The Long Sixties: “Lefty” Hooligan, “What’s Left?”, September 2023

The Sixties, henceforth designated the Long Sixties, are a touchstone for me. I make a lot of “coming late to the party” as I became aware of politics only in 1968 at age 16. And so I return to this period of my life obsessively in my writing. This piece treats the historical period as crucially intertwined with the history of the United States. To understand what I’m hoping to accomplish, consider that from one perspective the Vietnam War (1946-1975) was a war for national liberation—part of the decolonization wave of Africa, Asia and Latin America—that saw the defeat of first France and then the United States, and inspired similar armed struggles around the globe. But from another perspective America’s initial involvement in the Vietnam War—when the US first shipped military aid to the French colonial administration in 1950 and Eisenhower first sent military advisors to train the South Vietnamese Army in 1955—was crucial to the historical impact of the Long Sixties through the numerous movements I detail below. Because so much happened in these two decades, I’m necessarily selective about what I’m including in this synopsis. Instead of my regular column, I’m fashioning this as a type of “CliffsNotes,” a shorthand attempt to summarize the Long Sixties every time I drop the term. Expect this to be periodically updated in future installments as I expound and expand on it.

THE LONG SIXTIES: 1955-1975:
Contours Of U.S. History:

Colonial origins, continental expansion (Manifest Destiny) with displacement of the native population, and hemispheric hegemony (Monroe Doctrine). Capitalist individualism and entrepreneurialism alongside Black plantation slavery, Civil War, failed Reconstruction, codification of Jim Crow racial segregation reinforced by white supremacist terrorism. Beginnings of empire and imperialist interventionism, robber baron capitalism mythologizing laissez-faire while creating monopoly, US entry onto international stage with first World War. Assumption of two-camp capitalist/socialist global division around 1917 Russian Revolution, economic crisis in world capitalism, Great Depression, beginning of US welfare state with FDR/New Deal. Second World War between fascist Axis powers and US/USSR allies of convenience, US supersedes British imperial reach. Post-war consolidation of American corporate state and Pax Americana.

Elements Of The Long Sixties:

• American Way Of Life: American Liberalism’s welfare state, as constructed by Franklin D. Roosevelt (New Deal), Harry Truman (Square Deal), John F. Kennedy (New Frontier), and Lyndon Johnson (Great Society), integrated with the team cooperation, bureaucratic management, and multinational scope of Monopoly Capitalism. The individual subsumed to the organization. This required worker-management cooperation to guarantee labor peace through a liberal corporatist consensus. The American Way of Life defined a time of suburbanization, consumerism, material surplus and affluence; “the world’s highest standard of living.”

• The Cold War: The post-second World War division of the world into two contending power blocs, the US-dominated “Free World” and the USSR-dominated “Communist bloc.” Instead of direct military conflicts between the two superpowers, proxy or brush wars were fought indirectly between their spheres of influence, often in nations on the periphery (Korea, Vietnam). Anti-imperialist wars of national liberation often relied on asymmetrical guerrilla warfare to achieve decolonization, national self-determination and putative socialism. The rise of China (PRC) and the Third World further fractured and complicated the Cold War internationally. A bipartisan Cold War consensus about the means and ends of American foreign policy against the Soviet threat was considered to have prevailed domestically

• Rock Music/Youth Culture: The cross-pollination of rhythm-and-blues and gospel music from American Black culture with country/western music to create rock-and-roll, a cross fertilization of ethnic and regional styles that included the trend toward inter-racial bands. Rock Music/Youth Culture emphasized the importance of youth trends, tastes, and consumption and spread almost immediately to Britain, then to Western Europe, and finally to the rest of the world. A number of distinct rock-and-roll sub genres emerged by the late 1960s (blues rock, folk rock, country rock, psychedelic rock, jazz/rock fusion, progressive rock, heavy metal, etc). Dovetailing with the Beat Generation’s nihilism, youthful rebellion became social discontent that, when combined with quasi-sacramental drug use and liberated sexuality, formed the “turn on, tune in, drop out” freethinking communalist Hippie Counterculture/Youth Movement. Large, multi-day music festivals and intentional communities were hallmarks of the movement. The collective organizing, urban cooperatives and back-to-the-land rural communes of the San Francisco Diggers, Merry Pranksters, Good Earth, Hog Farm, White Panther Party, UATW-MF, etc. attempted to establish a practical alternative society on the ground and had decidedly anarchistic sensibilities.

• Civil Rights Movement: Starting with Brown vs Board of Education, the NAACP, and desegregation the rise of Black protest, nonviolent civil disobedience and various tactics (marches, boycotts, sit-ins, etc) through ML King, SCLC, SNCC and CORE. The move away from moderate incrementalism and nonviolent civil disobedience led to the Black Power Movement as enunciated by Stokely Carmichael and embodied by the Black Panther Party (BPP) for Self Defense. Both revolutionary Black nationalist and socialist, the BPP was influenced by one of the legacies of slavery, the Civil War and Reconstruction—Black Nationalism—specifically Marcus Garvey (Back to Africa) and the Nation of Islam (Black separatism) both of which emphasized cultural and economic autonomy. The BPP monitored the Oakland Police with armed patrols and ran a Free Breakfast for Children Program. In turn, Black Power led to Brown Power (Brown Berets, Young Lords Party), Yellow Power (Red Guard, I Wor Kuen), and Red Power (American Indian Movement). The Black Student Union and Third World Liberation Front at San Francisco State College led a successful 3-month-long strike demanding ethnic studies in 1968, and AIM occupied the island of Alcatraz for nearly 19 months (1969-1971).

• New Left: Students for a Democratic Society, founded in 1962, and the sit-in occupation at UC Berkeley in 1964-65 known as the Free Speech Movement represented an ever-widening student rebellion that consciously set itself apart from the party-oriented/class-oriented Old Left of the Socialist Party (social democratic), Communist Party USA (Marxist-Leninist), and Socialist Workers Party (Trotskyist). The New Left’s sit-ins, teach-ins, occupations, demonstrations and strikes in colleges and universities across the country cross-pollinated with the Hippie Counterculture and the Anti-Vietnam War Movement, sometimes producing hybrids like the Yippies. SDS continued with university and community/neighborhood organizing, shifting to anti-draft/anti-war work as the 60s went on. The attempt by the anti-revisionist Maoist Progressive Labor Party-Worker/Student Alliance to take over SDS led to sectarianism, factional infighting and splintering, and eventual dissolution. An ever-increasingly fractious landscape of multiplying groupuscules known as the New Communist Movement roughly polarized between a clandestine armed struggle tendency [Weatherman/Weather Underground Organization, May 19th Communist Organization, Black Liberation Army, Symbionese Liberation Army, et al] and a vanguard party-building tendency [October League/Communist Party (Marxist–Leninist), Revolutionary Union/Revolutionary Communist Party, USA, Organization for Revolutionary Unity, League of Revolutionary Struggle, Communist Workers Party, Sojourner Truth Organization, Venceremos Organization, ad nauseam] The NCM’s ideological hodgepodge of anti-revisionism, anti-imperialism, anti-racism, anti-sexism, support for Cuba, Vietnam, national liberation struggles generally and various Third World ideologies, Maoism, Stalinism, Hoxhaism, etc., never congealed into a single coherent organization. Its endless wrangling over the “correct line,” macho posturing, overt homophobia, and support for genocidal Third World movements (Khmer Rouge, Shining Path) were notable negatives. A notable positive was the turn to rank-and-file labor organizing (Dodge Revolutionary Union Movement, Miners for Democracy, Teamsters for a Democratic Union, etc) emphasized in the Long Seventies (1965-1981). Other tendencies survived the collapse of SDS with a revival of anarchism, a Gramscian/socialist-feminist New American Movement etc. And the NCM was paralleled by a bewildering proliferation of Trotskyist groupuscules (International Socialists, Revolutionary Socialist League, Freedom Socialist Party, etc,) [Precursor Revolutionary Labor Movements: The Industrial Workers of the World (IWW) with its emphasis on direct action and use of free speech fights. The Committee for Industrial Organization (CIO, later Congress of Industrial Organizations) with its stress on collective bargaining and use of the sit-down tactic. Both deployed various labor actions (strikes, boycotts, slowdowns, sabotage, etc) culminating in the all-encompassing General Strike.]

The Women’s Liberation Movement had its roots in Women’s Suffrage, with the goal of complete social equality for women, ending the patriarchy, and ultimately abolishing all sexual and social hierarchies in a realization of full human intersectionality. Feminist organizations included NOW (liberal), New American Movement (socialist), Bread and Roses (anarchist), and Redstockings (radical). Because homosexuality was illegal until recently, the Gay Liberation Movement relied on secret social clubs—Mattachine Society for gay men, Daughters of Bilitis for lesbian women—to organize. The San Francisco Compton’s Cafeteria Riot in 1966 and the New York Stonewall Riot in 1969 propelled the Movement into the public eye.

• Ecology Movement: The first pictures of the whole earth from space inspired both Stewart Brand’s Whole Earth Catalog and the environmental movement, which celebrated the first Earth Day on April 22, 1970. Environmental organizations range from liberal (Sierra Club) to radical (Earth First!). Without the planet there were no sixties, long or otherwise.

• GI/Veterans Movement: Whereas Black Americans constituted just 12% of the population, they occupied 31% of the ground combat positions in Vietnam and suffered 24% of the casualties. Martin Luther King called Vietnam a white man’s war but a Black man’s fight. It was also a rich man’s war but a poor man’s fight, in that high school grads had to go off to fight in Vietnam while the children of the educated got college deferments. After the Tet Offensive the US was losing the war although few citizens realized it and almost none admitted it. There were nearly a half million American troops in-country by 1967. Drug use among the troops—from marijuana to heroin—was rampant, as was racial unrest. What followed was the near-collapse of the US Military with murder, riot, beatings, arson and mass refusal to deploy or follow orders. Troop casualties rose annually, reaching nearly 17,000 in 1968, at which time Nixon’s combined strategy of Vietnamization and expanding the air war across Southeast Asia went into effect. A growing number of US military bases in this country and abroad were host to anti-war GI coffee houses off base where propaganda and organizing was available. And veterans were returning to the burgeoning mass Anti-Vietnam War Movement in the streets spearheading creative protests like Operation Dewey Canyon III in 1971 where Vietnam Veterans Against the War threw back their medals, awards, ribbons and commendations onto the US Capitol building. Early anti-conscription, civil disobedience and anti-war organizing came from traditional peace groups (Quakers, War Resisters League) and took hold among students facing the draft. The Trotskyist Socialist Workers Party formed the New Mobilization Committee to End the War in Vietnam (New Mobe) in 1966 and organized ever larger national marches and rallies, a mass demonstration strategy demanding “immediate withdrawal” as opposed to “negotiated peace.” Replaced by the SWP-dominated National Peace Action Coalition after acrimonious splits in 1970, other anti-war organizations and strategies arose (MayDay Tribe with mass civil disobedience, People’s Coalition for Peace and Justice with a “People’s Peace Treaty”). Divisiveness weakened the anti-war movement, causing a lull in protests and demonstrations. The largest protest against the Vietnam War occurred on April 24, 1971 in Washington, DC where upwards of half a million participated, with another 150,000 marching in San Francisco, CA. The National Chicano Moratorium Committee Against The Vietnam War reached its peak on August 29, 1970 with a march of 30,000 in East Los Angeles.

 

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Drugs: “Lefty” Hooligan, “What’s Left?”, July 2023

I’m a cat person. At one time my wife and I had three indoor cats. As my wife’s asthma grew worse we let them die of natural causes one by one so that now we’re cat-less.

One of their treats was letting our cats indulge in some catnip. They ate it and rolled in the leaves and stems. Then they would start sneezing, licking, rubbing themselves, stretching, jumping, hopping around, stalking imaginary prey, acting dazed, even drooling. It’s not as if they sought it out but they did enjoy catnip when we gave it to them.

Various animals have an affinity for mind-altering substances. Deer, moose and caribou get high on fly agaric mushrooms. Cows graze on locoweed. Bighorned sheep scrape hallucinogenic lichen. Dolphins squeeze puffer fish for their neurotoxins. And numerous creatures demonstrate a fondness for alcohol—from monkeys, chimpanzees and other primates, birds like lorikeets, cedar waxwings, blackbirds and redwings, various species of bats, to insects like bees and fruit flies. Some of the animals that indulge in this panoply of drugs become dependent on them, showing signs of addiction, and experience withdrawal when access to those drugs is removed.Hominids have indulged in alcohol for some 200 million years and hominins for over 8 million years, a primate-alcohol dynamic called the “drunken monkey hypothesis.” Our primate ancestors may have developed our genetic predilection for alcohol from their dependence on ripe, fermenting fruit as their main food source. There is circumstantial proof that Neanderthals and other archaic humans used psychoactive drugs and more significant archeological, anthropological and historical evidence that modern humans have been sometimes avid users of betel nut, khat, kava, nutmeg, nicotine, caffeine, cocaine, opium, heroin, marijuana, peyote, ayahuasca, psilocybin, etc. The spread of human psychoactive drug use always came with frequent instances of addiction and withdrawal.

I grew up in the overwhelmingly white suburbs of California. The only drugs I was exposed to were the legal and readily available ones—caffeine, nicotine, and alcohol. There was secret prescription pill abuse, of course, but the truly illegal stuff—heroin, marijuana, cocaine, etc—was relegated to the poor and people of color. It was when a subculture of literary, nonconformist, nihilistic, downwardly mobile white people—the Beat Generation—came into contact with jazz and poverty that these drugs made their way into mainstream American society. Such drug use was considered “cool” and included experimentation with psychedelics. The beatnik subculture overlapped with the hippie counterculture which was more rock music-oriented, rebellious and idealistic. The concept of “cool” was universalized and the range of experimental drugs broadened.

And that’s when I entered the picture. I joined the counterculture, the New Left, the “Revolution” some time between the Prague Spring and the Chicago Democratic National Convention in 1968. I started thinking politically, if naively, and committed myself to the left side of the culture wars that had been raging for over a decade by then.

That was roughly the same timeframe that the San Francisco Diggers scattered. David Talbot contends that: “[b]y the time the Summer of Love was over, the Diggers leaders had all drifted off to country communes, celebrity entourages, hard drugs, the Hell’s Angels, or all the above,” which was a premature assessment. Digger groups were active throughout the end of 1967 and into 1968 when the Diggers Free City Collective held their last San Francisco event, a summer solstice celebration, on Monday, July 1, 1968. The reasons posited for their demise, however, were correct enough. The San Francisco Diggers emerged in 1965 from the nexus of “the bohemian/underground art/theater scene, and the New Left/civil rights/peace movement.” The Diggers combined “street theater, anarcho-direct action, and art happenings in their social agenda of creating a Free City. Their most famous activities revolved around distributing Free Food every day in the Park, and distributing ‘surplus energy’ at a series of Free Stores (where everything was free for the taking.)” One of the more infamous Digger leaders, Emmett Grogan, took issue with the Left’s insistence that: “[O]ne had to be either a Marxist, Leninist, Trotskyite, Maoist, or hold to some combination of these ideologies, or else be politically categorized an anarchist. All these radical labelers ever did was read, write about or discuss the different revolutionary theories, dealing with semantics, while […] the Diggers refused to discuss publicly or define the political dialectics of the work they never ceased to continue to do. Work which was alien neither to Marxism or Maoism but at the time needed neither to endure.”

Grogan was born a streetwise working class Brooklyn kid named Eugene Leo Grogan (aka Kenny Wisdom), who got addicted to heroin before a teenager, then kicked the habit, won a scholarship to an elite private school, pursued a lucrative career as a Park Avenue burglar, and “retired” to Italy. He briefly attended Duke University after high school. When Grogan returned to his heroin habit in San Francisco he arguably helped contribute to the downfall of the Diggers.“Emmett struck me with a needle twice,” Peter Coyote writes in his introduction to Grogan’s book Ringolevio when Emmett first pierced his ear. “The second time […] the needle was a syringe, loaded with heroin. ‘It’ll change ya,’ he said, and it changed a lot. […] I began the process of ruining a heretofore healthy body […] Emmett’s road petered out ‘at the end of the line’ of the Coney Island subway April Fools Day 1978 – some twelve years later, where his body was found, dead of an overdose.”

Of the counterculture’s various drugs grass was just pleasure and fun, acid was the key to transcendent reality and junk was “associated with creative luminaries like Basquiat, Cobain, Jagger, and Joplin. […] [H]eroin has retained a certain allure, the reigning drug of genius. Those who die at its hands — the famous ones, at least — don’t just die, but flame out terrifically, having ‘lived too hard’ and ‘felt too much’ but barely scratched the surface of their potential.” But alcohol does far more damage physically and mentally and is harder and more dangerous to withdraw from than heroin.

“The Good Earth communards took up where the Diggers left off” in 1968 “but in many ways they were tougher and more resilient. The core group within the commune were life-hardened young men and women—ex-cons, Vietnam veterans, streetwise runaways—who knew how to survive. They called themselves a church and claimed pot as their sacrament, and they preached the usual peace and love philosophy. Still, they were no pushovers. They loved their neighborhood, but they knew it was turning into a jungle, with violent predators and vicious cops around every corner. Good Earth made it widely known that it was prepared to defend its turf.”

The Good Earth Commune was smaller in numbers, but more tightly organized and disciplined than the Diggers; nine well-armed houses in the Haight that were part of the second hippie settler wave when the Haight-Ashbury became a dangerous place overrun by junkies, speed freaks, dope dealers and corrupt cops. The Good Earth made their money from selling “soft” drugs—marijuana and LSD—but at first they forbade members from using, let alone selling, anything harder. One of their main internal debates was whether something was a “soft drug” or a “hard drug,” and that debate resurfaced in 1974 when cocaine started making the rounds in San Francisco. Ultimately, the Good Earth Commune’s leadership decided cocaine was a soft drug, a fatal mistake.“Drugs and money were our downfall,” Steve Kever said. “We became very self-indulgent; we got seduced by all the flash. There was suddenly huge amounts of money from dealing coke, and we had access to a kind of lifestyle that people can only dream of. We had been a hard-working hippie commune, and suddenly people were giving you their flashy cars when they got tired of them because they wanted something flashier.”

The distinction between soft and hard drugs that eventually brought down the Good Earth was debated by a number of countercultural scenes, most notably the Motherfuckers in New York City and the Provos/Kabouters in Amsterdam. And without venturing into Straight Edge puritanism, I don’t think it’s possible to draw a hard and fast line between such categories of drugs. There is really no such thing as a drug that does not have some bad side effects or detrimental consequences. As I’ve mentioned, one of the most dangerous “hard drugs” is one of the most socially and historically accepted, that being alcohol. In my day we were in search of the strongest marijuana we could find, with Colombian Gold much sought after. But by today’s standards of potency, the marijuana in the 60’s was dirt weed. Medical marijuana proponents today argue that cannabis is not very dangerous or can be made relatively safe with vaping or ingesting. Yet heavy use of high-potency cannabis is now being linked to schizophrenia, particularly among young men.

It’s hard to imagine our cats seeking out, demanding or doing crimes for high-potency catnip.

SOURCES:
Personal recollections
http://www.diggers.org
Ringolevio: A Life Played For Keeps by Emmett Grogan (1972)
Introduction to Ringolevio by Peter Coyote (1990)
Season of the Witch: Enchantment, Terror, and Deliverance in the City of Love by David Talbot (2012)
“The heroin mystique” by Alyssa Giacobbe (The Boston Globe, 2-23-2014)

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Heart of a heartless world: “Lefty” Hooligan, “What’s Left?”, March 2023

To be sure, some of the language adopted by Marxists — e.g., heresies, dogma, sects, orthodoxy, schisms — is clearly borrowed from theological disputes. Furthermore, the recantations made by ex-communists at times seems to lend credence to this view.
Ross Laurence Wolfe, The Charnel-House: From Bauhaus to Beinhaus

For the life of me, I don’t know how we managed before the internet.

Of course there was the 1960s underground press scene with hundreds of local papers around the country. I regularly picked up copies of the Los Angeles Free Press, the Berkeley Barb, and the mother of all alternative newspapers, the Village Voice, from Anne Chicoine’s Books. Anne was an expatriate New Yorker who ran a literary bookshop in a shotgun storefront along Main Street when I lived in Ventura, California. She smoked a meerschaum pipe, spoke with a Manhattan accent, and gave me suggestions for books to read from her wall-to-wall floor-to-ceiling bookshelves. She kept the alternative papers with the underground comics in the revolving newspaper racks at the front of the store.

“So what’s this?” I asked, pointing to the Credentials of Ministry from the Universal Life Church with her name on it beside the cash register.

“I’m a fully ordained minister,” Anne smirked. “I got my minister’s license from a classified ad in the Freep for ten bucks. You need a wedding, baptism or funeral done I’m your gal. All perfectly legal apparently.”

I got my minister’s certificate soon thereafter. Kirby J. Hensley’s ULC and his pay-to-play ministry licenses were beginning to be tested legally in the early 1970s with a 1974 ruling in “Cramer v Commonwealth” granting the organization a religious tax exemption. By then Hensley had ordained over a million ministers. Whether the UCL’s license constitutes a fraudulent religious affiliation for tax avoidance purposes remains a contested issue. Whether or not a supposed religious organization is due a tax exemption is a matter of “church and state” in that America’s religion has always been the almighty dollar.

ULC’s airy-fairy motto is “Do that which is right,” a blanket ethics that covered Christians, Jews, Buddhists, Hindus, Sikhs, Wiccans, pagans, atheists and whoever else. It’s a vanilla version of Aleister Crowley’s rule for his Abbey of Thélème that “Do what thou wilt shall be the whole of The Law.” I bounced between atheism and agnosticism in those days so I got the minister’s license on a lark. I was just coming out of a six-month stint as an evangelical Christian after having been a Catholic through my sacramental Confirmation. I would go on to experiment with Unitarianism, Baháʼí-ism and Zen Buddhism, and I continue to have an ongoing interest in spirituality today.

That’s because throughout my life I’ve had what we called in the 1960s “spiritual experiences” produced by contemplative walking, religious conversion, meditative practices, and psychedelic drug usage. I never considered these experiences to be interventions from some spiritual being or realm outside myself. They were all the result of my individual biochemistry, but this isn’t a matter of crude materialist interaction. At base Aristotle’s expression that “the whole is greater than the sum of its parts” holds true in that, minimally, the accumulated parts need to be augmented by the relationships between those parts. Dialectics emerged in the nineteenth century while gestalt and synergy arose in the twentieth century all to describe the interaction or cooperation between elements of a totality to account for it being greater than the simple sum of those parts.

William James gave a series of lectures to categorize the different spiritual encounters humans have had across the world throughout time which were compiled into the book The Varieties of Religious Experience in 1902. Two common elements that seem to constitute universalities, are the mystical sensation of transcending the ego and of communion. Every hippie worth their salt in the 1960s had a bottle of Dr. Bronner’s Magic Soap with those text-heavy labels that read like schizophrenic word salad but which always started with the declaration “All-One!” The spiritual sense of communion, of belonging to some greater whole or that “I contain multitudes” as Walt Whitman announced in his poem Song of Myself, is paralleled by what those of us who took psychedelics in the 1960s called “ego death.” The drugs forced a temporary loss of a sense of self which we equated with Eastern religions that promoted negating the individual’s attachment to a separate sense of ego through various spiritual practices. James chose to limit his studies of mystical moments to direct, immediate religious experiences, explicitly excluding any examination of religious theology or institutions. Several of my mystical experiences occurred in the context of churches and other religious organizations that had extremely negative theologies and religious practices.

I encountered plenty of heresy, dogma, sectarianism, orthodoxy and schism during my brief involvement in Campus Crusade for Christ at Ventura Community College in 1970. The friend who converted me, upon expressing frustration at the rabid leftwing bent to my born-again Christianity, dismissed my politics and my friendship by insisting that I forget about all worldly concerns and simply study my bible. When our campus was invaded by a Children of God “commune” whose “hippie” members denounced “The System,” predicted the rise of a totalitarian One World Government under the Anti-Christ’s brutal dictatorship, and preached its revolutionary overthrow by Jesus in the Second Coming, my orthodox Christian friends were understandably confused. They considered themselves frontline shock troops against evil, so when the Hare Krishnas periodically showed up to dance and chant at our school the Christians confronted the saffron-robed dolts as demon-possessed. During one debate when a Krishna pointed to the chest of that same Christian friend to indicate that some fanciful Hindu deity resided in his heart, my friend yelled vehemently back that “There’s no devil in me whatsoever, no sir!” That was the first time I experienced the evangelical tendency to profess a love for Israel and the Jewish people while simultaneously expressing vile anti-Semitic insults against Jews. Christian Zionists consider Jews as both “globalist devils” and an eschatological tripwire for the End Times in which the Second Coming of Jesus restores a fully resurrected Israel to its rightful place as a religious and cultural beacon in the community of nations. It’s the metaphor of “Christ’s long suffering bride,” both abused and redeemed.

After community college, I eventually started reading Karl Marx, who wrote that:

Religious suffering is, at one and the same time, the expression of real suffering and a protest against real suffering. Religion is the sigh of the oppressed creature, the heart of a heartless world, and the soul of soulless conditions. It is the opium of the people.

This tempered, dialectical understanding of human faith runs counter to the actual history of religion—the intolerance, oppression, sectarianism, mayhem, torture, slaughter, mass murder, and warfare that is SOP for religion. Doris Lessing made a similarly balanced evaluation of Marxism when she wrote:

I think it is possible that Marxism was the first attempt, for our time, outside the formal religions, at a world-mind, a world ethic. It went wrong, could not prevent itself from dividing and subdividing, like all the other religions, into smaller and smaller chapels, sects and creeds. But it was an attempt.

Religion is far and away the more destructive ideology when compared to Marxism. There are no “holy wars” between branches of socialism unlike the Catholic/Protestant or the Christian/Moslem bloodbaths that stain history and the present. I don’t accept the capitalist insult that socialism is an odious form of religion (Ludwig von Mises) or the bourgeois atheist’s claim that Christianity or Judaism are fundamentally socialistic in nature (Ayn Rand). Instead I’ll briefly touch on Marxism’s eschatological tendency per Raymond Aron to see the working class as humanity’s “collective savior… that is, the class elected through suffering for the redemption of humanity.” “One of the most common charges leveled at Marxists is that, for all their atheistic pretensions, they retain a quasi-religious faith in the revolutionary dispensation of working class dictatorship,” according to Ross Laurence Wolfe in his salient essay “Demonology of the working class”. “’It’s become an almost compulsory figure of speech to refer to Marxism as a Church,’ observed the French literary critic Roland Barthes in 1951. […] Socialism, however, is not about worshiping but rather abolishing the worker.”

The problems of Marxist “theology” aside, my time in various socialist organizations and movements acquainted me with a number of similar “spiritual” moments. There are analogous experiences of egolessness, communion, and community to be had on the Left compared with religion. Referring again to Wolfe’s brilliant essay, I reveled in the “mad rush” of direct action and the “demonic character” of revolution. Certainly the “Faustian dimension of Marxist thought”—his exaltation of the proletariat as “not just Promethean but Luciferian”—appealed to me viscerally. Wolfe’s lengthy discussion of Marxism’s deification of the proletariat versus the need to abolish the working class is well worth reading in full.

SOURCES:
Personal recollections
A Contribution to the Critique of Hegel’s Philosophy of Right, “Introduction” by Karl Marx (1844)
Song of Myself by Walt Whitman (1855)
The Varieties of Religious Experience by William James (1902)
The Golden Notebook, “Introduction” by Doris Lessing (1971)
“Demonology of the working class” by Ross Laurence Wolfe, The Charnel-House: From Bauhaus to Beinhaus (2016)

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Party of one: “Lefty” Hooligan, “What’s Left?”, April 2022

Four independent workers’ soviets operated concurrently in Moscow during the Russian 1905 Revolution. Proud Soviet historians were always quick to point out that the one aligned with the Bolsheviks operated a bomb-making operation out of Maxim Gorky’s apartment. Meanwhile, the more famous 1905 St. Petersburg workers’ and soldiers’ soviet, precursor to the 1917 Petrograd soviet, had puzzling gaps in its official Soviet history until the anarchist historian Voline published The Unknown Revolution, 1917-1921 in 1947. In it he revealed that the soviet met in his St. Petersburg apartment.

Aside from the usual disputes over primary and secondary evidence or what constitutes historical fact, and before any arguments over what a particular history signifies, there are always the missing parts of history. What I mean is the things that happened and affected the course of history but that never got recorded in the historical record and thus were subsequently forgotten. The 1905 St. Petersburg workers’ and soldiers’ soviet met in Voline’s apartment and contributed to the development of soviet power whether or not that fact was entered into the historical record prior to 1947. So yes, if a tree falls in the forest, it makes a sound. Continue reading

Fashion Statement or Counterculture: “What’s Left?” July 2016, MRR #398

FashionStatement
I attended a “Faces of Death” party in San Diego between 1980 and 1982. I don’t remember the exact date as I was drinking heavily at the time, and some details are pretty much a blur from those days. “Faces of Death” was a film compilation of various explicit on-camera death scenes—half of them fake—which led to a movie series, and then a horror genre. I’d heard that Boyd Rice organized the party, not around a video showing but in honor of the suicide of Joy Division singer Ian Curtis. The living room had a shrine set up, with black and red altar cloths and lit tapered black candles featuring a framed picture of Ian alongside one of Adolf Hitler. Boyd hadn’t yet transitioned into full-on racist fascism, so this was him being transgressive and oh-so-naughty. The soundtrack for the evening, besides Joy Division, included Throbbing Gristle, Boyd’s band Non, Cabaret Voltaire, and others.

I found the whole party morose and boring, and left soon after arriving, no doubt in search of more alcohol. But all the future dark tribes, from Industrial to Goth, were present in embryo. I’ve told this story many times before. What’s brought it to mind now was Genesis P-Orridge posting on his FB page a slick conspiracy video-remastering of the hoax “Protocols of the Elders of Zion” using the Rothschild family. I’m FB friends with several anti-fascists, and the reaction was intense. One individual in particular, someone whom I’d been corresponding with back and forth since before FB when he was commenting on my political blog, stated that he was distressed over what Genesis had done because he really liked both Throbbing Gristle and Psychic TV. In the FB exchange, I realized I harbored prejudices born of that experience some 35 years prior, that a “certain kind of music” invariably leads to fascism.

I should have known better. In my Hit List review of Craig O’Hara’s book “The Philosophy of Punk” I’d argued against his idea that punk is inherently anarchist by contending that no type of politics is innate to punk as a genre of music. Aside from a visceral rebellion often characteristic of youth, it’s really all just about sex, drugs and rock’n’roll. I also didn’t learn from my about-face on country western music, when I came to appreciate Hank William’s Sr. and not to categorize the entire musical genre as “redneck.” And yet, country western music is consistently associated with conservative politics, punk rock with anarchism, and industrial/goth music with fascism. How can we account for these persistent connections without labeling them innate or inherent?

Which brings us to the relationship between music and politics. I’m sick and tired of writing about the elections anyway and besides, the Democratic and Republican National Conventions are playing out even as this issue is being sold on newsstands.

“If the right kind of beat makes you tap your foot,” Frank Zappa once said, provocatively. “[W]hat kind of beat makes you curl your fist and strike?” Zappa was ardently anti-censorship, so this bit of hyperbole was meant to highlight the complex relationship between music and other forms of human behavior, not to nail it down. However, I will attempt to do just that by mediating the links between music and politics through the lens of counterculture. Let’s begin with the mother of all countercultures, the hippie counterculture. Forgive me if what follows is painted in broad strokes. The making of that counterculture, to paraphrase Theodore Roszak, involved the merging of a genre of music influenced by folk, blues and rock with various unconventional lifestyles from the Romantics, Bohemians and the Beats, all in opposition to the prevailing Establishment culture of the day. Rock music and bohemian hipster lifestyles overlapped, and the counterculture was born from their interaction on this common ground.

Characterizing the hippie counterculture as all about “peace and love” is simplistic but fair, even as it misses the communalism underlying that social movement. Plenty of hippies like Stewart Brand had a philosophical hankering for capitalist libertarianism, and many others went on to become successful entrepreneurs. But the 60s were all about communalism—about crash pads, coops and communes—and as such the counterculture countered competitive American individualism. Hippie communalism was central to a naïve back-to-the-land movement, which laid the basis for today’s concerns with vegetarianism and organic agriculture. This conscious collectivism accounts for the incipient anarcho-leftism of much of the hippie counterculture, and it also explains the New Age fascism evident in other aspects. And to call the politics of the hippies collectivist is vague at best.

The 60s counterculture encompassed millions of young people around the world and by the Death of Hippie (dated 1967, 1968 or 1969, depending) there were already inklings of a smaller counter-counterculture in the making. Proto-punk music was emerging, and there was a growing disdain for the hippie “peace and love” mentality as too idealistic and impractical. Anger and aggression replaced those hippie sentiments—expressed in sayings like “search and destroy” and “fuck shit up”—and hippie communalism mutated into punk collectivism (squats, punk houses, venue collectives, etc.). DIY became the byword of punk action and the whole package, while not explicitly anarchist, tended toward the politically anarchic.

Also in reaction to the hippie counterculture, but somewhat later in time and still smaller in numbers, the industrial/goth/dark counter-counterculture took shape. There were distinct types of music and kinds of collectivism (Throbbing Gristle came out of the COUM Transmissions art collective and Laibach is part of the NSK art collective), but the doom and gloom of this scene was augmented by an intense obsession with all that is transgressive. And my argument paralleling punk rock is that while there was nothing in the industrial/goth/dark music scene that was inherently fascist, the fascination with being “oh so naughty” and transgressive also accounts for the tendency toward fascist imagery and even politics in the music.

This oversimplified history is not prescriptive, but descriptive. I’m trying to explain political trends without arguing that certain politics are innate to certain musical genres. Hippie peace and love was far different from punk anger and aggression or industrial/goth doom and gloom. But, apart from youthful rebellion and a desire to épater la bourgeoisie, these countercultures and counter-countercultures had at least three things in common: communal structures, DIY motivations, and transgressive impulses. Hippie communalism was intensely DIY, with the Whole Earth Catalog epitomizing the era. But hippie transgression was unashamedly hedonistic. I would contend that this counterculture went the furthest toward parrying the prevailing culture and creating a viable, wholistic alternative society that escaped simple left-or-right politics. In reacting against bourgeois society and the hippie counterculture, punk and industrial/goth further narrowed their respective cultural arenas, and further fragmented the wider society into numerous contending, jostling subcultures. Punk was violently transgressive, but its DIY emphasis was central, implying anarchistic politics. And industrial/goth was as DIY as punk, but it was the fascination with transgressive naughtiness that accounts for that counter-counterculture’s infatuation with fascist symbolism, which often spilled over into actual fascism.

Of course, it can be argued that whether it’s culture, counterculture, or counter-counterculture, the Western context for all of this is bourgeois individualism. From the libertinism and “do your own thing” of the 60s, the emphasis has been on the individual through punk and industrial/goth, various forms of communalism notwithstanding. Even to say that “it’s only rock and roll” is to acknowledge the primacy of this socio-political context for the cultural rebellions from the 60s onward.

I published an anarcho-punk zine called San Diego’s Daily Impulse from 1985 through 1989, which I distributed free at shows and to record stores. As part of that zine, I and a small group of friends put on an Anarchy Picnic in May, 1985. Several hundred people gathered to share food and beverage, acoustic music, and activities like frisbee and hacky-sack around literature tables, chalk, and sheets of butcher paper sprinkled with crayons and paint in Balboa Park. It was clear at the Anarchy Picnic that divisions like hippie, punk and goth were ephemeral, that tastes in music and fashion were not rigid, and that people mixed-and-matched scenes and countercultures as they desired. In the midst of this sunny picnic, with all the fun and frivolity, a couple strolled into the park wearing full Nazi Sturmabteilung uniforms, complete with prominent swastika armbands. The man was an SA-Gruppenführer, the woman his she-wolf of the SA, and together they walked a pair of Dobermans. They feigned being haughty and aloof, but it was clear that they pranced and preened over being so naughty and transgressive in their Nazi regalia.

No surprise, the Anarchy Picnickers ignored them.