Communizing Moments: “What’s Left?” May 2018, MRR #420

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We wanted to communalize our politics, our friendships, our minds. We were five anarchists who, having read Murray Bookchin’s Post-Scarcity Anarchism, decided we were an affinity group that wanted to take matters to the next level. We drove into Los Padres National Park and hiked a day into the Sespe Wilderness. Our plan was to camp, fast for three days, and then drop mescaline together. It was 1971, and even back then real mescaline was rare. It was probably LSD. It wasn’t just the times; we were a little nuts.

One of our company had to hike right back out due to medical issues, but the rest of us stayed bivouacked in a grove of shady trees near an icy mountain creek while we drank only water and avoided doing much else. The collective psychedelic trip was typical. Ego death. Oneness with all things. Direct communication with the collective unconsciousness and group mind. Seeing without eyes, talking without speech, traveling without the body. Becoming one with the transcendent. Oh yes, and lots of brilliant colors and mystical patterns. I never hallucinated independent visuals, but the drug made the unmediated kairos pushy, fiery, as if electricity raced through my veins. Much of what I felt was familiar thanks to a non-drug spiritual experience I’d had a couple years before. After what we considered were profound revelations culminating in collective consciousness, we broke our fast with Dinty Moore Beef Stew over a sparkling campfire in a percolating night. The next morning, we hiked back out.

Experimenting with drug-induced group mind was all the rage in the day, from the Trips Festivals of Ken Kesey and the Merry Pranksters to the Weather Underground’s acid fueled criticism sessions. But the unmediated all-one spiritual experience of various New Age religions and communalist cults was just as prominent. Harvard professor, LSD guru, and psychedelic pioneer Richard Alpert believed it was possible to achieve the psychedelic moment without drugs, through spiritual means, and he wrote a famous book Be Here Now as Baba Ram Dass about the possibility of staying all-one all the time without the benefit of LSD. Even Dr. Bronner promoted the All-One mystical experience through his magic castile soap.

Beat poet and anarchist Kenneth Rexroth wrote a book, Communalism: From Its Origins to the Twentieth Century, which circulated in manuscript form before being published in 1974. In it he laid out various examples of the libertarian communal tradition. For the pre-modern era he covered the neolithic village, early religious communities like the Essenes and early Church monasticism, the beginnings of open class warfare in various rural rebellions and peasant wars, and the apocalyptic/millenarian/quasi-communist religious movements of Münster, the Anabaptists, and the Diggers. The Russian peasant commune, early American utopian communes, and the beginnings of overt anarchist and communist political experiments completed his survey of the modern era. Rexroth nicely linked up the spiritual and political roots of communalism, and it wouldn’t take much to extend his analysis to the insurrectionary/communizing politics of today’s anarchist/left communist milieu.

This will be yet another essay critiquing Leftist practice and politics, except what I’ll be talking about are the promises and problems of what might be called the propitious communizing moment. Whether the experience is political, spiritual, or drug-induced, this is one polarity of the human experience that has been around for a long time, perhaps as long as there have been humans. I hate to use words like “trans-historical” or “human nature” because, first and last, humans are social beings. And to argue that such unmediated communizing moments are merely the product of human biochemistry is misdirected because all human experience is biochemically based. But what of the insistence that any such experience be made universal, all-encompassing, and 24/7?

Perhaps my most disturbing moment came when I once scored weed from a hippie house where the goal was to remain dosed on acid morning, noon, and night. They kept a bottle of non-chlorinated mineral water laced with LSD in the refrigerator and everyone drank from it throughout the day. The memory of the tranced-out zombie residents haunts me still. I remember both Ken Kesey and Wavy Gravy talking about the gaping holes in their memories where data and recollection simply disappeared from prolonged acid use, a black hole, a dark star, the “smokin’ holes where my memory used to be” in “the train wreck of the mind.”

I occasionally sit zazen at the San Francisco Soto Zen Center. Communally organized and hierarchically structured, the goal is to remain present here and now at all times even while profound incidents of immanence and transcendence are considered rare. Everyday mindfulness as opposed to perpetual nirvana. That the highly organized communalism of such spiritual institutions often degenerates into kool-aid cults organized by and around crazed gurus bent on mass murder or collective suicide is not at all surprising.

Which brings us back to politics. The demand in the the ’60s was not only for permanent revolution but REVOLUTION NOW. Raoul Vaneigem and the Situationists talked of the “revolution of everyday life” and Daniel Cohn-Bendit argued that “the reason to be a revolutionary in our time is that it’s a better way to live.” The manifesto for libertarian communism however was Bookchin’s Post-Scarcity Anarchism. And his post-scarcity, post industrial, post Marxist anarchist communism was nothing if not utopian. He proposed decentralized, autonomous communes where divisions between theory and practice, freedom and necessity, individual and collective, town and country, industry and agriculture, nature and humanity, technology and ecology are merged into a revolutionary synthesis, an unmediated totality, a political all-one. From the decentralized communism of self-contained communes, Bookchin’s social ecology eventually broke with post-scarcity anarchism for a more practical, communalist libertarian muncipalism based on democratic citizens’ assemblies in towns, cities, and urban neighborhoods linked by regional democratic confederalism. That in turn has become the basis for the revolutionary Kurdish politics in Rojava.

I understood early on that daily psychedelic use was not advisable, but it took me longer to realize I preferred workaday mindfulness to everlasting nirvana, or practical libertarian municipalism to utopian post-scarcity anarchism. I would rather my propitious, unmediated communizing moments be less awe-inspiring and all-encompassing. I’ve mentioned the tendency in such spiritual experiences to degrade into authoritarian cults of personality with a propensity for murder and mayhem. Consider that the politics in question also have an affinity with fascism’s unmediated collectivism. To the old Soviet precept about the politicization of aesthetics, where art is subordinated to politics a la socialist realism, Walter Benjamin contended that the key element to Fascist regimes is the aestheticization of politics. Life and politics are conceived of as innately artistic, to be structured as an art form, and thus imbued with eternal spectacle. In turn, Fascism’s utopian fantasies are of an unmediated poetic space where direct communication is the howl of the dog that goes silent. Life, politics, and art can only be redeemed from fascist degeneration, according to Benjamin, by making them truly dialectical, a concrete form of praxis.

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Chalkboard #2: @ Taxonomy

The chalkboard series is where I think out loud.

Proposed Anarchism Taxonomy:

FIRST WAVE ANARCHISM (CLASSICAL ANARCHISM): from Godwin to Spanish Civil War, attenuated to present. Individualist, mutualist, collectivist, syndicalist, communist, etc.

SECOND WAVE ANARCHISM (LEFT ANARCHISM):
Phase One (1965-1985): countercultural (Diggers), Situationist (Motherfuckers), New Leftist (Yippie!, Bookchin). Phase Two (1985-present): anti-imperialist, Third Worldist, revolutionary (Love and Rage).

THIRD WAVE ANARCHISM (POST ANARCHISM?):
1985 to present: post-left (Bey, Black, Zerzan, et al), insurrectionary/communizing (Tikkun/Invisible Committee).

WHAT’S NOT ANARCHISM OR LIBERTARIANISM:
Free market “libertarianism” and “anarchist capitalism” which dates from 1967, or fascist “national anarchism” which spawned circa 1997.

Of countercultures and temper tantrums: “What’s Left?” August 2015, MRR #387

Mildred: Hey Johnny, what are you rebelling against?
Johnny: Whadda you got?

Marlon Brando and Peggy Maley, “The Wild One”

They had lost politically but they had won culturally and maybe even spiritually.

John Lichfield (writing of the 60s generation)
“Egalité! Liberté! Sexualité!: Paris, May 1968”
The Independent, 9/23/08

If I had to describe my political philosophy, I would say: “Libertarianism now, fascism later.”

J.P. Nash

She was a child of Beatniks who came of age in the mid-1960s and lived in San Francisco. There, she was a part of the hippie counterculture, danced with Sufi Sam’s dervish troupe in Precita Park, attended the 1967 Human Be-In/Gathering of the Tribes in Golden Gate Park, and belonged to the Diggers. After the “Death of Hippie” event in the Haight-Ashbury, as well as a series of high-profile drug busts, she moved to a commune in Olema in 1969.

He was a red diaper baby born of Communist Party members and lived in Berkeley. There, he participated in the burgeoning New Left, attended UC Berkeley on a Vietnam War student deferment, helped organize the takeover of Provo Park, and was a member of Students for a Democratic Society. After the 1968 Chicago Democratic Convention, and the “Bloody Thursday” riot in Berkeley’s Peoples Park, he joined the Weatherman faction in 1969.

They met, fell in love, and married sometime at the end of 1970, beginning of 1971. Maybe it was at Vortex I, or during the Chicano Moratorium, or doing gestalt therapy at Esalen. Or perhaps it was at a Renaissance Pleasure Faire, or during the trial of the Chicago 8, or sitting in on classes at Black Mountain College. The exact date and place were never clear as she was hitchhiking around the country and he had gone underground after the Greenwich Village townhouse debacle. Besides, it was the 60s, or the second half of that decade anyway. If you remembered the 60s, you weren’t there. They stayed together a couple of years, even had a couple of kids. But they couldn’t make it work. She was indelibly eccentric and individualistic, New Agey spiritual and profoundly anti-political. He was rabidly political and atheistic, consensus-prone and surprisingly conventional. They got together on and off over the next decade or two, had a couple more kids, but finally decided to call it quits and finalize their divorce at the end of the twentieth century. True to form, they couldn’t agree when to do that, she insisting that it be at the end of 1999 and he at the end of 2000.

As the 1970s dragged into the 1980s, and then the 1990s, they lived their separate lives. She watched as most of what she believed in during her counterculture days entered the mainstream. Not only had sex, drugs, and rocknroll become commonplace, but so had a quirky entrepreneurial individualism and appreciation for alternative lifestyles. She eventually moved to Portland as an apprentice pastry chef, where she now owns a regional mini-chain of successful artisanal bio-organic paleo-grained brick oven bakeries, writes a popular food blog, and lives comfortably in the Pearl District. He watched as the Left he fought for retreated from the streets, ultimately to retrench in its final academic bastion. Not only had revolutionary politics and Marxism given way to identity politics and French postmodernism, but the Left’s scant successes had quickly dead-ended in political correctness. He eventually resurfaced with a teaching career in New York City, where he is now a tenured Sociology professor at NYU, lectures and writes on social movements, and lives comfortably in Park Slope.

And here’s where I walk away from my all-to-obvious analogy. My initial point is that pundits who proclaim that those who fomented the 1960s “lost politically, but won culturally” commit the most basic error of constructing a straw man out of the notion that there was one, unitary “60s generation.” There were two main currents to the 60s—the hippie counterculture and the Left/social movements—that share the coincidence of their proximate births and participant demographics, but little else. These two currents frequently interacted and occasionally merged, but ultimately they remained discrete, and experienced different fates. The hippies won culturally, and the New Leftists lost politically.

The conflation of different aspects of the 1960s is often not just an error of punditry, its a tactic of conservative Kulturkampf. Conservatives have long attempted to fabricate an imaginary, monolithic enemy-from-within, responsible for the decline of America and the corruption of its moral fiber since the 60s. The hedonistic hippie counterculture was in complete cahoots with a New Left become New Communist Movement, which was secretly in league with the Great Society welfare state, Democratic Party permissive liberalism, a mainstream media monopoly, corrupt socialistic unions, ad nauseam; thus inventing one sweeping, victorious anti-American juggernaut that every right-minded, freedom-loving, patriotic citizen needed to oppose by any means necessary. Culture wars have been the party line ever since the Reagan presidency. During that time conservatives moved American politics steadily, inexorably, to the right under an ideological variation known as neoliberalism, itself a supposed revival of 19th century classical Manchester liberalism. Because let’s make no mistake here, whether the counterculture won and the Left lost in the short run, capitalism wins out in the long run. The individualistic “do your own thing” hippies fit in perfectly with America’s self-reliant pioneer individualism and besides, everybody wanted to make money after the 60s.

I decided not to get cute and extend my original analogy to follow the children of my fantasy hippie/New Left couple by describing which one became a Wall Street broker versus which one became a punk rocker and so on. Most who went through the 60s as active participants, as well as their offspring, got jobs and became productive members of society, so what I’m interested in are those who rebelled against all that, even against the 60s, even for rebellion’s sake, oftentimes forming their own countercultures in the process. Rarely did such counter countercultural rebellions lump both “parents” into a single target however. Heavy Metal as a counterculture maintains a direct line of descent from the 60s counterculture, which makes its rebelliousness all rather conventional, even traditional. Punk rock rebellion was against “all that hippie shit” and created its own counterculture based on “do it yourself” and “fuck shit up.” But because punk was basically apolitical, it was easily swayed by politics, left or right, ultimately to descend into peace punks vs skinheads by the 80s.

There were those who had nothing against sex, drugs, and rocknroll, but who thought all that hippie “peace and love” was naïve bullshit. What chafed them unduly were the demands for political correctness which originated in academia, echoed around government and the media, and were blithely parroted by Gen X kids. These young white dudes, and they were mostly young white males, were angry about the influence of the PC Left in America. Inspired by the zine Answer Me! produced by Jim and Debbie Goad from 1991 to 1994, they created a rabid if limited anti-PC counterculture which, according to Spin Magazine, quickly transcended pissed off, working class whiteboy Jim Goad and his “fuck you and your feelings too” zine. There was the Unpop art movement, various publishing companies like Feral House, even an Angry White Male tour which featured Jim Goad, Mike Diana, Shane Bugbee, the Boone Bros., Skitzo, and King Velveeda. Lots of young angry white boys were plenty pissed that they now had to consider the perspectives of women, blacks, gays, and other minorities, and they believed their misogynist, racist, homophobic, frequently humorous invective was not “punching down” but rather “punching up” because, you know, liberalism and the Left were really in control.

Aside from Goad, the usual suspects in this post-60s contrarian counterculture included Boyd Rice, Brian Clark, Shaun Partridge, Adam Parfrey, Lorin Partridge, Nick Bougas/A. Wyatt Mann, Michael Moynihan, Larry Wessel, et al. As is invariably the case, antagonisms and rifts eventually split up these anti-PC counter countercultural bad boys, since they had really little in common other than their hatred of the Left, liberalism, and PC politics. Some drifted off into business-as-usual conservatism, others became neofascists, but most just wanted to make a buck. Their immediate heir was Vice Media, which at its inception as a magazine combined muckraking journalism with frat boy humor and soft porn skin mag aesthetics. What Lizzie Widdicombe described in “The Bad-Boy Brand” for the New Yorker as Vice’s early combination of “investigative reporting with a sensibility that is adolescent, male, and proudly boorish” has since been moderated for the sake of maximizing profit and moving into the mainstream. That leaves folks like Gavin McInnes—big Goad fan and ex-Vice cofounder fired for being unwilling to go along with the program—to continue the good fight ranting against the Left, liberals, and political correctness today.

One thing I find interesting is that right-wing libertarianism seems to be the default politics for those individuals intent on winning the culture wars while still snorting coke and watching porn. Goad might best be described as paleo-libertarian, while both Vice and McInnes are self-proclaimed libertarian. I think that claiming an absolute right to freedom of expression, aside from triggering such knee-jerk libertarianism, is invariably used as an excuse for their juvenile, rude, malicious, thuggish behavior. Once past hating on the Left, without their libertarian label of convenience, and no longer young, these angry white male morons would just be your run-of-the-mill GOP conservative good ol’ boys, maybe with a smidgen of neo-Nazi wingnut thrown in to keep things interesting. Said another way, scratch a Vice-like libertarian and you might just uncover a fascist.

Ethan A. Russell wrote: “In retrospect people often seem embarrassed by that time—the late sixties into the seventies—as if suddenly confronted with some lunatic member of your family, once revered, now disgraced.” (Dear Mr. Fantasy: Diary of a Decade: Our Time and Rock and Roll) Having experienced much of the 60s as a late hippie and New Leftist, I’m neither embarrassed by my life then nor do I revere that complicated decade now. I do think that efforts to frame things in terms of a singular “60s generation” are misinformed and flawed at best, and at worst help to construct a demonic hollow man out of the 60s as a conservative culture wars ploy. The Angry White Male shtick—with Goad for real and with McInnes as pose—will be around as long as political correctness persists. But that’s so, so boring.

(Copy editing by K Raketz.)

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