A commie punk walks into a bar…: “What’s Left?” September 2015, MRR #388

I first visited New York City in the fall of 1988. I walked all day, everywhere, for weeks straight until I had blisters on my feet and I’d developed a crick in my neck from looking up at all the tall buildings. It was glorious.

The anarcho/ultra milieu was jumping at the time. Folks from WBAI, many from the old Moorish Orthodox Radio Crusade, the Libertarian Book Club, Anarchist Black Cross, THRUSH, Neither East Nor West, and that was just the politics. Probably the least interesting encounter I had was with Hakim Bey aka Peter Lamborn Wilson, while the most impressive was with Joey Homicides aka Bob McGlynn. Libertarian things were popping all over because the Warsaw Pact had just crumbled, and the old Soviet Union was on the verge of collapse.

Then there was all the touristy stuff I wanted to do, first time in The City. I spent a whole day at the Museum of Modern Art, making a beeline for Van Gogh’s “Starry Night,” then walking around the rest of the building in utter rapture. I turned a corner, aimlessly, only to stumble upon Pablo Picasso’s “Guernica.” I was floored. The oversized painting had its own room, and it wasn’t in the best of shape. Cracked, peeling, warped, the somber black and white canvas made the hairs stand up on the back of my head.

Picasso is one of those people who elicits wide, often violent opinions. If you look at his drawings and paintings from before he went Cubist, during his Blue Period for instance, you can well understand why he was considered a brilliant artist. His politics were a bit more dodgy. Apparently, Picasso had entrusted “Guernica” to the MoMA after his death to keep until such time that the return of democracy to Spain allowed for the painting’s return. As I stood in the MoMA gazing at what I thought was an anti-fascist icon, a deal had been cut with the museum to return the original “Guernica” in 1981, despite the fact that Spain was a constitutional monarchy and not a democracy. I realized many years later that what I had seen in 1988 was not “Guernica” but the related masterpiece “The Charnel House,” so similar in style and power. Picasso was a member of the Communist Party, which meant he was an apologist for Stalin and his crimes, including the crimes committed by the Spanish CP during the Spanish Civil War. And he was a complete asshole, personally, when it came to women. Of his wives, lovers, and mistresses, two killed themselves and two went mad associating with a man who said: “For me there are only two kinds of women, goddesses and doormats.”

“Loyal, generous and affectionate when it suited him, Picasso could be astoundingly brutal, to friends, lovers, even complete strangers,” wrote Mark Hudson. Lots of artist types turn out to be brilliant at their art, and thus publicly praised, while their private lives often reveal profound personal and moral failings. Of course, this disassociation between the public and the private goes both ways, with a common if mundane observation being that Hitler, arguably the world’s most brutal dictator, loved dogs and children and was loyal to Eva Braun. It’s easy to come up with a list of 15 or 20 great artists who were nasty people, but not so easy to name even 5 people generally considered evil who have also done demonstrable good. The idea of the brilliant genius artist who is simultaneously a monumental jerk is so frequent as to have become a trope. And when genius and asshole reside in the same individual, dispassionately evaluating famous people and their contributions can be tricky.

It becomes immensely more so when passion is involved. Gregory, the youngest son of Ernest Hemingway, wrote to his father spelling out the pros and cons from his traumatized perspective: “When it’s all added up, papa, it will be: he wrote a few good stories, had a novel and fresh approach to reality and he destroyed five persons – Hadley, Pauline, Marty, Patrick, and possibly myself. Which do you think is the most important, your self-centered shit, the stories or the people?” To someone who loves Hemingway’s writing, or who admires good literature in general, any evaluation of the worth and cost/benefit of the man and his work might be substantially different, bringing to mind Tolstoy’s famous quote that “[a]ll happy families resemble one another, each unhappy family is unhappy in its own way.”

Evaluating merit is not much easier when we switch from the life and work of an individual, whether famous or not, to gauging the merit of our not-so-personal relationships, with the organizations and movements we belong to or support. I wrote a column some time ago about how I experimented with every drug in the book during the 1960s, and only alcohol managed to kick my ass. I was more or less a daily drinker, not heavy but strong and steady, for 30 years up until January 1, 2010. It was all just maintenance at that point. My habit was fucking with me, my relationships, my pancreas, and to my mind the costs of my regular alcohol intake far outweighed the benefits. So, I decided to quit, and I did so through the Chemical Dependency and Recovery Program at Kaiser, of which I am a member. CDRP provided me with regular professional counseling, access to a shrink who could also prescribe drugs in case my withdrawal symptoms got too heavy, classes on the science of dependency and withdrawal, and lots and lots of meetings. Alcoholics Anonymous meetings, LifeRing meetings, harm reduction meetings, I went to every meeting and every class and every counseling session for 90 days until I no longer had a problem staying sober. The scientific knowledge alone—of what your mind and body go through 30, 60, and 90 days after withdrawal—was worth the price of admission.

Of course, AA was and is ubiquitous, as the oldest and best known absolutely free recovery program around. But AA impressed me as a cult from the very first chanted call-and-response. I freely admit to having cherry-picked different principles from different programs to get the recovery that works for me—among them the notions of surrender and forgiveness from AA, the ideas of secularity and self-help from LifeRing, and the medical use of prescribed drugs when necessary to help with withdrawal from harm reduction. Still, virtually everybody around me was in AA, working an AA program, so I accepted the validity and efficacy of AA in going about not drinking. I started sitting zazen at the San Francisco Zen Center, with its meditation in recovery meetings being my anchor for five years. But over those years the focus of those meetings, equal parts Buddhism and 12-step recovery, has grown thin, not because of the zen but because of the steps.

Whether or not there is a god has absolutely nothing to do with the existence, nature, and solution to suffering. That’s basic Buddhism, whose founder cautioned: “Believe nothing, no matter where you read it, or who said it, no matter if I have said it, unless it agrees with your own reason and your own common sense.” I’ve been pretty much an atheist after giving up Catholicism for Lent at 13. Buddhism is about as non theistic, and zen as atheistic, as you can get and still call it a spiritual practice.

I never saw or felt the need for a god to help me stop drinking, and no matter how much AA papers over it, some concept of god is required for their program to work. Court-ordered AA participation is thus a direct violation of the basic Constitutional right to religious liberty, in this case the freedom to not have a religion. All that “your ‘higher power’ can be anything, even a doorknob” AA bullshit I find theologically imbecilic, spiritually vacuous, and personally insulting. Surrendering to a “higher power” isn’t necessary to experience the need to forgive and be forgiven, or to simply surrender and ask for help. Whether or not a god exists has absolutely nothing to do with stopping drinking and staying sober.

The debate over whether alcohol abuse is a disease or a choice is not resolved, although more and more scientists are supporting the disease model. Prolonged alcohol abuse chemically restructures the alcoholic’s body and brain and causes the difficulties in withdrawal, according to current scientific research, and there is much evidence that certain individuals are born with a proclivity for addiction to alcohol. AA’s main problem is that its central metaphor of “alcoholism as disease” clashes with various other aspects of AA’s program. If alcoholism is a disease, then why blame the alcoholic for the moral failure of not staying sober? If alcoholism is a disease, then why does AA resist the use of drugs like naltrexone to lessen the desire to drink? If I had a disease like cancer I would do everything in my power—prescription drugs, radiation, chemotherapy, surgery—to control or eliminate that disease. I certainly wouldn’t sit around making a “fearless moral inventory” of my personal failings, asking for forgiveness for my moral shortcomings, then seeking moral support from a god that doesn’t exist when cold, hard science is crucial to my cure. Or, as Gabrielle Glaser wrote in her recent Atlantic Monthly article “The Irrationality of Alcoholics Anonymous”: “Why do we assume they [alcoholics] failed the program, rather than that the program failed them?”

Aside from Glaser’s excellent article there is a whole website (orange-papers.org) devoted to systematically and thoroughly debunking AA—its history, program, and claims. AA is ranked 38th out of 48 common alcohol treatment methods, not very effective at all. Given that it is “anonymous,” recovery statistics for AA are hard to come by and even harder to verify. The Sober Truth: Debunking the Bad Science Behind 12-Step Programs and the Rehab Industry by Lance Dodes puts the actual success rate for AA somewhere between 5 and 8 percent. Every disease has a spontaneous remission rate, and Harvard Medical School calculated that the annual rate of spontaneous remission in alcoholics is around 5 percent. Which means that AA’s track record is at, or at most just 3 percent higher than the spontaneous remission rate for alcoholics. Hardly worth all the hoopla surrounding AA’s supposed successes.

But even one recovered alcoholic is success enough, many in AA would argue. Combine the abysmally low rate of recovery with other problems in AA such as 13th Stepping and AA’s cons far outweigh the pros. Thirteenth Stepping is when individuals, oftentimes mandated by law to attend AA meetings, take advantage of AA’s horizontal and relatively leaderless organization in general, and its unsupervised sponsor/sponsee structure in particular, to prey upon and sexually exploit newbies, most often young naïve girls. CBS’s 60 Minutes did an entire segment, “The Sober Truth,” that, along with The 13th Step Film by Monica Richardson, exposed the underreported realities of 13th Stepping. But the rampant problem of 13th Stepping is not even acknowledged, let alone addressed, by AA’s national/international organization.

When I was running around NYC back in 1988, I hung around a crew of friends and comrades, many of whom were heavy drinkers. And since it was a vacation for me, I was drinking more than my usual. One of my companions at the time wisecracked: “The liver is a muscle that must be exercised.” Well, the brain is also a muscle, and our capacity for analysis and coming to reasoned conclusions needs to be exercised as well. My judgment is still out on whether Picasso’s or Hemingway’s art was worth the human damage those artists inflicted. Not so with AA, where its paltry success rate is not offset by it problems, everything from its moralizing guilt tripping to 13th Stepping. There are lots of evidence-based non 12-step recovery and support programs out there, including a promising Buddhist-based one pioneered by Noah Levine called Refuge Recovery. As for AA?

Don’t believe the hype!

(Copy editing by K Raketz.)

Evidence-based Recovery and Support Groups

Secular
SMART: Self Management And Recovery Training
Women for Sobriety
Secular Organizations for Sobriety/Save Our Selves/SOS
LifeRing Secular Recovery/LSR
Harm reduction, Abstinence, and Moderation Support/HAMS
Moderation Management
Rational Recovery
Naltrexone/Sinclair Method

Buddhist
Refuge Recovery

Western Civilization in Recline: “What’s Left?” November 2011, MRR #342

The jukebox was playing rock—music for civilizations to decline by, man.

Ross Macdonald, The Ferguson Affair (1960)

Steve Allen used to do this bit on his show in the early ‘60s where he would recite the lyrics to rock’n’roll songs as if they were serious poetry. Just imagine The Beatles “I Wanna Hold Your Hand” treated thusly to realize how vapid the words to most rock music are. Allen was the liberal side of the attack on rock music in those days. He personally despised rock’n’roll, considered it juvenile and untalented, and thought it beneath contempt as music. Rock wasn’t art, nor would it endure the test of time. Yet this was a far cry from the conservative perspective that saw rock’n’roll as immoral, evil, and a threat to the fabric of society. Rock’s overt association with sex and drugs were a particular anathema; an explicit attack on American civilization born of the devil.

Today, of course, rock blares from fundamentalist Christian churches, and family values politicians illegally appropriate rock songs for their electoral campaigns, until sued by the musicians who created them. Roberto “Tax” Farano, guitarist for Negazione, wrote music for the 2006 Turin Winter Olympics, and The Clash’s “London Calling” is now the official jingle for the 2012 London Olympics. Not only is rock no longer a threat to the social fabric, punk rock has become, not representative of “the decline and fall of western civilization,” but a stellar example of its commercial success.

Me, I used to take pride in being a “barbarian at the gates” in the days of sex, drugs, rock’n’roll, and anarchy in the streets. I would have seconded John Sinclair’s contention that rock was the weapon of a thoroughgoing cultural revolution, if only to throw the fear of god-knows-what into my elders. Emotionally, I resonated with nihilism, which proclaimed the need to “annihilate the idea of God, or there can be no freedom; annihilate the idea of right, which is only might; annihilate civilization, property, marriage, morality, and justice; let your own happiness be your only law.”

I’ve grown up a bit since then, and I’ve come to appreciate many things about the American society I call home, as well as to respect much bestowed upon the world by the Dead White European Males held responsible for Western Civilization. Yes, I understand the sentiment of Gandhi who, when asked what he thought about western civilization, answered: “I think it would be a good idea.” After all western civilization is based upon rape, plunder, devastation and genocide. Show me a civilization that isn’t. But as for Buenaventura Durruti’s famous quote:
We have always lived in slums and holes in the wall. We will know how to accommodate ourselves for a while. For you must not forget that we can also build. It is we who built these palaces and cities, here in Spain and America and everywhere. We, the workers. We can build others to take their place. And better ones. We are not in the least afraid of ruins. We are going to inherit the earth; there is not the slightest doubt about that. The bourgeoisie might blast and ruin its own world before it leaves the stage of history. We carry a new world here, in our hearts. That world is growing in this minute.
I have come to take his nonchalant attitude toward such wholesale destruction with several grains of salt.

I have no interest in seeing Beethoven’s Eroica Symphony, or Van Gogh’s Starry Night, or Rodin’s The Kiss, or Joyce’s Ulysses, or Welles’ Citizen Kane, or the Chrysler Building obliterated, even if their destruction would herald the arrival of a stateless, classless, communist paradise. Images of Mao’s Red Guards rampaging during the Great Proletarian Cultural Revolution, gleefully smashing the precious artifacts of China’s past, now sicken me no less than news footage of Afghanistan’s Taliban solemnly dynamiting the Bamiyan Buddhas. That existence is emptiness means that everything is interconnected and mutually dependent. That life is meaningless demands that we create its meaning. Death and destruction are incredibly easy. Anything else is painful and hard.

An SF movie that I like is Cuarón’s Children of Men, based on the P.D. James novel of the same name. It’s 2027, and no children have been born anywhere for almost two decades. In the face of humanity’s impending extinction, the world is fast collapsing into riot, terrorism, and environmental catastrophe. Britain alone survives, a bastion of stability, but at the cost of having become a police state that rounds up and imprisons immigrants seeking asylum. Nigel, the cousin of the film’s protagonist, Theo Faron, is a minister in the British government who is obsessed with collecting as many of humanity’s great artworks as possible, despite the fact that in less than a century, no one will be around to enjoy them. Michelangelo’s David stands in his foyer, with one leg shattered and splinted because Nigel was unable to snatch it before rioters attacked it. Nigel and Theo dine beneath Picasso’s Guernica. And out a window, amidst a landscape of industrial smokestacks, floats one of Pink Floyd’s inflatable flying pink pigs.