black bloc anarcho/ultraleft. But it’s never been an equal playing field with the Democratic Party vis-à-vis the rest of the American Left. The Democrats are the 800-pound gorilla in the room. Even decimated, at their lowest point in fifty years, the Democrats continue to wield vast power and influence. Which is why we need to prevent the vilification of the black bloc or the BernieBros or Jill Stein’s Greens or anyone else as a convenient scapegoat for the Democratic Party’s mistakes and woes. I’m not so naïve as to think what we need is a united or popular front; some mystical kumbaya circle jerk of leftist unity. But we don’t need the Democratic Party and its liberals running the show either.

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